My mother was a jazz fanatic and she wanted me to play the piano so I could play jazz tunes. I wish I had learned but I was too busy getting into trouble!

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

I sing the songs that people need to hear.

They said that Etta James is still vulgar. I said, Oh, how dare them say I'm still vulgar. I'm vulgar because I dance in the chair. What would they want me to do? Want me to just be still or something like that? I've got to do something.

I talked to the record company about what I had in mind. They said they wanted something lush. I figured the best thing to do was let them hear what I had in mind.

Now I can stand up on the stage again like I used to after five years of sitting down while I sang.

It's the same thing now. When I go onstage the young people scream and holler as much as the older generation.

It's not about battling the original artists when I record these songs, it's about paying tribute to them.

But even so, I still get nervous before I go onstage.

At the same time I was being given a Lifetime Achievement Grammy.

I wanna show that gospel, country, blues, rhythm and blues, jazz, rock 'n' roll are all just really one thing. Those are the American music and that is the American culture.

The only time that I am really truly happy - when I feel at my best - is when I'm on the stage.

Johnny Guitar... just one of my favorite singers of all time. I met him when we were both on the road with Johnny Otis in the '50s when I was a teenager. We traveled the country in a car together.I would hear him sing every night.

I figured I could do It's A Man's Man's Man's World, because I believe it's the truth.

My mother always told me, even if a song has been done a thousand times, you can still bring something of your own to it. I'd like to think I did that.

Most of the songs I sing have that blues feeling in it. They have that sorry feeling. And I don't know what I'm sorry about. I don't.

That's where it begins and ends for me and these songs were the ones that touched me the deepest. It was like I was laying hold of some part of me that I didn't even know was there until I let it out.

And as I started reaching deeper I realized that most of the blues of that day was done by men. Women just didn't have the nerve.

My mother was a jazz fanatic and she wanted me to play the piano so I could play jazz tunes. I wish I had learned but I was too busy getting into trouble!

I like to shop, but I don't like to go out to dances.

A few years ago, I thought, I'll never make it. I started to go to the doctor to help me lose weight.

Bobby Womack is always very real, both with his music and as a person.

I'm not a braggart, but when I was a little girl people used to come from all over Hollywood to hear me sing.

You can't fake this music. You might be a great singer or a great musician but, in the need, that's got nothing to do with it. It's how you connect to the songs and to the history behind them.

When I look out at the people and they look at me and they're smiling, then I know that I'm loved. That is the time when I have no worries, no problems.

When I'm performing for the people, I am me, then. I am that little girl who, when she was five years old, used to sing at church. Or I'm that 15-year-old young lady who wanted to be grown and wanted to sing and couldn't wait to be smokin' a cigarette, you know?

My mother always wanted me to be glamorous. When I thought about that, it really fired me up, and once I lost all those pounds, I started to feel really good about myself.

I am so happy that I am alive and can walk.

I don't care who's playing. Even if it's my favorite artist, I'm probably not gonna go and see him.

What happens is, when I perform, I'm somewhere else. I go back in time and get in touch with who I really am. I forget my troubles, my worries.

It feels so good to be happy.

Johnny Guitar... just one of my favorite singers of all time. I met him when we were both on the road with Johnny Otis in the '50s when I was a teenager. We traveled the country in a car together. I would hear him sing every night.

The blues is the foundation, and it's got to carry the top. The other part of the scene, the rock 'n' roll and the jazz, are the walls of the blues.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

In my view a jazz musician is a great musician.

Words are the children of reason and, therefore, can't explain it. They really can't translate feeling because they're not part of it. That's why it bugs me when people try to analyze jazz as an intellectual theorem. It's not. It's feeling.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

Humans are imperfect. That's one of the reasons that classical and jazz are in trouble. We're on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.

I hate Stanley Clark, but I have to admit he's playing Jazz whether I like it or not.

I have to plead basic ignorance of most new jazz artists here.

If one takes all the styles in jazz harmonically from the earliest beginnings to the latest experiments, he still has a rather limited scope when compared to the rest of music in the world.

I don't know who's 18 years old today that, 20 years hence, is going to be a jazz fan.

I don't like freedom jazz - I think it's void of roots and void of foundation.

Jazz needs the help. It's the more sophisticated music. All the other music is on the TV, but jazz isn't.

I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.

I think what we need is a more welcoming mode from the people who put on a hundred million country-western shows on television. How about a monthly jazz show?

Life is a lot like jazz... it's best when you improvise.

I still love the whole history of jazz. The old things sound better than ever.