The greatest thing about doing this movie was that Chris and I both were involved in folk music in the '60s. I had a group, but I don't think it was at the same level as Chris, because he's an amazing musician.

In ten minutes, I'm thinking, 'OK, you know what? I love these guys. They're really smart, they're really good, they've got a good sense of comedy, under their guidance, I think maybe this could come out OK.' But I didn't like the part.

I am the common man. I'm polite, I love my family and I play by the rules. And sometimes I get pushed around. That's my lifestyle, and that's what I try to bring to characters.

At the end of the day, the numbers that we're hearing are not going to be totally correct or not correct at all.

I think I'm the only actor in the history of film who got to slap Sam Jackson on the face and butt and lived to tell about it.

I don't believe I've ever played a hip dude. I don't think I would have the wherewithal to do that.

This was more of a cartoonish thing for me and it kind of took me back to SCTV, in a way, where the characters are just a little broader and you can have that kind of fun going a little over the edge.

The greatest thing about doing this movie was that Chris and I both were involved in folk music in the '60s. I had a group, but I don't think it was at the same level as Chris, because he's an amazing musician.

We went through all the scenes and they became kind of funny and they expanded a little bit and because it seemed to be working so well in the movie, they added a couple of things later on in the movie and that's how it turned out.

At the end of the day, even if my part is a bit goofy, the key thing is that I'm doing what I love to do, and that's to make people laugh.

But I've never really done anything that implies any kind of danger. I wouldn't skydive, I wouldn't deep sea dive, I wouldn't parachute. I think you're really just rolling the dice. Who packed your chute the night before?

I can't do comedy that is cutting and vicious. If I knew I'd said something that was going to make someone feel bad, well, that supersedes everything.

I like to have a regimen. I don't like to be fancy free.

I love comedy. Playing the underdog, and getting the laughs is my form of entertainment. I could think of nothing different that I would want to be doing at this time in my life.

I really enjoyed working on 'Dumb & Dumberer' with Cheri Oteri, maybe because we are both into improvisations. We were meant to act together.

I would love to work with Sir Anthony Hopkins. How and why that would happen in a comedy I'm not sure - why he would be dragged over to my side, or I'd be be dragged over to his side.

I'm not a joke guy; I'm not a stand-up comic.

One of the biggest misconceptions about me is that I'm a comedian, which I'm not. A comedian is someone who can stand up in front of an audience and make you laugh. I've never done stand-up and I never will. I'm a comic actor. My comedy comes through my characters.

We were like psychedelic folk combined with Sonic Youth's noise.

I think my election is one of several indications that gay and lesbian folk are being brought more into the center of things. I'd like to think that my election signals my bringing of gay and lesbian folk into the center of the church.

Over and over again, financial experts and wonkish talking heads endeavor to explain these mysterious, 'toxic' financial instruments to us lay folk. Over and over, they ignobly fail, because we all know that no one understands credit default obligations and derivatives, except perhaps Mr. Buffett and the computers who created them.

The models for me were more the folk-rock singers of the '60s and '70s.

I think they do a great job on Queer as Folk.

You have to open your mind. I like the ability to express myself in a deep way. It's the closest music to our humanity - it's like a folk music that rises up out of a culture.

Real folk music long ago went to Nashville and left no known survivors.

I have a deep rooted folk sensibility that I can't get away from completely.

Civilization is a conspiracy. Modern life is the silent compact of comfortable folk to keep up pretences.

My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it.

I really understand what that process is all about and how important it is, especially with young folk and creative folk that love looking for some platform that makes it easier for them to express themselves.

The local music community here was dying for a place to record, so we started doing acoustic, folk and bluegrass and then did rock projects for other bands, as well as for my son Tal and my own work.

The novel is the first art form that is an honest-to-god commodity. That's what makes it different from both high art and folk art.

That folk music led to learning to play, and making things up led to what turns out to be the most lucrative part of the music business - writing, because you get paid every time that song gets played.

Why do we need to wait until somebody sells 10 million records to give people a show like that? What about us smaller, hungry folk? At least gimme a curtain!

But in my imagination this whole thing developed and I started mixing up old folk songs with the Beatles beat and taking them down to Greenwich Village and playing them for the people there.

All music is folk music. I ain't never heard a horse sing a song.

But the West did not last long enough. Its folk myths and heroes became stage properties of Hollywood before the poets had begun to get to work on them.

My idea of heaven is a place where the Tyne meets the Delta, where folk music meets the blues.

He helped make Living Things even more crazy than I wanted it to be. He added old-fashioned piano and classical folk music - that weird otherworldly vibe - all these elements got onto the record.

Logically, when you talkin' about folk music and blues, you find out it's music of just plain people.

The vast majority of English folk cannot and will not consider a picture as a picture, apart from any story which it may be supposed to tell.

I've been getting into Nick Drake lately, the folk singer. Sad, gorgeous stuff.

Do you know what a soldier is, young man? He's the chap who makes it possible for civilised folk to despise war.

At the same time all this was happening, there was a folk song revival movement goingon, so the commercial music industry was actually changed by the Civil Rights Movement.

It was darn nigh impossible for women in rock in the '70s. There wasn't a mold if you were a woman and you were in the entertainment in the '70s. You were probably a disco diva or a folk singer, or simply ornamental. Radio would play only one woman per hour.

I was using them as teachers for technique but I was never trying to be a folk.

The big turning point, really, was the Beatles' influence on American folk music, and then Roger took it to the next step, and then along came the Lovin' Spoonful and everybody else.

The 1960s were big for folk music, and the Kingston Trio led the way. They were the ones who started it all. The music was fresh and alive. College kids loved it and their parents did, too.

The fact that The Bridge contains folk lore and other material suitable to the epic form need not therefore prove its failure as a long lyric poem, with interrelated sections.

Common folk didn't have last names in the 8th and 9th centuries.