I like what I hear other guys doing, but the thing that really attracts me is melodic playing.

Then, of course, I played alto and tenor, wherever there were jobs.

The recording industry has changed; they're enjoying such incredible success in the pop field.

When I began listening to saxophones, I was first attracted to Coleman Hawkins.

If you've only got one horn playing, I still want the sense of ensemble.

The other saxophones, except as solo instruments, really don't have much point in the orchestra.

The Russian composers, especially, tricked the symphony orchestra into the kind of dynamic, rhythmic thing.

I've appeared on some other people's albums.

So I played alto for quite a while until I saved up the money for the baritone.

I like what I hear other guys doing, but the thing that really attracts me is melodic playing.

Actually, it is a fact that I've been doing more writing than playing in recent years.

This life of being a transient human being has gotten to a point when it's very hard to bear.

In a way, I started out to be a baritone player.

People are approaching electronic levels in music; although not all of it happens to tickle my fancy.

Now, the instrumentation in the jazz band and the jazz dance band has gone through many evolutions. For instance, in the 'twenties the tradition was two or three saxophones.

I'm fascinated with the electronic devices that we can mess around with.

When we've finished the current tour I'm going to go back to Italy and see if I can do some more writing.

Eliminating the piano means that I've always worked closer with the bass than most players.

You can make a saxophone into an electric organ; you can do everything with it.

New York is still where I live most of the time.

Because if you've got the wit, you can make anything into a melody, ultimately.

People talk about innovations and evolutions and that kind of thing; I don't understand about that nonsense. It's like, all instruments are there to use all the time.

The baritone can serve functions that the alto and tenor cannot, in orchestral voicing.

In fact, I heard Bird first, and had got well into listening to him. You know, it's the kind of accidental thing that awareness of a player is: what's available, what somebody happens to play for you.

The first reason for starting to do the symphony concerts was to play this new piece of mine.

You start way down on a low B flat on the tuba and you have a chromatic scale; you can match the colours all the way up, till you get to the top of the trumpet.

Miles Davis is one who writes songs when he plays.

Only the French, I guess, really use tenor and alto to any great extent in the orchestra.

It's true I've always been attracted to the jazz band in an orchestral way, rather than a band way.

I've always wanted a C trumpet on top, to have that same kind of facility without shouting.

The whole world is set up so that for places like Switzerland to exist, that are crime-free and with the best care for everybody, you have to have places like Sudan, or Jamaica. But really, there's enough to share, when you check it. It's not that complicated, really. It's probably less thinking and more feeling that's required.

I have never acted he has never been cast in a romantic lead or has been cast opposite a female love interest in any movie he starred in.

Football is a bit like chess: it's not just the piece being moved that matters; it's also the effect that move has on all the other pieces.

Existence itself is disconcerting and disorienting.

I'm doing my best to mindfully raise my son to feel safe and encouraged to express himself.

If there's a seminal discovery in oncology in the last 20 years, it's that idea that cancer genes are often mutated versions of normal genes.

Fashion is such an insider's club, but slowly, the playing field is evening out. Through social media, everyone can have a front-row seat.

I'm so fascinated by the human longing for meaning. The way we relate romantically to each other is so much to do with our longing for meaning as well.

I personally like to talk to people when I'm not doing a scene, still acting as if I'm in Gotham when I'm on set because I don't really like to break character, since I sometimes get distracted. I may get distracted when I'm talking to people and having fun; then I have to check myself.

I was raised right. I dig who I am.

I am trying to be a girl who is real and has an opinion. Might say stupid things but not scared of men, and for me that's important.

You're taught that you can keep going in the military. Your point of collapse is not what you thought it was. Your body is built to survive, and when you think you're going to collapse, you still have so much more left in you.

For after my marriage I had made various attempts to write fiction. They were clearly failures.

You can't improv off of bad writing. Then you have to actually create your objective, which is really hard to do in an element without the skeleton to go off of.

Now comes the reign of iron.

I'm sure if you dig deep, Joe and Ralph Fiennes do it because they want to be noticed.

The dynamics are pretty much the same among me and my friends as they were when I was 18 years old.

There's one thing which I hate about color films... people who use up a lot of their despairing producer's money by working in the laboratory to bring out the dominant hues, or to make color films where there isn't any color.

In the Pentagon Papers case, the government asserted in the Supreme Court that the publication of the material was a threat to national security. It turned out it was not a threat to U.S. security. But even if it had been, that doesn't mean that it couldn't be published.