I've always been a liberal and I've always had strong socialist leanings.

Our society's need for escapism has always interested me.

I've always been a liberal and I've always had strong socialist leanings.

We spend more time developing means of escaping our troubles than we do solving the troubles we're trying to escape from.

When we were talking about this, an idea for this master vigilante, it was an urban guerilla. One of my ideas was that he would be a member of the police force who turned on the government.

They did offer me a chance of being a V in the crowd, but it's not my scene. I think they just thought it would be fun for me to do that, but I don't know. I heard that Stan Lee appears in every movie of his.

I'm interested in how artists and writers do this, using art as therapy. Escaping into the worlds we create. We're all victims and few of us are truly free.

Part of the plot was a knock that V wanted to bring down the government and bring chaos. I don't know why I thought of Guy Fawkes, because it was during the summer. I thought that would be great if he looked like Guy Fawkes, kind of theatrical.

Alan is a great guy, a terrific guy. We haven't worked together since then, and he's always working with different artists. I think he sees different dimensions he can see from different guys.

V is like a mythical situation. It's an allegory for what could happen. V has philosophies within it that actually warn against things like that happening.

The beginning of Book Three is the last one that I drew, where V's conducting the 1812 overture.

It's absolutely of no importance who or what V was under the mask. He isn't a who or a what, he's an idea. The thing is, you couldn't continue it. Now and then the idea of a sequel has been raised, in vague forms, but I think it would be a bad idea. The story's finished.

Kickback is a police thriller which I wrote. I'm very proud of it. I did it in two parts for France because when I wrote it, there wasn't the audience demand for crime stuff that there is now.

I understand why people do vote on the conservative side of the ticket because people have a tendency to go for strong governments when really, from an idealistic point of view, it's a bad thing.

I'm interested in why people compromise when they shouldn't. It comes back to what V's about in a sense. We've all got ideals, but given the right circumstances, we'll forget about them and put them behind us. I'm very interested in why people do that.

But if you have a point of view and you're an artist or a writer, it's kind of crazy to not take advantage of that, especially if you can do something that's entertaining as well. I've done a number of things like that over the years.

You are not going to get peace with millions of armed men. The chariot of peace cannot advance over a road littered with cannon.

I just sit at the drawing board most of the time. I am used to talking to people. I love going to conventions, getting feedback and talking to people. Some artists don't. Some artists sit at their drawing board because their personality actually dictates that.

I do like to work on a Marvel method, so if I've got the opportunity, and the writer is happy to do it, I like to have a writer detail what happens on a page, but not saying what happens in every scene.

Alan was always interested in politics in a major way. He actually believes that anarchy is a politically viable system, but I don't. I was always interested in putting forward the ideas that represented my viewpoint. I feel the same about anything I'm doing.

Every single means of communication amongst the public, the government has antennae into, to find out who is liable to be sympathetic and who is not liable to be sympathetic, and I think this has probably been going on since all channels of communication began.

I think the Occupy movement is absolutely fantastic; in my opinion, it's probably one of the most important people's movements of the 21st century and the 20th century. The trouble is that nobody really wants to support what they represent. They are too 'grassroots' for their own good.

The Guy Fawkes mask has now become a common brand and a convenient placard to use in protest against tyranny - and I'm happy with people using it; it seems quite unique, an icon of popular culture being used this way.

The way I look at it is that once you create a piece of art, and it's out in the world, there's nothing you can do about it. People can use it the way they want to. There's nothing you can do about it. All you can hope for is that people that are using it are using it with the best intent.

The whole purpose of maintaining your power in government is to make sure that you stay in government. You stay in government by finding out who is liable to be against you. To do that, you try and put your finger into every single pie that is available to you.

We spend more time developing means of escaping our troubles than we do solving the troubles were trying to escape from.

A liberal knows that the only certainty in this life is change but believes that the change can be directed toward a constructive end.

The due process of law as we use it, I believe, rests squarely on the liberal idea of conflict and resolution.

Hell hath no fury like a liberal scorned.

Contrast that with the call of the Liberal Democrats in April, when they were prepared to call upon the British people to participate in a 24-hour strike. It shows how far to the right the Labour Party's gone.

The finest workers in stone are not copper or steel tools, but the gentle touches of air and water working at their leisure with a liberal allowance of time.

Universal suffrage should rest upon universal education. To this end, liberal and permanent provision should be made for the support of free schools by the State governments, and, if need be, supplemented by legitimate aid from national authority.

A dog is like a liberal. He wants to please everybody. A cat really doesn't need to know that everybody loves him.

Habituated from our Infancy to trample upon the Rights of Human Nature, every generous, every liberal Sentiment, if not extinguished, is enfeebled in our Minds.

If you have always believed that everyone should play by the same rules and be judged by the same standards, that would have gotten you labeled a radical 60 years ago, a liberal 30 years ago and a racist today.

This liberal progressive agenda... is the antithesis of who we are as a constitutional republic.

Amherst is a liberal arts college, committed to providing students with a broad education.

The Senate needs 60 votes to pass anything. They have to compromise with liberal Democrats to spend more money. Even though arguably we have control of the Senate, we really don't.

A liberal education is at the heart of a civil society, and at the heart of a liberal education is the act of teaching.

As with most liberal sexual ideas, what makes the world a better place for men invariably makes it a duller and more dangerous place for women.

Note too that a faithful study of the liberal arts humanizes character and permits it not to be cruel.

Lord Chamberlain's readers or controllers, which were a handful of people working directly to him, were a very assorted group of people and some of them tried very hard to be as liberal as they could.

If a conservative is a liberal who's been mugged, a liberal is a conservative who's been arrested.

I've always been a liberal and I've always had strong socialist leanings.

The openness of rural Nebraska certainly influenced me. That openness, in a way, fosters the imagination. But growing up, Lincoln wasn't a small town. It was a college town. It had record stores and was a liberal place.

We must be both more conservative and more liberal than most students of Christian worship: conservative in holding exclusively to God's commands in Scripture as our rule of worship, and liberal in defending the liberty of those who apply those.

What my future will not be is active politics in the Liberal Democrat party.

But I think it's undeniable that the Times is a liberal paper.

In liberal democracy and anxious anarchy, the traditional classic dance, compact of aristocratic authority and absolute freedom in a necessity of order, has never been so promising as an independent expression as it is today.