I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by Kazan and was called Baby Doll.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

And then the first was The Misfits, which I enjoyed very much, with Marilyn and Gable.

I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by Kazan and was called Baby Doll.

Well, I've maybe gotten 200 requests for interviews about Marilyn, and I just decided I'm gonna do my own.

Well, I was getting a lot of money then, and I wasn't getting any Hollywood films, so I just did those. I'd always do a play in between. Whenever I ran low on funds, I'd always rush off to do a movie somewhere.

And that movie was underrated - Nuts - because it deals with a terrible subject, but It's very well done.

What is it in my makeup that makes me grab any offer and fly around the world? Will I ever be satisfied? Can't I ever just rest?

My first Western was called The Magnificent Seven.

Yes, I won the Bafta. I thought the British were very intelligent.

This country has a complex about age. It's unbelievable. If you're over thirty, you've had it in this country.

I'd come out of the army after five years as a medic. I was a medical administrator and we ran hospitals, and I was a Captain in the army at the end, in 1945.

I was an original member of the Actors' Studio.

I always wanted to tell stories and act.

Having the critics praise you is like having the hangman say you've got a pretty neck.

Everyone thinks acting is easy. It's far from easy, but it's the most gratifying thing I do.

John Huston was a superb master. He knew how to make good films. I did three things with him. One is called Independence. It plays in Philadelphia, for free. It's been playing there for 25 years.

The trouble with that movie is that you had to see Chinatown the day before you saw The Two Jakes.

But Clint I love, because Clint was my mentor. I knew nothing about making an Italian movie.

My wife says that stage acting is like being on a tightrope with no net, and being in the movies, there is a net - because you stop and go over it again. It's very technical and mechanical. On stage you're on your own.

I've learned that life is very tricky business: Each person needs to find what they want to do in life and not be dissuaded when people question them.

One thing changes every evening: It's the audience, and I'm working my magic. I'm always learning from it.

I've never lost my appetite for acting; it's innovative and challenging.

So I wanted to show what I did with the money. So I got red silk shirts, beautiful hats, wonderful saddles, a great horse, and two gold teeth. So that was the way I did it.

When you have to shoot, shoot, don't talk.

The big secret in acting is listening to people.

But I went to the University of Texas in the 30s, and while there I learned to ride. Mostly polo ponies.

I love to tell stories and this is my way of getting them down on paper.

I've worked with wonderful actors like Marlon Brando and Henry Fonda.

All of these stories bounced around in my mind for a long time.

I never dreamed I would do Westerns.

When I saw the movie, I said, I wish I had heard the music. I would have ridden the horse differently.

I never lost my appetite for acting.

Even if I don't want to slow down, I'm slowing down.

I always end up being the evil one, and I wouldn't hurt a fly.

And I did Batman, too. I did Mr. Freeze. I get more mail for him than anything I've ever done.

I think we will have a boy baby and he will be born on the 20th of August. Everyone else has a girl baby and at times I don't believe I should mind having a little Phyllis Dawn but Dearest wants a boy and I do.

In fact I have nightmares about having children. I want to carry a baby and feel the life within me and in my dream, I do. But every time after it's born, there's this incredible fear, this pounding pulse of fear. It's a real bad nightmare.

Being a father, well, I don't know if this is a change, but it makes me want to get out of here faster. Get off the clock. Just 'cause the baby is my reason for living, my reason for coming to work.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

This country has come to feel the same when Congress is in session as when the baby gets hold of a hammer.

I don't like my hockey sticks touching other sticks, and I don't like them crossing one another, and I kind of have them hidden in the corner. I put baby powder on the ends. I think it's essentially a matter of taking care of what takes care of you.

Babies don't need a vacation, but I still see them at the beach... it pisses me off! I'll go over to a little baby and say 'What are you doing here? You haven't worked a day in your life!'

Having a baby dragged me, kicking and screaming, from the world of self-absorption.

I didn't have any problem bonding with Honey, but I was plagued with insecurities about my ability to bring up my baby.

I got introduced to audiobooks because of having a baby.

I've been chased through airports with a screaming baby because the photographers are ruthless, and they want the picture.

The thing that stood out above and beyond all the experiences was this relationship with the nine-month-old baby. On weekends, I'd be thinking about going back to set on Monday just to see the baby.

But at the same time that the experience is pulling you apart, it's also bonding you. You have this joint venture! You both made this baby. And that's the thing I still can't get over.