It's not about battling the original artists when I record these songs, it's about paying tribute to them.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

I sing the songs that people need to hear.

They said that Etta James is still vulgar. I said, Oh, how dare them say I'm still vulgar. I'm vulgar because I dance in the chair. What would they want me to do? Want me to just be still or something like that? I've got to do something.

I talked to the record company about what I had in mind. They said they wanted something lush. I figured the best thing to do was let them hear what I had in mind.

Now I can stand up on the stage again like I used to after five years of sitting down while I sang.

It's the same thing now. When I go onstage the young people scream and holler as much as the older generation.

It's not about battling the original artists when I record these songs, it's about paying tribute to them.

But even so, I still get nervous before I go onstage.

At the same time I was being given a Lifetime Achievement Grammy.

I wanna show that gospel, country, blues, rhythm and blues, jazz, rock 'n' roll are all just really one thing. Those are the American music and that is the American culture.

The only time that I am really truly happy - when I feel at my best - is when I'm on the stage.

Johnny Guitar... just one of my favorite singers of all time. I met him when we were both on the road with Johnny Otis in the '50s when I was a teenager. We traveled the country in a car together.I would hear him sing every night.

I figured I could do It's A Man's Man's Man's World, because I believe it's the truth.

My mother always told me, even if a song has been done a thousand times, you can still bring something of your own to it. I'd like to think I did that.

Most of the songs I sing have that blues feeling in it. They have that sorry feeling. And I don't know what I'm sorry about. I don't.

That's where it begins and ends for me and these songs were the ones that touched me the deepest. It was like I was laying hold of some part of me that I didn't even know was there until I let it out.

And as I started reaching deeper I realized that most of the blues of that day was done by men. Women just didn't have the nerve.

My mother was a jazz fanatic and she wanted me to play the piano so I could play jazz tunes. I wish I had learned but I was too busy getting into trouble!

I like to shop, but I don't like to go out to dances.

A few years ago, I thought, I'll never make it. I started to go to the doctor to help me lose weight.

Bobby Womack is always very real, both with his music and as a person.

I'm not a braggart, but when I was a little girl people used to come from all over Hollywood to hear me sing.

You can't fake this music. You might be a great singer or a great musician but, in the need, that's got nothing to do with it. It's how you connect to the songs and to the history behind them.

When I look out at the people and they look at me and they're smiling, then I know that I'm loved. That is the time when I have no worries, no problems.

When I'm performing for the people, I am me, then. I am that little girl who, when she was five years old, used to sing at church. Or I'm that 15-year-old young lady who wanted to be grown and wanted to sing and couldn't wait to be smokin' a cigarette, you know?

My mother always wanted me to be glamorous. When I thought about that, it really fired me up, and once I lost all those pounds, I started to feel really good about myself.

I am so happy that I am alive and can walk.

I don't care who's playing. Even if it's my favorite artist, I'm probably not gonna go and see him.

What happens is, when I perform, I'm somewhere else. I go back in time and get in touch with who I really am. I forget my troubles, my worries.

It feels so good to be happy.

Johnny Guitar... just one of my favorite singers of all time. I met him when we were both on the road with Johnny Otis in the '50s when I was a teenager. We traveled the country in a car together. I would hear him sing every night.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.

I got to sit down with people who I admired, and have conversations with some of the greatest thinkers and artists and performers. It's a huge privilege for me to be a journalist.

I don't believe in art. I believe in artists.

David Cronenberg knows what we actors do as artists.

The truth is, we haven't really figured out yet how artists are going to thrive in modern mass societies. We're all experiments.

Many of the artists who have represented Negro life have seen only the comic, ludicrous side of it, and have lacked sympathy with and appreciation for the warm big heart that dwells within such a rough exterior.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

The number of contemporary artists who appeal to me is infinitesimal.

I have to plead basic ignorance of most new jazz artists here.

Music is art, art is life, and we are who we are, and all of these aforementioned women, unless they should choose not to, will be performing well into the next many decades because they are great artists.

Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think.

Artists are like everybody else.

When artists make art, they shouldn't question whether it is permissible to do one thing or another.

My proudest achievement has been the success of the shows and artists I have been involved with, because they were made in Britain.

The refusal to rest content, the willingness to risk excess on behalf of one's obsessions, is what distinguishes artists from entertainers, and what makes some artists adventurers on behalf of us all.

I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.