The most positive step is to try to expand the employment base by making it, if not economically friendly, at least not economically disastrous, for studios to take on deficits.

It was like in Samoa when they'd put up a movie screen on the beach and show movies and the locals would run behind the sheet to see where the people went. It was pretty grim.

As soon as you become complacent your show gets canceled.

If you're going to vote on a television contract, there is a certain rationality to saying that the same structures that are applied to Health Plan participation should be placed on the right to vote on a strike.

It's show business. No show, no business.

I would say that if you really wished to be a working member of the community, don't go out on strike because then there's no work and no potential of work.

And the consumer doesn't care. They don't watch networks, they watch TV shows.

I think most people don't react well to being screamed at. It's counterproductive.

There are other options out there, after all, like read a book, go on the Internet, rent a movie.

I don't think you can really make television based on what you think audiences want. You can only make stories that you like, because you have to watch it so many times.

You have this disturbing reality that there are a lot of people who would rather say, 'I'm on strike' than 'I'm unemployed.' And those are the people who vote for strikes.

People recognize certain things, like 'D' means 'this dialogue stinks.' We're dealing with shows that are written here, shot in New York and posted back here. Accurate communication is a necessity.

Everybody knows things are not the same. The people running the TV end of a major vertically integrated company know how much money a successful show can make.

There are professional negotiators working for the writers and the actors, but basically you've got the writers and actors negotiating against businessmen. That's why you get rhetoric.

I hardly see myself as a futurist.

The most positive step is to try to expand the employment base by making it, if not economically friendly, at least not economically disastrous, for studios to take on deficits.

I get bored with establishing shots of people getting out of cars and walking into buildings, getting into elevators and then 45 seconds later they have a line.

The story drove the book. That had a very seminal effect on the way I saw writing and storytelling. If you can set a character in a story that is compelling and has a backbone, you draw people in.

The heart and soul of network programming is series programming, the weekly repetition of characters you like having in your house.

The threat to free television. The reason television is free is because it is a life support system for commercials. That fundamental aspect is about to change.

If the scripts are not good, I'll tell somebody, 'This isn't good.'

TIVO executives stand up and say, 'Well, we're not getting rid of commercials, but we are letting them fast forward, because people like commercials, and if they see one that they like they stop and watch it.' I mean, please.

The ad revenues still go up because nothing dependably delivers the eyeballs that successful series do.

I do love television. But the business is accelerating and people are not getting the chance to fail.

Advertising is the art of the tiny. You have to tell a complete a story and deliver a complete message in a very encapsulated form. It disciplines you to cut away extraneous information.

I try to just communicate what I want done as clearly and simply as possible.

There was an interesting article in Los Angeles Magazine about women directors. A woman director makes one bad independent film and her career is over. Guys tend to get an opportunity to learn from their mistakes.

Their argument is that most shows are losers, which is true, but it's also disingenuous to say, 'We are not going to take the risk unless it is totally covered by the few successful shows that are out there.'

People do have viewing patterns, and you disrupt those at your own peril. That's something that everybody learned after 1988. The numbers have gone down every year since that strike. Big time.

The agendas on the management side of the table now are not in sync like they used to be because you have vastly different entities supplying programming to networks.

Drama or comedy programming is still the surest way for advertisers to reach a mass audience. Once that changes, all bets are off.

The environment doesn't change that radically. You are still going to go home at night and NBC is going to be there, ABC and CBS will still be there.

I was raised not to be rude, but I also try to get the best work out of people.

When it went on the air, the sales department hated it. It was the highest advertising pullout show in the history of NBC. At the early focus groups, people were saying, 'Who are these people? Why should we watch them?

The positive heuristic of the programme saves the scientist from becoming confused by the ocean of anomalies.

While only about half of the voters feel they know very much about Reagan or what he stands for, the Republicans who do have a very positive perception of him.

Conservatism has had from its inception vigorously positive, intellectually rigorous agenda and thinking. That agenda should have in my three pillars: strengthen the economy, strengthen our security, and strengthen our families.

When the audience leaves, I'd like them to feel positive when they go.

Women were freed from positive duties when they could not perform them, but not when they could.

I try to give positive energy in all my shows.

I'm not here to discuss the past... I'm here to be positive.

Modern Orthodoxy has a highly positive attitude toward the State of Israel. Our Ultra-Orthodox brethren recognize only the Holy Land, but not the state.

Accent your positive and delete your negative.

We have initiated programs for re-entry offenders, since some 500,000 to 600,000 offenders will come out of prison each year for the next three or four years. We want to have positive alternatives when they come back to the community.

A lot of victims, for example, have become addicted to alcohol and drugs. It seems to me that the church's healing ministry is going to be enhanced through this in much broader strokes. That's good, it's all positive.

The Games are just a nice, positive way to build friendships, camaraderie and, of course, self-esteem. Plus, the Games are a great opportunity for people to participate in sports who normally wouldn't.

It takes but one positive thought when given a chance to survive and thrive to overpower an entire army of negative thoughts.

It gets kinda monotonous, but that's television. There are plus sides and down sides. The positive side is that you have steady work for nine months of the year for however many years your show is on TV,.

I believe that when you work on yourself, you are attracted by different, more positive beings.