I have a theory about that, if you have to say something, if you have encourage for one second a prospective acting student - he should not go in to acting.

It takes a lot of energy to teach.

I have a theory about that, if you have to say something, if you have encourage for one second a prospective acting student - he should not go in to acting.

I didn't have any extra money. But I can't say that I had a hard early career.

When I go to where I was getting excellent parts in movies I may have taken a few too soon, too anxious to go back to work and to anxious to make another film and to succeed more.

I work with Sally and I can see Sally doing that. She is very aggressive. Very fun loving and charming... and pushy in a very competitive way and a very healthy way and a very good actress.

But movies as much as anything developed what I thought was right and wrong, what was honorable, what wasn't, what was funny what wasn't... what had some depth to it, what didn't.

I was very lucky in as much as I played a lot of tennis.

Well Sid Pollack was... He was I would say probably, probably the most influential on me.

The next night I got on an airplane, and flew to New York and looked into acting schools. Four or five acting schools. One of which was the Neighborhood Playhouse, which I started at six months there after.

I think is very beneficial to relax yourself so that when you are doing it you are not staggering for lines and your concentration is not on what I am going to say - but the scene itself, the character that you are talking to.

I did two or three plays every summer.

No not pigeon holed me as an actor, or as a character, or as to what I could do - but what I would do... and the fact is the things you don't do are almost as important as as the things that you do.

There is something about New York City that in and of itself is so theatrical hat I use to think... I use to feel when I walked out of my apartment on the way to school or anywhere that I was walking out on stage.

I think that you get something for your acting from almost anything you do.

But it is a hard, it's a hard profession teaching acting.

I have worked with some great directors.

To tell you the truth I am hard put to think of anyone who's career was affected significantly by making all those phone calls and I must be wrong. I must be wrong! Because it has just got to pay off!

But I did make some money doing commercials. I did fourteen in one year.

But it was this tough little character part that I was playing, a very funny little guy that I invented over a weekend, because I realized I was not contributing to the humor of this thing. And I had to do something.

I'm convinced that the place, if you have your druthers, to go to have that experience is New York City.

The career doesn't get any easier. A career stays tough.

And it just made me realize again because I have know it for some time, that you never get comfortable in this. No matter who you are. No matter who... how successful you are.

It was always part of the plan to move into acting.

Be where the acting is. I live in Houston. Dallas is 4 1/2 hours away. I let them know there's no difference.

My mother keeps things in perspective for me. She makes me realize that the acting I do and love is no more important than what one of my brothers does-he works in a shoe repair shop. If my career ever tapers off, I'll go to college.

In Hungary, acting is a career for which one fits himself as earnestly as one studies for a degree in medicine, law, or philosophy.

I think acting is about forgetting yourself in order to give the best of yourself. It's passing through you more than you're creating it. You're not the flower, but the vase which holds the flower.

In LA, too many people want to go the quickest route from A to B. Method acting offers them that.

I don't see it as a form of healing, because if you have wounds that are bleeding I don't think acting will ever get them to stop. But I find acting is a form of illumination.

Maybe I can't act, but I know the gimmicks. I studied acting all my life and know what's good for me.

I know that if I'd had to go and take an exam for acting, I wouldn't have got anywhere. You don't take exams for acting, you take your courage.

I'm not acting, but I am acting.

I've done a lot of acting. I'm not saying I'm the greatest, but I'd love to act, I'd love to sing.

I had a bonding problem when I went off and boxed for five years. I was over in Europe and Asia fighting because I wanted to do something different; I was tired of acting. But the thing is, when I was done doing that, I couldn't get a job.

Acting for me is not that quid pro quo.

If you're acting, then there's a prescribed way to behave; whereas in life there's no prescribed way. So acting feels like a comfortable way to get through the day.

When I was a kid, the idea of why I wanted acting to be the thing I do for the rest of my life was different. It was, Oh yeah, I'll get girls and be famous.

And then, I suppose, there's also a cinematic reality on top of that. Because it was extremely difficult to keep tabs on, it was quite confusing acting that.

I read. It's also nice for me to get involved in schoolwork, which is a totally different world than acting. It makes me feel like I am doing things that normal people are doing at my age.

It's a living, breathing thing, acting.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.

I don't see my dancing or acting as two separate things. I don't define them separately, so I can't say one has helped the other, It's all the same thing. More than anything I love being on stage and performing.

In any case, his judgment and set of values, acting alone or through his assistants, determine not only what is gold and what is dross but the design of the history which he creates out of the metal. The historian decides what is significant, and what is not.

It always surprised me that I was getting acting work.

Acting doesn't bring anything to a text. On the contrary, it detracts from it.

Acting is the perfect idiot's profession.

We believe, in fact, that the one act of respect has little force unless matched by the other - in balance with it... The acting out of that dual respect I would name as precisely the source of our power.