Well I don't know because I don't have a real relationship with the industry.

I've been a Goodwill Ambassador for the UNICEF and the UNICEF family for more than twelve years.

Since 1957, black people have experienced double-digit unemployment - in good times and bad times. Look at the population of African Americans in prison. They represent more than half the population of prisoners in the country, 55 percent of those on death row.

I'm a child of the Civil Rights Movement.

I've always been able to make choices that don't embarrass me.

I try to find hope in struggle and resistance in small places as much as I can.

I was able to do To Sleep with Anger, a very powerful film about African Americans, their spirituality, and the things that happened within a small community and a family.

One of the main purveyors of violence in this world has been this country.

New Orleans is a city whose basic industry is the service industry. That's why it makes its money. That's - it brings people to the city. People come to the city and experience the wonders of this extraordinary city and everything else. The question is that, how do we create jobs which are the jobs that have pay, that - living wages?

In 1967, the students at San Francisco State invited the poet Amiri Baraka to the campus for a semester. He attracted other influential black writers such as Sonia Sanchez, Ed Bullins, Eldridge Cleaver. What emerged was something we called the community communications program. That's how I got involved; I got involved in a little play.

If we look at Houston, which is a very environmentally toxic place, we find that it has one of the highest levels of young men going to prison and also among the highest levels of illiteracy in the country.

But I think it's very key that there's a plan for Haiti. And we have to begin to - as progressives and people who are concerned about Haiti and have been concerned about Haiti, we have to begin to build some sort of consensus, a movement around the Haiti that the Haitians envision.

Well I don't know because I don't have a real relationship with the industry.

Every day of my life I walk with the idea that I am black, no matter how successful I am. And our success is tempered by that; you're successful in this way given the fact you are black, and most blacks don't get to that point.

This country has always been run by elite, and it's an elitist democracy. And that's not a radical concept. It's elitist democracy. When people talk about democracy, they don't talk - really talk about participatory democracy, until the point that we get us at Election Day.

The progressive movement against the war of occupation in Iraq is a reason for hope, as is resistance to free trade agreements in Latin America. Those are moments that we have to celebrate: that people still find the resolve and energy to resist.

What happened to Haiti is a threat that could happen anywhere in the Caribbean to these island nations, you know, because of global warming, because of climate change and all this.

Every day of my life I walk with the idea I am black no matter how successful I am.

You know, we do not want the militarization of Haiti. We do not see a Haitian as a protectorate where it relinquishes its own sovereignty.

It's also important for those who promote those issues within the white community - the somewhat privileged community - to talk about issues affecting people of color.

If we talk about the environment, for example, we have to talk about environmental racism - about the fact that kids in South Central Los Angeles have a third of the lung capacity of kids in Santa Monica.

I'm not so vain as to believe that my involvement changes anything whatsoever.

Freedom Summer, the massive voter education project in Mississippi, was 1964. I graduated from high school in 1965. So becoming active was almost a rite of passage.

If we talk about literacy, we have to talk about how to enhance our children's mastery over the tools needed to live intelligent, creative, and involved lives.

We have to be that wedge that drives the question and asks the hard questions.

I was able to do The Saint of Fort Washington, on the relationship between two homeless men.

Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects.

But rarely have I made choices that made me feel I was really compromising what I believe.

I never thought about being an actor.

When you've moved past a point where you're just scrambling for jobs, you think about the things that you want to do. And the things that you want to do are governed by what you've seen, what you choose to embrace.

I can play the air guitar really, really well.

There were very, very large sums of money that I made when I was very young - 15 million published works and a great many successful movies don't make nothin'.

One of the things that happens to everyone who is grief-stricken, who has lost someone, is there comes a time when everyone else just wants you to get over it, but of course you don't get over it. You get stronger; you try and live on; you endure; you change; but you don't get over it. You carry it with you.

Clothes as text clothes as narration clothes as a story. Clothes as the story of our lives. And if you were to gather all the clothes you have ever owned in all your life each baby shoe and winter coat and wedding dress you would have your autobiography.

Facebook is terrifying to the traditional games biz.

You need basically some accountability rules, which means democratic checks and balances at the euro zone level, and definitely, you have to increase convergence in terms of taxes, in terms of social affairs and so on.

I'm a New Yorker. I was there during 9/11, and I saw how, not only New York City stopped for a moment, we all took an inhale and exhale at the same time - the world united at that time, and it changed my life. I think millions of people were forever changed.

If you do weave one-liners into a story, you have to have an overall story as well, otherwise it doesn't really count as narrative.

If you care to define the South as a poor, rural region with lousy race relations, that South survives only in geographical shreds and patches and most Southerners don't live there any more.

Every December, I host a tree-trimming party. I serve chili with cornbread and lots of good wine. It's a wonderful party, and it shows how much adults like to play.

A person can be big, because of spirit. A person can be big because of their position in the family, the hierarchy in the family. That role has been played by women who are quite thin.

I like to set up obstacles and defeat them.

There's no point in making predictions. It's not worth speculating because nothing is set in stone and things change all the time in football. Today there are opportunities that no one knows if they will come round again in the future.

If we knew how loved, how Divine, how unlimited we really are, we'd see one another through tears of joy.

When I come up with an idea about the way I feel, I can really state it strongly in a song.

A good friend knows all your stories. A best friend helped you write them.

I mean New York City is the financial capital of the world. It's where all the money passes through, the Dow Jones, whatever, that's where all the money goes.

But you can try to read books at the wrong time or for the wrong reasons.

A vacation frequently means that the family goes away for a rest, accompanied by mother, who sees that the others get it.