I'm interested in why people compromise when they shouldn't. It comes back to what V's about in a sense. We've all got ideals, but given the right circumstances, we'll forget about them and put them behind us. I'm very interested in why people do that.

Our society's need for escapism has always interested me.

I've always been a liberal and I've always had strong socialist leanings.

We spend more time developing means of escaping our troubles than we do solving the troubles we're trying to escape from.

When we were talking about this, an idea for this master vigilante, it was an urban guerilla. One of my ideas was that he would be a member of the police force who turned on the government.

They did offer me a chance of being a V in the crowd, but it's not my scene. I think they just thought it would be fun for me to do that, but I don't know. I heard that Stan Lee appears in every movie of his.

I'm interested in how artists and writers do this, using art as therapy. Escaping into the worlds we create. We're all victims and few of us are truly free.

Part of the plot was a knock that V wanted to bring down the government and bring chaos. I don't know why I thought of Guy Fawkes, because it was during the summer. I thought that would be great if he looked like Guy Fawkes, kind of theatrical.

Alan is a great guy, a terrific guy. We haven't worked together since then, and he's always working with different artists. I think he sees different dimensions he can see from different guys.

V is like a mythical situation. It's an allegory for what could happen. V has philosophies within it that actually warn against things like that happening.

The beginning of Book Three is the last one that I drew, where V's conducting the 1812 overture.

It's absolutely of no importance who or what V was under the mask. He isn't a who or a what, he's an idea. The thing is, you couldn't continue it. Now and then the idea of a sequel has been raised, in vague forms, but I think it would be a bad idea. The story's finished.

Kickback is a police thriller which I wrote. I'm very proud of it. I did it in two parts for France because when I wrote it, there wasn't the audience demand for crime stuff that there is now.

I understand why people do vote on the conservative side of the ticket because people have a tendency to go for strong governments when really, from an idealistic point of view, it's a bad thing.

I'm interested in why people compromise when they shouldn't. It comes back to what V's about in a sense. We've all got ideals, but given the right circumstances, we'll forget about them and put them behind us. I'm very interested in why people do that.

But if you have a point of view and you're an artist or a writer, it's kind of crazy to not take advantage of that, especially if you can do something that's entertaining as well. I've done a number of things like that over the years.

You are not going to get peace with millions of armed men. The chariot of peace cannot advance over a road littered with cannon.

I just sit at the drawing board most of the time. I am used to talking to people. I love going to conventions, getting feedback and talking to people. Some artists don't. Some artists sit at their drawing board because their personality actually dictates that.

I do like to work on a Marvel method, so if I've got the opportunity, and the writer is happy to do it, I like to have a writer detail what happens on a page, but not saying what happens in every scene.

Alan was always interested in politics in a major way. He actually believes that anarchy is a politically viable system, but I don't. I was always interested in putting forward the ideas that represented my viewpoint. I feel the same about anything I'm doing.

Every single means of communication amongst the public, the government has antennae into, to find out who is liable to be sympathetic and who is not liable to be sympathetic, and I think this has probably been going on since all channels of communication began.

I think the Occupy movement is absolutely fantastic; in my opinion, it's probably one of the most important people's movements of the 21st century and the 20th century. The trouble is that nobody really wants to support what they represent. They are too 'grassroots' for their own good.

The Guy Fawkes mask has now become a common brand and a convenient placard to use in protest against tyranny - and I'm happy with people using it; it seems quite unique, an icon of popular culture being used this way.

The way I look at it is that once you create a piece of art, and it's out in the world, there's nothing you can do about it. People can use it the way they want to. There's nothing you can do about it. All you can hope for is that people that are using it are using it with the best intent.

The whole purpose of maintaining your power in government is to make sure that you stay in government. You stay in government by finding out who is liable to be against you. To do that, you try and put your finger into every single pie that is available to you.

We spend more time developing means of escaping our troubles than we do solving the troubles were trying to escape from.

Every American deserves to live in freedom, to have his or her privacy respected and a chance to go as far as their ability and effort will take them - regardless of race, gender, ethnicity or economic circumstances.

Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.

Achievement is not always success, while reputed failure often is. It is honest endeavor, persistent effort to do the best possible under any and all circumstances.

I came from poverty and was part of those circumstances.

Great joy, especially after a sudden change of circumstances, is apt to be silent, and dwells rather in the heart than on the tongue.

Historical methodology, as I see it, is a product of common sense applied to circumstances.

Planets are too dim to be detected with existing equipment, far away, except in these very special circumstances where they're seen by their gravitational effect.

Because of our social circumstances, male and female are really two cultures and their life experiences are utterly different.

A politics that is not sensitive to the concerns and circumstances of people's lives, a politics that does not speak to and include people, is an intellectually arrogant politics that deserves to fail.

Let everyone regulate his conduct... by the golden rule of doing to others as in similar circumstances we would have them do to us, and the path of duty will be clear before him.

There are no absolute rules of conduct, either in peace or war. Everything depends on circumstances.

Libertarians typically argue that particular obligations, at least under normal circumstances, must be created by consent; they cannot be unilaterally imposed by others.

Until fighting ends and there are conditions, which allow the free expression of will by the people, there can be no elections and elections are not held in these circumstances anywhere in the world.

You mustn't forget the circumstances I have been brought up in, the little education I have had.

Our character is not so much the product of race and heredity as of those circumstances by which nature forms our habits, by which we are nurtured and live.

To know all about anything is to know how to deal with it under all circumstances.

I do not pretend to write much of a letter. You know under what circumstances I am writing.

Instead of focusing on that circumstances that you cannot change - focus strongly and powerfully on the circumstances that you can.

It may be an extreme example brought about by abnormal circumstances - but the criteria of human rights kick in, surely, precisely when the conditions are extreme and the situation is abnormal.

Circumstances don't make a person; they reveal him or her.

To hell with circumstances; I create opportunities.

It must inquire not merely about the circumstances of the time in general, but in particular about the writer's position with regard to these things, the interests and motives, the leading ideas of his literary activity.

The nature of the task needs to be renewed so people just don't feel that all the hard work is in the same groove all the time, under the same circumstances and in the same environment.