I was able to do To Sleep with Anger, a very powerful film about African Americans, their spirituality, and the things that happened within a small community and a family.

I've been a Goodwill Ambassador for the UNICEF and the UNICEF family for more than twelve years.

Since 1957, black people have experienced double-digit unemployment - in good times and bad times. Look at the population of African Americans in prison. They represent more than half the population of prisoners in the country, 55 percent of those on death row.

I'm a child of the Civil Rights Movement.

I've always been able to make choices that don't embarrass me.

I try to find hope in struggle and resistance in small places as much as I can.

I was able to do To Sleep with Anger, a very powerful film about African Americans, their spirituality, and the things that happened within a small community and a family.

One of the main purveyors of violence in this world has been this country.

New Orleans is a city whose basic industry is the service industry. That's why it makes its money. That's - it brings people to the city. People come to the city and experience the wonders of this extraordinary city and everything else. The question is that, how do we create jobs which are the jobs that have pay, that - living wages?

In 1967, the students at San Francisco State invited the poet Amiri Baraka to the campus for a semester. He attracted other influential black writers such as Sonia Sanchez, Ed Bullins, Eldridge Cleaver. What emerged was something we called the community communications program. That's how I got involved; I got involved in a little play.

If we look at Houston, which is a very environmentally toxic place, we find that it has one of the highest levels of young men going to prison and also among the highest levels of illiteracy in the country.

But I think it's very key that there's a plan for Haiti. And we have to begin to - as progressives and people who are concerned about Haiti and have been concerned about Haiti, we have to begin to build some sort of consensus, a movement around the Haiti that the Haitians envision.

Well I don't know because I don't have a real relationship with the industry.

Every day of my life I walk with the idea that I am black, no matter how successful I am. And our success is tempered by that; you're successful in this way given the fact you are black, and most blacks don't get to that point.

This country has always been run by elite, and it's an elitist democracy. And that's not a radical concept. It's elitist democracy. When people talk about democracy, they don't talk - really talk about participatory democracy, until the point that we get us at Election Day.

The progressive movement against the war of occupation in Iraq is a reason for hope, as is resistance to free trade agreements in Latin America. Those are moments that we have to celebrate: that people still find the resolve and energy to resist.

What happened to Haiti is a threat that could happen anywhere in the Caribbean to these island nations, you know, because of global warming, because of climate change and all this.

Every day of my life I walk with the idea I am black no matter how successful I am.

You know, we do not want the militarization of Haiti. We do not see a Haitian as a protectorate where it relinquishes its own sovereignty.

It's also important for those who promote those issues within the white community - the somewhat privileged community - to talk about issues affecting people of color.

If we talk about the environment, for example, we have to talk about environmental racism - about the fact that kids in South Central Los Angeles have a third of the lung capacity of kids in Santa Monica.

I'm not so vain as to believe that my involvement changes anything whatsoever.

Freedom Summer, the massive voter education project in Mississippi, was 1964. I graduated from high school in 1965. So becoming active was almost a rite of passage.

If we talk about literacy, we have to talk about how to enhance our children's mastery over the tools needed to live intelligent, creative, and involved lives.

We have to be that wedge that drives the question and asks the hard questions.

I was able to do The Saint of Fort Washington, on the relationship between two homeless men.

Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects.

But rarely have I made choices that made me feel I was really compromising what I believe.

I never thought about being an actor.

When you've moved past a point where you're just scrambling for jobs, you think about the things that you want to do. And the things that you want to do are governed by what you've seen, what you choose to embrace.

To be a slaveholder meant one had to regard the African American as inferior in every way.

There is no way that we know what is going on between the African American and the Asian American. We don't understand what an Indigenous American is. We don't understand what a Latino American is.

Without Social Security, poverty rates for African American seniors would more than double.

It's a pity one can't imagine what one can't compare to anything. Genius is an African who dreams up snow.

It is up to African leaders to show their will and political courage in order to assure that this new pan-African institution becomes an efficient instrument and not a place for endless discussions.

Because I don't play guitar any more, African harmonies and rhythms have been an inspiration to me. I love the raw origin of the sound. It complements my voice and words naturally.

I say that I represent this movement because my intellectual allegiances are clearly European, not African.

I have a very personal interest. I am a Miami-Dade voter. One of the issues is that my vote and so many other votes of women and African Americans in Florida are being discounted or discarded. I want my vote to count.

Historically Black Colleges and Universities, or HBCUs, have played an important role in enriching the lives of not just African Americans, but our entire country.

When I became a director, I wanted to convince a very reluctant Sidney into allowing me to go on the journey of his life. Sidney had gone ahead of every other African American actor.

I think one of the political problems we have in this country is the perspective that all soccer moms think alike, all African-Americans think alike.

The adoring crowds and overwhelming Democratic support in the 2008 election was based largely on joy at jettisoning Bush and the appeal of electing a superbly qualified charismatic African American leader.

My parents shared not only an improbable love, they shared an abiding faith in the possibilities of this nation. They would give me an African name, Barack, or blessed, believing that in a tolerant America your name is no barrier to success.

Since 1957, black people have experienced double-digit unemployment - in good times and bad times. Look at the population of African Americans in prison. They represent more than half the population of prisoners in the country, 55 percent of those on death row.

Eight generations of African-Americans are still waiting to achieve their rights - compensation and restitution for the hundreds of years during which they were bought and sold on the market.

An important aspect of the current situation is the strong social reaction against suggestions that the home language of African American children be used in the first steps of learning to read and write.

A genocide in Africa has not received the same attention that genocide in Europe or genocide in Turkey or genocide in other part of the world. There is still this kind of basic discrimination against the African people and the African problems.

Whether or not all this came to pass in an East African ditch, I wouldn't like to say. Perhaps it happened in North Africa or further west, but Africa was definitely the place.

I don't think people have been able to deal with the fact that African American filmmakers can make movies about life and relationships.