First, there was 2 Stupid Dogs. Then, Dexter's Laboratory. And now, Powerpuff Girls. There were a lot of little things in between, but those were the main ones.

The shows are either 11 or 22 minutes and they move pretty quickly, and that's part of the charm of them - so it was just trying to keep that in mind and keep the energy of the story moving, even though we were dealing with a longer format.

Yes, it's a prequel. It tells the story about how the girls were born with superpowers, but they weren't necessarily heroes at the beginning of this movie, so the movie is about the events that happen in their life to make them decide to be heroes.

I started working at Hanna-Barbera in '92 on 2 Stupid Dogs.

I've been drawing since I was about 3 and I come from a family of artists.

Well, for one thing, the executives in charge at Cartoon Network are cartoon fans. I mean, these are people who grew up loving animation and loving cartoons, and the only difference between them and me is they don't know how to draw.

But to me what seems to be missing in a lot of portfolios is Cartooning.

First, there was 2 Stupid Dogs. Then, Dexter's Laboratory. And now, Powerpuff Girls. There were a lot of little things in between, but those were the main ones.

One of the main things I do is focus on ideas and what stories we decide to tell, but probably the biggest part of my job I'd say is working on the storyboards.

So what I do is supervise the boarding process trying to get the shows the way I'd like them to be. And in some cases I've completely redone a board myself even though I'm not credited for it.

Basicly what I had to do was do a 7 minute board and pitch it to a room of big wigs from the network and based on that they determined if I would get a short or not.

I'm hoping that word-of-mouth on the film - people seeing it and liking it - that that will drive more people to the theaters, because I haven't seen the billboards or the posters or anything.

The reason they look the way they do is that the first drawing I did of them was really small so I didn't draw fingers, nose, ears, etc and this drawing had a certain appeal that I really liked.

Basicly I'm in charge of all creative aspects of the show.

Anything you see on the screen was at one point approved by me.

I'm always thinking about what I might want to do next, but there's still things I want to do with Powerpuff - so I can keep going with this one for awhile.

I'm a geeky toy collector, and to have toys of your own characters is unbelievably cool.

The storyboard artists job is to plan out shot for shot the whole show, write all the dialog, and decide the mood, action, jokes, pacing, etc of every scene.

There's a lot you can do without words.

It really just gives you a sense of when you need to have dialogue and when you don't, and if your pictures are telling the story, you don't need to have all this talking.

For a long time I wanted to be a comic strip artist but when I started doing them in my teens they were getting really elaborate with tons of poses and a lot of information.

We chose the actors thru a series of auditions when we started the show.

I like to take pictures of lots of things: people-such as my nephews, my dogs, and just interesting objects that I see. For instance, I might take a picture of flowers by the side of the road, an old sign or a fence.

I think women are natural caretakers. They take care of everybody. They take care of their husbands and their kids and their dogs, and don't spend a lot of time just getting back and taking time out.

I am elected by the people of Bucharest, not the dogs.

My feet are dogs.

The only creatures that are evolved enough to convey pure love are dogs and infants.

Happens to everybody. Horses, dogs, men. Nobody gets out of life alive.

I'm looking more like my dogs every day - it must be the shaggy fringe and the ears.

Of the seven experiments, the ones that have been most investigated so far have been the pets. The dogs who know when their masters for coming home, and the sense of being stared at.

People who keep dogs are cowards who haven't got the guts to bite people themselves.

I've got nine kids, nine dogs, three grandkids - and one in the oven. And three parrots!

Flatterers look like friends, as wolves like dogs.

In the fifties I had dreams about touching a naked woman and she would turn to bronze or the dream about hot dogs chasing donuts through the Lincoln Tunnel.

That they may have a little peace, even the best dogs are compelled to snarl occasionally.

Dogs are very, very pleasant with people that they're connected to.

I like to be at home because I just travel so much. I have four dogs, golden retrievers.

There are writers in Germany who drink the Absolute like water; and there are books in which even the dogs make references to the Infinite.

Feed the dogs. I hate to hear them barking like that.

It seems like all the good looking people have smaller dogs these days. Especially for the women, because they always come in with their little Chihuahuas and the guys come in with their Golden Retrievers.

I hope my tongue in prune juice smothers, If I belittle dogs and mothers.

Dogs got personality. Personality goes a long way.

One of my dogs is in the movie Beethoven's 2nd.

Any man who does not like dogs and want them about does not deserve to be in the White House.

You will find that the woman who is really kind to dogs is always one who has failed to inspire sympathy in men.

If you call a cat, he may not come. Which doesn't happen with dogs. They're different types of animals. Cats are very sexy I think too in the way they move.

I started working at Hanna-Barbera in '92 on 2 Stupid Dogs.

Dogs never bite me. Just humans.

Some of my best leading men have been dogs and horses.