And as I started reaching deeper I realized that most of the blues of that day was done by men. Women just didn't have the nerve.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

I sing the songs that people need to hear.

They said that Etta James is still vulgar. I said, Oh, how dare them say I'm still vulgar. I'm vulgar because I dance in the chair. What would they want me to do? Want me to just be still or something like that? I've got to do something.

I talked to the record company about what I had in mind. They said they wanted something lush. I figured the best thing to do was let them hear what I had in mind.

Now I can stand up on the stage again like I used to after five years of sitting down while I sang.

It's the same thing now. When I go onstage the young people scream and holler as much as the older generation.

It's not about battling the original artists when I record these songs, it's about paying tribute to them.

But even so, I still get nervous before I go onstage.

At the same time I was being given a Lifetime Achievement Grammy.

I wanna show that gospel, country, blues, rhythm and blues, jazz, rock 'n' roll are all just really one thing. Those are the American music and that is the American culture.

The only time that I am really truly happy - when I feel at my best - is when I'm on the stage.

Johnny Guitar... just one of my favorite singers of all time. I met him when we were both on the road with Johnny Otis in the '50s when I was a teenager. We traveled the country in a car together.I would hear him sing every night.

I figured I could do It's A Man's Man's Man's World, because I believe it's the truth.

My mother always told me, even if a song has been done a thousand times, you can still bring something of your own to it. I'd like to think I did that.

Most of the songs I sing have that blues feeling in it. They have that sorry feeling. And I don't know what I'm sorry about. I don't.

That's where it begins and ends for me and these songs were the ones that touched me the deepest. It was like I was laying hold of some part of me that I didn't even know was there until I let it out.

And as I started reaching deeper I realized that most of the blues of that day was done by men. Women just didn't have the nerve.

My mother was a jazz fanatic and she wanted me to play the piano so I could play jazz tunes. I wish I had learned but I was too busy getting into trouble!

I like to shop, but I don't like to go out to dances.

A few years ago, I thought, I'll never make it. I started to go to the doctor to help me lose weight.

Bobby Womack is always very real, both with his music and as a person.

I'm not a braggart, but when I was a little girl people used to come from all over Hollywood to hear me sing.

You can't fake this music. You might be a great singer or a great musician but, in the need, that's got nothing to do with it. It's how you connect to the songs and to the history behind them.

When I look out at the people and they look at me and they're smiling, then I know that I'm loved. That is the time when I have no worries, no problems.

When I'm performing for the people, I am me, then. I am that little girl who, when she was five years old, used to sing at church. Or I'm that 15-year-old young lady who wanted to be grown and wanted to sing and couldn't wait to be smokin' a cigarette, you know?

My mother always wanted me to be glamorous. When I thought about that, it really fired me up, and once I lost all those pounds, I started to feel really good about myself.

I am so happy that I am alive and can walk.

I don't care who's playing. Even if it's my favorite artist, I'm probably not gonna go and see him.

What happens is, when I perform, I'm somewhere else. I go back in time and get in touch with who I really am. I forget my troubles, my worries.

It feels so good to be happy.

Johnny Guitar... just one of my favorite singers of all time. I met him when we were both on the road with Johnny Otis in the '50s when I was a teenager. We traveled the country in a car together. I would hear him sing every night.

I did work out every day. I needed it to have the endurance to do what needed to be done and not get hurt. I have such a new respect for action stars now.

I mean the only thing that is hopefully good about us is after the arguments we can actually still face each other the next day or the day after and talk about something else and sort of get over it.

My favorite singer to this day is Nat King Cole. I've tried to emulate his phrasing. It is so absolutely beautiful to listen to his lovely voice.

I want to have babies one day but not right now. When I do it I want to do it really well. I want it to be my best project in life.

I think I've become a much better singer and a much better player. Years and years of playing a couple of hours every day will do that.

I am tomorrow, or some future day, what I establish today. I am today what I established yesterday or some previous day.

I just wrote one song at a time. Kinda like an alcoholic. One day at a time.

Working mothers do an hour more per day than working fathers do and working mothers do on average an hour more per day with the kids than working fathers do.

When it is time to get to work, I go away completely and don't do anything except the work. And that can be 16 hours a day.

George Pal had total control, and he was there on the set every day. You never met a more charming man in your entire lifetime - what a lovely gentleman.

I'll tell you what I did need to learn was tolerance, and I think I've been actually given a daily opportunity to practice that, and it's - it's - and I know that that sounds almost like a backhanded slap, and it is in a way because I haven't been successful at it every day.

Since the beginning, I always loved the game. When you grow up in Montreal, one day you want to be a professional hockey player. When I was six or seven, I knew that was what I wanted.

Depending on what day of the week it is and what time of the month it is, I'm a good friend or not a good friend. I'm more or less a good mom or not a good mom, more or less a good mate or not a good mate. That's just life, whether or not you're public.

Even if you walk exactly the same route each time - as with a sonnet - the events along the route cannot be imagined to be the same from day to day, as the poet's health, sight, his anticipations, moods, fears, thoughts cannot be the same.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

Even a stopped clock is right twice a day.