I find it very difficult to compose when I'm not playing.

I do not mind having written the song at all. I just wish that I had written it in a different key, as the high d is hard to play. I am glad that I wrote something that brought joy to millions of people.

My brother had a big band in high school; after that we continued to play together, eventually forming a group called the Jazz Brothers, that recorded for Riverside Records.

Not with the Rochester Philharmonic, but I formed my own orchestra, made up of musicians from the Eastman School, where I'm on the faculty now, direct the Jazz Ensemble and teach improvisation classes.

The hiatus you spoke about happened in 1998. I was somewhat numb from being out on the road every night. I had to stop because I was emotionally and physically drained.

I have been recording for five decades now.

I made many studio albums and I think the danger of studio recording is that if you do not watch out, you come out with a perfectly sterile performance.

I write music people enjoy playing and listening to, and I have a group that loves playing the music.

To do it always right, that is what music is to me.

I was blessed to work with The Jazz Messengers when the two piano players were Keith Jarrett and Chick Corea.

Brazilian music has many of the ingredients that I strive for in my own music: Strong melodies and a disciplined but intense rhythmic concept, and interesting harmonies.

Then I loved the fact that we were actually recording live.

Music is meant to be a beautiful thing.

Because I don't believe music can be free unless it has something to be free from.

With four people you can create one very strong kind of energy, but if you can get 65 people working together, and swinging together, that's a whole other kind of energy.

We may play in a contemporary rock vein, use standard bebop themes, and many other things besides.

My music has always been strong in melodic content.

I can count on one hand the number of instrumental hits there have been over the last ten years.

I tend to not want to put labels or categories on the music, only because people come with preconceived ideas about what they're going to hear, or won't come for this reason.

What's happened - in our country, anyhow - is that the young people have shied away from the formality of the concert hall, that tie - and - tails philharmonic image.

Whether it's string writing or whatever, I try to write for what each instrumentalist can do best.

To pay 60 musicians for rehearsal and performance is quite something, and I decided I wouldn't be able to handle that kind of situation financially again, unless somebody else was taking care of that end of it.

I am glad that I wrote something that brought joy to millions of people.

I find it very difficult to compose when I'm not playing.

1972 was a year of many pleasant and rewarding experiences for me:

As for the symphonic activities... when I was a student at the Eastman School of Music, I became exposed to a lot more musical forms, elements, opportunities, and I fell in love with strings and their uses.

Most recently we've been working in concert situations rather than clubs. because there aren't too many rooms there like Ronnie Scott's, that are pure music rooms, where people come specifically to listen to music.

A studio recording is perfection, but emotion and passion come only when you turn on the machine and go for the groove. If you do that with no mistakes, it sounds beautiful.

Not compromising the music, but there is a way, by just showing the people that you're sincere and honest with what you're doing, and by talking to them.

My goal was never to sell many records.

In 1994, I started touring again and I recorded two albums for Chesky Jazz.

There's not much in the way of written-down arrangements - just things that Gerry and I have worked out, from playing spontaneously together and hanging on to whatever seems to fall in right.

It has very little to do with my work, but if your image is not sexy enough, people won't listen. It's part of the game.

I can feel the wind go by when I run. It feels good. It feels fast.

Ultimately, I'm not so sure that, as a person, I'm all that interesting.

People are seeking more power in the individual and less in government and institutions; they want more cooperation and less competition.

Let them fall into the snare which they have laid.

My first tic was to shake my head violently. I was in karate class, and I was shaking violently. All of a sudden, I just started to notice that the teacher was looking at me, and all the kids were wondering what I was doing. I suddenly felt really strange.

Purity is something that cannot be attained except by piling effort upon effort.

I am literally obsessed with Lena Dunham. She's, like, my favorite person in the world. I follow her on Twitter; I read her every day.

There's no business like show business, but there are several businesses like accounting.

The computer is incredibly fast accurate and stupid. Man is unbelievably slow inaccurate and brilliant. The marriage of the two is a force beyond calculation.

I guess when we were up against it, we knew this album was going to be compared to all the classic early material, because it was going back to the original five.

When you look at movies, the lead girl is always gorgeous and thin. There is a stereotype that you need to look a certain way and when you get in the business you really feel the pressure.

Doing ventures is great - I'm talking economics now - if you've got a rising market. It's wonderful. If I hadn't got HKT, I would have been just as happy. Because there's a price for everything. And to overpay for something is awful.

While trying to protect the republic, the conspirators in Julius Caesar enable Mark Antony to triumph. In Rose Rage, the more Henry VI tries to fix things, the more they go wrong.

I've got a Kanji symbol on my shoulder; it's for my son and means 'strength and power.' I have my son and daughter's names, Dominik and Aalyah, written on the inside of the left and right biceps, too.

As a president, we need a businessman who understands that business is not usual - someone who's not going to put up with business as usual in Washington, D.C. Having a businessman who's not going to put up with business as usual in Washington, D.C., is exactly what we need.

I was a big reader as a kid, but it was 'Charlotte's Web' that showed me you could feel as if you were actually living inside a book.