I've worked with wonderful actors like Marlon Brando and Henry Fonda.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

And then the first was The Misfits, which I enjoyed very much, with Marilyn and Gable.

I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by Kazan and was called Baby Doll.

Well, I've maybe gotten 200 requests for interviews about Marilyn, and I just decided I'm gonna do my own.

Well, I was getting a lot of money then, and I wasn't getting any Hollywood films, so I just did those. I'd always do a play in between. Whenever I ran low on funds, I'd always rush off to do a movie somewhere.

And that movie was underrated - Nuts - because it deals with a terrible subject, but It's very well done.

What is it in my makeup that makes me grab any offer and fly around the world? Will I ever be satisfied? Can't I ever just rest?

My first Western was called The Magnificent Seven.

Yes, I won the Bafta. I thought the British were very intelligent.

This country has a complex about age. It's unbelievable. If you're over thirty, you've had it in this country.

I'd come out of the army after five years as a medic. I was a medical administrator and we ran hospitals, and I was a Captain in the army at the end, in 1945.

I was an original member of the Actors' Studio.

I always wanted to tell stories and act.

Having the critics praise you is like having the hangman say you've got a pretty neck.

Everyone thinks acting is easy. It's far from easy, but it's the most gratifying thing I do.

John Huston was a superb master. He knew how to make good films. I did three things with him. One is called Independence. It plays in Philadelphia, for free. It's been playing there for 25 years.

The trouble with that movie is that you had to see Chinatown the day before you saw The Two Jakes.

But Clint I love, because Clint was my mentor. I knew nothing about making an Italian movie.

My wife says that stage acting is like being on a tightrope with no net, and being in the movies, there is a net - because you stop and go over it again. It's very technical and mechanical. On stage you're on your own.

I've learned that life is very tricky business: Each person needs to find what they want to do in life and not be dissuaded when people question them.

One thing changes every evening: It's the audience, and I'm working my magic. I'm always learning from it.

I've never lost my appetite for acting; it's innovative and challenging.

So I wanted to show what I did with the money. So I got red silk shirts, beautiful hats, wonderful saddles, a great horse, and two gold teeth. So that was the way I did it.

When you have to shoot, shoot, don't talk.

The big secret in acting is listening to people.

But I went to the University of Texas in the 30s, and while there I learned to ride. Mostly polo ponies.

I love to tell stories and this is my way of getting them down on paper.

I've worked with wonderful actors like Marlon Brando and Henry Fonda.

All of these stories bounced around in my mind for a long time.

I never dreamed I would do Westerns.

When I saw the movie, I said, I wish I had heard the music. I would have ridden the horse differently.

I never lost my appetite for acting.

Even if I don't want to slow down, I'm slowing down.

I always end up being the evil one, and I wouldn't hurt a fly.

And I did Batman, too. I did Mr. Freeze. I get more mail for him than anything I've ever done.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

I've seen many actors go awry by making the wrong choices early on.

Actors are able to trick themselves into treating anything as if it's fantastic. It's a kind of madness really.

David Cronenberg knows what we actors do as artists.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.

Comedians are not usually actors, but imitations of actors.

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.