At the time, we thought it was a nice way to say something unique about the group to make us different from all the other bands kicking around in London.

If anyone asks me about the George Martin years I usually say I group all of that stuff together as the single greatest experience but I wasn't scared I was just really looking forward to it.

It's what everyone is after, I mean they want success and when they get it it's an incredible pressure but what you have to do is try to keep the big picture in view.

I feel pretty confident in my own ability.

Also in Norah Jones, now there's a voice that sounds and I don't mean disrespect but sounds a hundred years old that sounds incredibly experienced. It's just an exciting time.

I know acts and I'm not going to name names but these people sold ten million copies the first time and the second album sells three million and it's considered a failure and they're dropped and that's really a shame.

It's not a bad problem to have because a lot of classic acts are known for one or two songs and in their show they basically hold those songs off until the end and you sit through an hour or so of lesser known material but in our case most of the songs are well known.

At the time, we thought it was a nice way to say something unique about the group to make us different from all the other bands kicking around in London.

The first year with the success that we had and let me point out that the time frame changes depending on which decade you look at it. In the seventies acts were kind of expected to do an album a year. If you look at the Beatles they were doing three a year.

Our friends in the group Chicago, they just numbered theirs and we thought that was kind of neat but it made continuity from album to album and that was our way of doing it.

The reward is every night. The 90 minutes is such a payoff for us every night; it makes it all worth it to us. The fans who come to the shows know how much we enjoy this.

We then went through the audition process and picked a guy named Richard Campbell and he is no secret to L.A. players as he was with Natalie Cole for years and Three Dog Night.

It's one thing to be a fan and it's another thing to be a label.

I try to be careful to not just say it's a greatest hits show because we've also made efforts to keep people up to date so to speak because we continually write and record and put out albums.

I think if you're writing from the heart, very often, the subject matter will adjust as you age... but you try to write the best song you can possibly write. For us, we have the same basic elements that make up the America sound.

Every decade has its ABBA; that's the proof that pop will always be around.

For anybody who writes, very often, when you finish an album, you are so done with it. You've been listening in minutia, in super-focus.

I do know many a band out there, because believe me, we've played with most of them, who are together because they have to be. They might not talk to each other offstage, but they realize they can earn a living by going out and keeping that music alive.

The things I write are combinations of all of the people that have been influences to me.

When people say, 'Your music was the music of the Seventies,' I say, 'So was discoteque.' The Seventies was also the highest peak of heavy metal. Pick a genre - they were all alive.

And it was only released in London last week, so when I go back to England Monday or whatever, I am expecting heaps of adulation. I'm hoping there is. If that doesn't happen I will be disappointed.

My cousins gay, he went to London only to find out that Big Ben was a clock.

I started going back and forth, New York, London, New York, London. I wasn't looking back at all. I was doing tons of jobs. Working, working, working, working.

During our stay in London for the first time I was able to establish personal contact with some of the organic chemists, whose work I knew and admired from the literature. I found them most gracious and helpful.

London is a roost for every bird.

One of the special characteristics of New York is that it is different from a London or a Paris because it's the financial capital, and the cultural capital, but not the political capital.

Fancy your having no sunshine in London yesterday! Here it was glorious, like full summer, and I sat up with the window wide open, listening to the discourse of two amorous thrushes.

Well, I heard of Sunny Ade, and looks as if his music is gonna be big on a global level, because I was in London the other day and some people asked me to review the album.

I live in London and I am a British subject, although I do write in Spanish, of course.

I loved living in London, and I didn't want to leave.

After living in LA for 8 years, I sort of wanted a change, but there's not much production in New York, which is where I primarily live, so I just sort of drifted over to London.

By seeing London, I have seen as much of life as the world can show.

I was born in London, and went to school in Scotland - I used to be dead tired when I got home at night.

At the art college in Edinburgh someone arranged for some London groups to come up and play. I was in a supporting band, with Bernie Green I think. Derek Bailey was one of the visiting musicians. He seemed to like my playing and asked me to come down to London.

Three hundred years ago a prisoner condemned to the Tower of London carved on the wall of his cell this sentiment to keep up his spirits during his long imprisonment: 'It is not adversity that kills, but the impatience with which we bear adversity.

The Royal Festival Hall in London is nice; people hang out there. I think this inviting, non-exclusive character is very important.

My return to London introduced me to a wider range of society.

Vicars, MPS and lawyers were amont those who considered me to be the best hostess in London.

Very good wine was bought at ten pounds per pipe, the contract price; but the superior quality was fifteen pounds; and some of this was not much inferior to the best London Madeira.

Our hearts and prayers go out to the people in London and in Egypt. We're very concerned about it. We are providing our expertise to aid in the investigation in London.

Of course I've done musicals here in London.

When I did it, I was a starving musician in London in a basement flat, but a simple tune with the right singer or the right situation can become very well liked and accepted. I'm only too pleased to say it happened with that one.

I came back out here from England and I was there for a while and it was beautiful and it is just great to see London going from Spring to Summer and Autumn.

There's something about doing theatre in London - it sinks a little bit deeper into your soul as an actor. It's something about the tradition of theatre, about performing on the West End stage.

The day Tarzan opened in London, I sat in a hotel room and discussed the project in detail.

For a London play, rehearsal time would be four weeks for the entire show. In films, I'd spend six weeks on the big dance numbers to get them perfect before the actual shooting.

On the other hand, all kinds of adventurous schemes to add security checkpoints to subway and bus systems have been circulating since the London attacks. This is nonsense. No one can guaranty 100 percent security.

The London dialect as it is spoken in educated circles.

You know Manchester is always a bit of a hard place for people coming from London, just with all the history. Manchester has this immensely huge and healthy history musically.