Why would you be afraid of death? It would be an inconvenience. I have a lot of undone things and it's bound to get in the way. But, no, it doesn't scare me at all.

It was pretty extensive - we worked out 8 hours a day, 5 days a week, for 3 months, which I think is more than anybody in the Olympics. I thought well I don't need this, the girls need it, but it was a gift.

I'm not regretful about dropping acid, but I could have stopped it a little sooner.

I was involved in a web cartoon of Kung Fu with WB a few years back.

Quentin and I were constantly finding something new that we had in common and comic books were one of them. I think we were talking about comic books much earlier in our relationship, before I had the part.

Most actors spend a lot of time training themselves to be an actor. And I kind of didn't do that. I just started doin' it in front of an audience and had to deliver.

My big fight is not in the movie and I don't understand that decision but I know he's right about it, whatever it is. Quentin did not hire me because I'm a kung fu expert; he hired me because he liked to listen to me talk.

Because you know how you say I've got to really get down and really do some training and then of course, you never do or you do it for a couple of weeks and slough it back off again but I'm being forced to do something that I really want to do and I loved it.

Quentin wanted to create this special world in which everybody walks around with a samurai sword, extras in the airport, a special little place in the airplane to stick your samurai sword.

I remember when I did the pilot, and I though no network is going to want to do this. How could that happen? A half Chinese guy walking the old west that doesn't fire one gun and never gets on a horse?

Quentin is very organic; there was no way that he was going to put someone else's hand in there and anyway, my hands are kind of famous. It seemed right.

Tarantino is the coolest damn guy; he's just so much fun to work with. He might be the best director I've ever worked with. He just seems to know how to do it and he knows how to make you feel good about it. He's having so much fun you start having fun. You can't help it.

If you cannot be a poet, be the poem.

'Born to play? Hmmm. Probably Romeo... or Hamlet, I guess. Also, I'd be a great Alexander the Great.

Why would you be afraid of death? It would be an inconvenience. I have a lot of undone things and it's bound to get in the way. But, no, it doesn't scare me at all.

But, Tarantino has seen all of my movies. He's seen my good stuff, he's seen my bad stuff, he's seen the ones I directed, he's read my autobiography. There's an awful lot of things he knows about me, all of which I think had something to do with his casting.

I've worked with a lot of real heavy hitters, and Quentin is maybe heads and shoulders, at least a forehead, above just about anybody I've ever worked with.

I like Bill a lot. As Bill is presented, I mean you don't ever see Bill blow her head off? You know? And I think what Quentin has done is he created a monster.

Well I would never say to anybody that Warren Beatty got fired, but uh, I think he and Quentin fell out of love, and I think Warren told Quentin to hire me for the film.

I don't need to convince anybody that I know kung fu, but maybe somebody needs to know that I really can act, without doing a Chinese accent or a funny walk.

In the second installment, I pretty much dominate the show. Somehow or another, though, I manage to apparently dominate the first show pretty well with just my voice and my hands and a shot of my boots kicking cartridges out of the way.

You know, I've never actually really believed that death is inevitable. I just think it's a rumor.

There's an alternative. There's always a third way, and it's not a combination of the other two ways. It's a different way.

I studied music formally. I was probably less formal about my study of acting than anything.

I'm analytical as an actor, and one of the things Quentin did was free me from that.

Most actors spend a lot of time training themselves to be an actor. And I kind of didn't do that.

There are wonderful films that become studio films, but they're conceived independently. That's where the action is. 'Being John Malkovich' is a great example of a picture you wouldn't think the studios would want, and it turns out to be a movie that touches everybody's heart.

There's tons of members of the Carradine family. It's more like a clan than it is like a family, and it's rare that we can get a bunch of them together. We do once in a while.

To know that one has never really tried - that is the only death.

Let us eat and drink neither forgetting death unduly nor remembering it. The Lord hath mercy on whom he will have mercy, etc., and the less we think about it the better.

We're all like children. We may think we grow up, but to me, being grown up is death, stopping thinking, trying to find out things, going on learning.

When you break up, your whole identity is shattered. It's like death.

Madame, all stories, if continued far enough, end in death, and he is no true-story teller who would keep that from you.

Death comes not to the living soul, nor age to the loving heart.

Death is a distant rumor to the young.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

I don't sit in the corner waiting for death: death has to pursue me. I'm going strong. I hope to reach 100 and ask for an extension, just like my grandmother did.

On the plus side, death is one of the few things that can be done as easily lying down .

Because the Illinois death penalty system is arbitrary and capricious - and therefore immoral - I no longer shall tinker with the machinery of death.

I'm Irish. I think about death all the time.

I don't fear death because I don't fear anything I don't understand. When I start to think about it, I order a massage and it goes away.

The most dire disaster in love is the death of imagination.

Death doesn't frighten me; now I can think peacefully of ending a long life.

Death comes for us all. Even for kings he comes.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.

It has ever been since time began, and ever will be, till time lose breath, that love is a mood - no more - to man, and love to a woman is life or death.

Some people say my work is often depressing and pessimistic, with the emphasis on death, blood, overcrowding, strange beings and so on, but I don't really think it is.

In Goddess religion death is not feared, but is understood to be a part of life, followed by birth and renewal.

Death and life have their determined appointments; riches and honors depend upon heaven.