We then went through the audition process and picked a guy named Richard Campbell and he is no secret to L.A. players as he was with Natalie Cole for years and Three Dog Night.

If anyone asks me about the George Martin years I usually say I group all of that stuff together as the single greatest experience but I wasn't scared I was just really looking forward to it.

It's what everyone is after, I mean they want success and when they get it it's an incredible pressure but what you have to do is try to keep the big picture in view.

I feel pretty confident in my own ability.

Also in Norah Jones, now there's a voice that sounds and I don't mean disrespect but sounds a hundred years old that sounds incredibly experienced. It's just an exciting time.

I know acts and I'm not going to name names but these people sold ten million copies the first time and the second album sells three million and it's considered a failure and they're dropped and that's really a shame.

It's not a bad problem to have because a lot of classic acts are known for one or two songs and in their show they basically hold those songs off until the end and you sit through an hour or so of lesser known material but in our case most of the songs are well known.

At the time, we thought it was a nice way to say something unique about the group to make us different from all the other bands kicking around in London.

The first year with the success that we had and let me point out that the time frame changes depending on which decade you look at it. In the seventies acts were kind of expected to do an album a year. If you look at the Beatles they were doing three a year.

Our friends in the group Chicago, they just numbered theirs and we thought that was kind of neat but it made continuity from album to album and that was our way of doing it.

The reward is every night. The 90 minutes is such a payoff for us every night; it makes it all worth it to us. The fans who come to the shows know how much we enjoy this.

We then went through the audition process and picked a guy named Richard Campbell and he is no secret to L.A. players as he was with Natalie Cole for years and Three Dog Night.

It's one thing to be a fan and it's another thing to be a label.

I try to be careful to not just say it's a greatest hits show because we've also made efforts to keep people up to date so to speak because we continually write and record and put out albums.

I think if you're writing from the heart, very often, the subject matter will adjust as you age... but you try to write the best song you can possibly write. For us, we have the same basic elements that make up the America sound.

Every decade has its ABBA; that's the proof that pop will always be around.

For anybody who writes, very often, when you finish an album, you are so done with it. You've been listening in minutia, in super-focus.

I do know many a band out there, because believe me, we've played with most of them, who are together because they have to be. They might not talk to each other offstage, but they realize they can earn a living by going out and keeping that music alive.

The things I write are combinations of all of the people that have been influences to me.

When people say, 'Your music was the music of the Seventies,' I say, 'So was discoteque.' The Seventies was also the highest peak of heavy metal. Pick a genre - they were all alive.

I sometimes lie awake at night trying to think of something funny that Richard Nixon said.

To me, every hour of the day and night is an unspeakably perfect miracle.

I'm looking forward to providing the men of Seattle with an evening where they can kick back, light up a cigar and enjoy a night to themselves. Women, we can't technically keep you out, but please stay at home.

Prayer: the key of the day and the lock of the night.

I knew that my staying up would not change the election result if I were defeated, while if elected I had a hard day ahead of me. So I thought a night's rest was best in any event.

Tomorrow night is nothing but one long sleepless wrestle with yesterday's omissions and regrets.

You know, nobody eats in England. Three or four pints of English beer a night fills you. I can't say I'm very impressed with the food in America. it's all sort of bland. Like turkey sandwiches.

I wanted to do an episode about Chuck having a gambling problem. I wanted to portray my addiction on the show. But I think it's a little edgy for Saturday night.

What can you conceive more silly and extravagant than to suppose a man racking his brains, and studying night and day how to fly?

On that road of the informer, it is always night. I cannot ever inform against anyone without feeling something die within me. I inform without pleasure, because it is necessary.

We did a different show every night. We'd open a show, and then two weeks later we'd open the next show. And two weeks later we'd open the third show until we had all eight running. And it was just one of the richest experiences I'd ever had in my theatrical life.

I hate leaving home. I love what I do, but I'd love to go home every night.

I was babysitting the night High School Musical premiered last year. I watched with the kids and we sang along to the lyrics. I was making $12 an hour.

The name Air Supply sort of came from nowhere. I get a lot of my things in dreams and I just had a dream about it one night, and I woke up and said that's just got to be the name. That was in 1975.

I have never had problems sleeping the night before a race.

When my mother died, I had to go on air that night and do jokes.

And Big Night, I think by the end the brothers find that balance, when they touch each other on the shoulder over breakfast and it's understood that what should never have driven them apart almost drove them apart. I think that's a true moment.

I couldn't sleep one night and I was sitting in my office and I realized that I was an independent filmmaker.

Leisure time is that five or six hours when you sleep at night.

When I got old enough to go to night clubs to hear that music at the age of 15.

I was up until all hours of the night, listening to stories, meeting great old comedians.

If I didn't have a recruiting engagement, I was going to be here. I did everything possible to change the recruiting thing. I'm a very small part of this night, but I did want to be a part of it.

Men find it difficult because I've got so much energy and hardly sleep at night, only four or five hours. I wake up in the early hours and potter around.

But for the first time in many years, I get to sleep in my own bed every night. I haven't done that, literally, in years. It seems like such a small thing, but it is so nice.

Prepare for death, if here at night you roam, and sign your will before you sup from home.

I was born in London, and went to school in Scotland - I used to be dead tired when I got home at night.

You know, in the beginning when your first payroll comes up and you have to borrow money to meet the payroll, you lose sleep the night before, and you say to yourself real fast, 'Well, maybe I should keep working a couple more years. It's sobering.

If the stars should appear but one night every thousand years how man would marvel and stare.

I was the first movie star to plunge into night-time soap opera.