If you don't look like the ruling class, bring your inhaler.

I just arrive, they hand me a script and say, do it.

You know, I'm not making top dollar, but when you're making top dollar, there are a lot of people waiting for you to fall.

My character Esteban is a guy who really didn't think he was gonna be there at this point in his life. He's in his early 30s. He's got a son. He's raising his son as a single father.

I love shocking people.

I like the Beatles. They're at the core of my musicality. And John Lennon's my spiritual father.

Being an actor you have a lot of expenses.

I'm really, really dumb about describing wine, but I like wine that's full-bodied and dry.

I don't get paid like a person that everyone knows, but I get paid so much more in so many ways.

In order to be a lieutenant, you've got to have authority in your voice. No matter how young your face looks, you've got to let your guys know that you're in charge.

If you don't look like the ruling class, bring your inhaler.

I love being irreverent. But I hate being irrelevant. I love being irreverent because at the end of the day your actions belie your intentions.

I went jogging up on Mulholland. In the middle of my run I had some form of asthma attack and couldn't even walk. I couldn't get a ride one block to my house. I thought I was going to die.

I love bringing roses to a woman when she least expects it.

Well, actually yes, in 1988. There was a warrant for me because my assistant hadn't paid a ticket of mine.

I'm a very romantic person.

We as Americans of Latin descent are just as American as anyone else of any other descent.

Anytime you do something Latino, yeah, I love the color, the spice.

I always pull over for people who need a push.

All I would say to people who doubt 'Caprica' is: Everything good starts slow.

Being an American is a state of mind, and to be in a family is to feel the power of belonging, the power of your roots. Family is a tree, the strength of a tree, the roots, the leaves, the past and the present, the future, the fruits, the seeds.

Do I have to see movies and television about the English throne or the Holocaust every year? There are multiple multi-million dollar movies with the same backdrop. But our Holocaust - meaning Latino - aren't ever told.

Frankie is my baby. He is the sweetest dog in the world. Frankie is like the son I never had. He keeps me healthy; I walk and run him. I always feel that I need to spend more time with him and give him more attention. I find myself unloading my emotions on him.

I see myself being a father, hopefully a husband, but I'm very gun-shy. The older I get, the further the goalpost.

I think that racism has gotten more subtle, and it's not even racism anymore: it's placism. Like where you live or whether you went to community college or Harvard, and it exists within the race.

I think the legacy left behind by 'Battlestar' speaks for itself. I thought that these avid fans, most of whom were skeptical at first... to turn them into a fan of 'Caprica' as well is a daunting task, a big challenge.

I'll never lose the sense of being an underdog.

In New York, just standing still on the sidewalk is a weird feeling. You have this incessant need to do things. Los Angeles is about kicking back, relaxing, your inner child, peace.

We hear a lot in this country about family, and 'American Family' just shows us a portrait we haven't seen as much of yet. 'American Family' lets us know that being American isn't about the color of your hair or eyes or skin: it's really a state of mind.

I'm getting a wider circle of fans now. More women, more middle class people.

The best thanks we could offer those who went before and raised the Irish working class from their knees was to press forward with determination and enthusiasm towards the ultimate goal of their efforts, a Co-operative Commonwealth for Ireland.

Make no mistake: The organization of the working class must be both economic and political. The capitalist is organized upon both lines. You must attack him on both.

In economic panics throughout history, the wiping out of the savings accounts of lower earners and the middle class has often led to social revolution, sometimes violent upheavals.

It is the tendency of the social burdens to crush out the middle class, and to force society into an organization of only two classes, one at each social extreme.

I once said, "We will bury you," and I got into trouble with it. Of course we will not bury you with a shovel. Your own working class will bury you.

I certainly did feel inferior. Because of class. Because of strength. Because of height. I guess if I'd been able to hit somebody in the nose, I wouldn't have been a comic.

I grew up in Michigan, in a very small town, Centreville. In my graduating class, I had like 92 people.

These interests of the workers, as the exploited and oppressed, class of society, are the same in all countries.

We need to work together, on a bipartisan basis, to create new jobs, increase job training, enact real and substantive middle class tax relief, and reward companies that create jobs at home.

At one point in college I was so shy that I'd drop out of a class if asked to speak in front of other people.

I recommend the same therapies for all humans with HIV. There is no reason to believe that physiologic responses to therapy will vary across lines of class, culture, race or nationality.

After some minor pieces of theoretical study that I worked on, a student in my statistical mechanics class brought to my attention a problem in polyelectrolytes.

There is no class so pitiably wretched as that which possesses money and nothing else.

I was a class clown.

I made a living out of being a class clown.

Show class, have pride, and display character. If you do, winning takes care of itself.

I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.

I met Kevin when I was 19, at a Second City workshop. We were paired up together in the first class I went to. By the end of the class we formed our improv group, and over the next three years we performed leading up to the formation of The Kids in the Hall.

Making my class laugh and getting in trouble. I was the class clown.