Even the contemporary horror authors who have seriously influenced me are a disparate bunch.

In the first year, 1988, I wrote and sold 3 novels.

I've been reading horror since I was five years old.

During that first year, I felt guilty that my wife was out working bringing in all our income, while I was at home playing on the computer, so I made myself treat writing like a job.

I got up with my wife, I sat down at the computer when she went to work, and I didn't stop until she got home.

I've devoted a lot of my time and effort during the past few years to developing my advertising copywriting business to the point of where I can support my family and don't have to depend on writing fiction for my income.

Even the contemporary horror authors who have seriously influenced me are a disparate bunch.

I'm a fan of short horror fiction... in fact, the most memorable horror I've read is of the short variety... but I have a hard time pulling it off myself.

When I decided to take writing seriously, I did a lot of reading and analyzing of the books I liked, and came up with what I thought were pretty sound plotting and structure basics.

Actually, the 14 novels were written over a period of just over 6 years.

For each book, the time is also broken up.

For the novels I wrote before selling anything, I didn't outline much. I had a vague idea of the story.

I spent two months on the first draft, working 8 hours a day, five days a week.

Trying to break into the horror market seemed natural.

The way I outline has changed quite a bit from when I first started writing.

On the other hand, now that I'm not dependent on fiction for my income, I've been writing more short stories despite the fact that there's no real paying market for short horror other than Cemetery Dance.

The benefit of this kind of outlining is that you discover a story's flaws before you invest a lot of time writing the first draft, and it's almost impossible to get stuck at a difficult chapter, because you've already done the work to push through those kinds of blocks.

A couple of weeks after that, Zebra Books phoned with an offer, and I accepted.

When I was a teenager, I got into SF, quite heavily, and that too has had a major impact on my writing.

So, in effect, my first sale was actually two books.

Many of my short stories (all unpublished) were horror, and the novel I'd just finished was horror, too.

So, I outlined a horror novel and started writing.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

A win by an unsound combination, however showy, fills me with artistic horror.

You're going through the horror of it, you're going through the isolation of it but you're being empowered by reminding yourself that you're connected to everybody else.

As a small child, I felt in my heart two contradictory feelings, the horror of life and the ecstasy of life.

There is an element of anger among women who've been raped. There's certainly a major element of humiliation. But it really does seem like a medical condition of shock and horror.

Creation destroys as it goes, throws down one tree for the rise of another. But ideal mankind would abolish death, multiply itself million upon million, rear up city upon city, save every parasite alive, until the accumulation of mere existence is swollen to a horror.

Horror is the natural reaction to the last 5,000 years of history.

This horror of pain is a rather low instinct and... if I think of human beings I've known and of my own life, such as it is, I can't recall any case of pain which didn't, on the whole, enrich life.

Horror does not interest me, and so I know little of its practicioners, old or current.

For the last 30 years our cinemas have been ruled by science fiction and horror. We've had some very good Fantasy films in that time period, but for my tastes I still haven't seen fantasy done to absolute perfection. That is the hope I have in this project.

All of us have our individual curses, something that we are uncomfortable with and something that we have to deal with, like me making horror films, perhaps.

This is an area you always need to address when you're dealing with Dracula is the fact that there is something kind of attractive in his darkness - which there isn't in other horror characters.

I have done some short pieces that are not horror.

I think what sets this one apart is that there are two horror movie icons finally battling each other. You actually see them beat the crap out of each other instead of just terrorizing the kids in the movie.

I saw 'Food, Inc.' last night - it was like a horror movie. I'm definitely thinking about my food supply now and how I want to grow my own.

I'd never watch a horror film, but after I found out I was going to be in one, I watched, like, four of them, including The Shining, I was terrified - I couldn't sleep for days. But I wanted to get myself used to things I was going to see on the set.

You can't make people believe in you if you play a horror part with your tongue in your cheek.

I had grown up in a humanist atmosphere, and war to me was never anything but horror, mutilation and senseless destruction, and I knew that many great and wise people felt the same way about it.

I loved Alien, and I loved Carrie, and I loved The Exorcist - those were big movies for me. They were just brilliantly done, and unusual, and they all took horror to some new place.

There is no great sport in having bullets flying about one in every direction, but I find they have less horror when among them than when in anticipation.

An election is a moral horror, as bad as a battle except for the blood; a mud bath for every soul concerned in it.

Blood is a cleansing and sanctifying thing, and the nation that regards it as the final horror has lost its manhood... there are many things more horrible than bloodshed, and slavery is one of them!

I've been reading horror since I was five years old.

I had to get used to wearing a mask and wearing a prosthetic and performing with those things while singing and expressing myself through stylized movement, while keeping it as human as possible so the audience could be closer to the horror of the Phantom.

I think that true horror is accomplished by slowly getting into your brain. The old way is much more scary.

I had a tremendous horror of going into the Army. That is probably why I went to college for so long.