When I saw the movie, I said, I wish I had heard the music. I would have ridden the horse differently.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

And then the first was The Misfits, which I enjoyed very much, with Marilyn and Gable.

I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by Kazan and was called Baby Doll.

Well, I've maybe gotten 200 requests for interviews about Marilyn, and I just decided I'm gonna do my own.

Well, I was getting a lot of money then, and I wasn't getting any Hollywood films, so I just did those. I'd always do a play in between. Whenever I ran low on funds, I'd always rush off to do a movie somewhere.

And that movie was underrated - Nuts - because it deals with a terrible subject, but It's very well done.

What is it in my makeup that makes me grab any offer and fly around the world? Will I ever be satisfied? Can't I ever just rest?

My first Western was called The Magnificent Seven.

Yes, I won the Bafta. I thought the British were very intelligent.

This country has a complex about age. It's unbelievable. If you're over thirty, you've had it in this country.

I'd come out of the army after five years as a medic. I was a medical administrator and we ran hospitals, and I was a Captain in the army at the end, in 1945.

I was an original member of the Actors' Studio.

I always wanted to tell stories and act.

Having the critics praise you is like having the hangman say you've got a pretty neck.

Everyone thinks acting is easy. It's far from easy, but it's the most gratifying thing I do.

John Huston was a superb master. He knew how to make good films. I did three things with him. One is called Independence. It plays in Philadelphia, for free. It's been playing there for 25 years.

The trouble with that movie is that you had to see Chinatown the day before you saw The Two Jakes.

But Clint I love, because Clint was my mentor. I knew nothing about making an Italian movie.

My wife says that stage acting is like being on a tightrope with no net, and being in the movies, there is a net - because you stop and go over it again. It's very technical and mechanical. On stage you're on your own.

I've learned that life is very tricky business: Each person needs to find what they want to do in life and not be dissuaded when people question them.

One thing changes every evening: It's the audience, and I'm working my magic. I'm always learning from it.

I've never lost my appetite for acting; it's innovative and challenging.

So I wanted to show what I did with the money. So I got red silk shirts, beautiful hats, wonderful saddles, a great horse, and two gold teeth. So that was the way I did it.

When you have to shoot, shoot, don't talk.

The big secret in acting is listening to people.

But I went to the University of Texas in the 30s, and while there I learned to ride. Mostly polo ponies.

I love to tell stories and this is my way of getting them down on paper.

I've worked with wonderful actors like Marlon Brando and Henry Fonda.

All of these stories bounced around in my mind for a long time.

I never dreamed I would do Westerns.

When I saw the movie, I said, I wish I had heard the music. I would have ridden the horse differently.

I never lost my appetite for acting.

Even if I don't want to slow down, I'm slowing down.

I always end up being the evil one, and I wouldn't hurt a fly.

And I did Batman, too. I did Mr. Freeze. I get more mail for him than anything I've ever done.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.