My self-editing process is intense.

My self-editing process is intense.

I suppress the vast majority of what I write.

I was writing notes, but not composing poems. The Hunter began to develop out of this fragmented process.

I think, for me, humour needs to be used like a strong spice - sparingly.

A sequence works in a way a collection never can.

Well, we all start thinking we're going to be Romantic rock stars, but then reality hits and you realize no one reads you but other poets.

I do try to let what is obviously unintended yet naturally good stay in.

I'm not interested in being easy anymore. Readable, yes. Easy, no.

It's a bit of a crapshoot out there with young writers right now anyway.

With 'Carousel' I had an idea and it all came out quickly.

I've often entertained paranoid suspicions about my fridge and what it's been doing to my poetry when I'm not looking, but I never even considered that my fan was thinking about me.

In my opinion, Al Moritz may be the best poet of his generation in Canada.

I don't think there's anything wrong with someone having to read a poem twice. Or even a book.

Humour is a fine line to walk in poetry, as in fiction. I just think it's harder to write. It's harder to keep the respect of the reader too.

I wanted to rock back and forth between myth and distant futures, yesterday, today, and tomorrow. It felt a bit like prophecy and a bit like storytelling.

Then I discovered I loved writing poetry more than fiction.

I think the main influence has been living in New York City. Aside from all the crap around 9/11, I find it very demanding to think amid all the noise and visual pollution.

The poetry community here has been extraordinarily welcoming.

I feel as though I've fooled the world into thinking I'm an adult and now they're letting me procreate.

I am still interested in the long or serial poem, but have written a few smaller things. I may start sending to journals again in a year or so... that's about it.

New York was breaking my concentration and disintegrating my thoughts.

I still write the occasional short story, and poked at a novel once, but it's just not what I want to do.

I no longer feel pressure to produce fiction.

In fact, in some ways, I actually feel much more confident about the quality of Carousel than I do about The Cottage Builder's Letter: probably because of its cohesive nature.

The whole competition thing disturbs me. Not that I wasn't a part of it when I first started.

I am certainly suffering from a modicum of performance anxiety.

I guess there is also an element of deliberate change involved. Each of my books has been, at least from my point of view, radically different from the last.

Even the people who have had success and made money writing these books of fiction seem to feel the need to pretend it's no big deal, or part of a natural progression from poetry to fiction, but often it's really just about the money, the perceived prestige.

The painter... does not fit the paints to the world. He most certainly does not fit the world to himself. He fits himself to the paint. The self is the servant who bears the paintbox and its inherited contents.

Love is a mutual self-giving which ends in self-recovery.

I would rather take the role and work and make my own money and self respect than to have sex with someone who has a lot of money.

Lying is the most simple form of self-defence.

Sexual self-restraint is only a preliminary stage in the ego's evolution.

The intelligence of the lower forms of animal life, like a great deal of human intelligence, does not involve a self.

If you improve a teacher's self-esteem, confidence, communication skills or stress levels, you improve that teacher's overall effectiveness across the curriculum.

To free us from the expectations of others, to give us back to ourselves - there lies the great, singular power of self-respect.

I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.

Freeing yourself was one thing; claiming ownership of that freed self was another.

Can anything be so elegant as to have few wants, and to serve them one's self?

Self-justification is a treacherous servant.

To be able to throw one's self away for the sake of a moment, to be able to sacrifice years for a woman's smile - that is happiness.

Oh, God, I struggle with low self-esteem all the time! I think everyone does. I have so much wrong with me, it's unbelievable!

Trust yourself. Create the kind of self that you will be happy to live with all your life. Make the most of yourself by fanning the tiny, inner sparks of possibility into flames of achievement.

The best executive is one who has sense enough to pick good people to do what he wants done, and self-restraint enough to keep from meddling with them while they do it.

No doubt Western civilization has in the past been full of wars and revolutions, and the national elements in our culture, even when they were ignored, always provided an unconscious driving force of passion and aggressive self-assertion.

Housework is work directly opposed to the possibility of human self-actualization.

Having a sense of purpose is having a sense of self. A course to plot is a destination to hope for.

But I tend to think of the expressive part of me as rather tedious - never curious or responsive, but blind and self-serving.