Film people are coming into TV, because they can't get any work.

Actually, I think it's interesting that when I put the weight on, I was already with him. I don't know, maybe I felt safe. And he likes me like this. He likes me whatever size I am.

I loved living in London, and I didn't want to leave.

I wish I could blame it on the choreography, but it's not a musical. I just had a clumsy moment.

You're supposed to remember, and still forgive.

If you're interested or like it, but could be just as happy living in a regular town, having a regular job, maybe doing little theatre, you're better off and you'll be a happier person. This is too gut-wrenching and heartbreaking.

And sometimes, when you feel low on yourself, that's just when you have to go out there and be photographed or do a scene where you're hot stuff. You're always working on it.

But I thought, I've just got to check out Hollywood, so I sent out pictures and resumes.

I want to find a way to reach young women emotionally and also to start providing clothing for them so that they can wear the same things their thin friends can wear. I really want to do evening wear and prom dresses for these girls.

I get in my golf cart with my dogs, I have five dogs.

I loved getting to do Promised Land with him. I mean, he's really there for you. We did one very emotional scene in the church. He's just a wonderful acting partner. You feel very safe with him.

One time we did have 300 acres in watermelons. That was fun.

I was surprised to find that I missed doing the musical.

Then a year would go by and I'd realize I love the acting too much and it is my identity and I don't know how to be anything but an actress. It's who and what I am, so I always come back.

All the nice things about Suzanne are me. All the things that aren't nice, that was just the writing.

I love comedy, so you want to make them happy, make them laugh.

I got into my very theatrical phase. I wore only black: a big black hat and wild hair and wild black clothes, and I carried a sword stick. I went there still looking like Miss Florida, and I came back looking very different.

I wanted it so badly that there was no choice. It's like something in your blood that you have to do.

For a while I was living in New Orleans for like 4, 5 years. I had just come back to town.

At the end. First start off and do your youth thing In Hollywood and then go to New York later. But it wound up being later, later than I thought it was going to be.

I was supposed to go to drama school and then go to New York and do theatre. But I grew up on all those fabulous movies and had read all the bold Hollywood books, and I thought I just had to take a look.

Eve wasn't a size 6 and neither am I.

It's tourists in New York. Everything is geared towards that. It's so hard on Broadway now for them to get people in there. They have to compete with so many other entertainments, so they have to bring a star in which puts people there out of work.

I went through all my twenties thinking that I wasn't good enough.

I put the weight on after we were together. I put on about 20 pounds when we got married, and people were flipping their lids. And then I put on more after that, and I've gone up and down since then.

And we live in a French Quarter a lot of the time, in New Orleans. And the camaraderie of everybody there. Everybody takes care of each other.

I wanted to be an actress, and I wanted to be a model.

And I have to work so hard at talking positively to myself. If I don't, it's just real hard to get through the day, and I'll get really down, and just want to cry. My whole body language changes. I get more slumped over.

If you want to say it with flowers, a single rose says: "I'm cheap!"

I think so much depends on how you are feeling mentally and emotionally. I try to keep my head on tight, and try to feel good, and just go out there and not be afraid.

I'll do humor about myself, I'll poke fun and everything, but that's me and I can do it to me. I think it's cruel to do it to somebody else.

And then, I do love my shopping, but actually, lounging is the big thing.

In my teens or twenties I wanted to do Blanche. Now I'm over that. Those roles are not attracting me now. Which is odd, because that's what most every actress would want to go do.

Blanche talks about aging, and why should she be considered poor, because physical beauty is transitory and fading and she has such richness of the soul. I think that speech is so beautiful, and so telling and so true.

For me, it's like biking around the neighborhood, the walks and stuff, because I have never enjoyed the gym. Or I'll do, since I used to dance a lot, all the old dance exercises.

A lot of women say that they want to get to feeling about themselves the way I feel, because when I'm on a roll, I'm hot, I'm really good. I try to tell them, I don't have a fix.

Film people are coming into TV, because they can't get any work.

I rode fire trucks, slid down fire poles, wore a lot of red, and made a lot of appearances. I've always had a special place in my heart for fire fighters.

I like it when I strut.

If you want to say it with flowers, a single rose says: 'I'm cheap!'

I don’t like to be labeled as lonely just because I am alone.

I don't like to be labeled as lonely just because I am alone.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.