Now, the instrumentation in the jazz band and the jazz dance band has gone through many evolutions. For instance, in the 'twenties the tradition was two or three saxophones.

Then, of course, I played alto and tenor, wherever there were jobs.

The recording industry has changed; they're enjoying such incredible success in the pop field.

When I began listening to saxophones, I was first attracted to Coleman Hawkins.

If you've only got one horn playing, I still want the sense of ensemble.

The other saxophones, except as solo instruments, really don't have much point in the orchestra.

The Russian composers, especially, tricked the symphony orchestra into the kind of dynamic, rhythmic thing.

I've appeared on some other people's albums.

So I played alto for quite a while until I saved up the money for the baritone.

I like what I hear other guys doing, but the thing that really attracts me is melodic playing.

Actually, it is a fact that I've been doing more writing than playing in recent years.

This life of being a transient human being has gotten to a point when it's very hard to bear.

In a way, I started out to be a baritone player.

People are approaching electronic levels in music; although not all of it happens to tickle my fancy.

Now, the instrumentation in the jazz band and the jazz dance band has gone through many evolutions. For instance, in the 'twenties the tradition was two or three saxophones.

I'm fascinated with the electronic devices that we can mess around with.

When we've finished the current tour I'm going to go back to Italy and see if I can do some more writing.

Eliminating the piano means that I've always worked closer with the bass than most players.

You can make a saxophone into an electric organ; you can do everything with it.

New York is still where I live most of the time.

Because if you've got the wit, you can make anything into a melody, ultimately.

People talk about innovations and evolutions and that kind of thing; I don't understand about that nonsense. It's like, all instruments are there to use all the time.

The baritone can serve functions that the alto and tenor cannot, in orchestral voicing.

In fact, I heard Bird first, and had got well into listening to him. You know, it's the kind of accidental thing that awareness of a player is: what's available, what somebody happens to play for you.

The first reason for starting to do the symphony concerts was to play this new piece of mine.

You start way down on a low B flat on the tuba and you have a chromatic scale; you can match the colours all the way up, till you get to the top of the trumpet.

Miles Davis is one who writes songs when he plays.

Only the French, I guess, really use tenor and alto to any great extent in the orchestra.

It's true I've always been attracted to the jazz band in an orchestral way, rather than a band way.

I've always wanted a C trumpet on top, to have that same kind of facility without shouting.

The Lord doesn't like us to be dead. Be alive. Sometimes I dance to the glory of the Lord, because He said so.

I never danced a step in my life so naturally. My first motion picture was a musical, and Bob Fosse was the choreographer. I didn't exactly dance for Fosse, I just did the best that I could to do what he taught us to do.

Dance is very, very old. With Louis XIV at Versailles is where ballet started.

I cannot sing, dance or act; what else would I be but a talk show host.

No matter how close to yours another's steps have grown, in the end there is one dance you'll do alone.

When I got a lap dance, because I was 17, they had to put a massive pillow between me and the girl when she was grinding me. It was weird, yet pleasurable.

I grew up with six brothers. That's how I learned to dance - waiting for the bathroom.

I would love to do more music, definitely. That is my true passion. Dance is first and then music.

They're not particular about whether you're playing a flatted fifth or a ruptured 129th as long as they can dance to it.

I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.

The real message of the Dance opens up the vistas of life to all who have the urge to express beauty with no other instrument than their own bodies, with no apparatus and no dependence on anything other than space.

It's always been my dream to do a dance scene with Anthony Hopkins.

Sex in a dance is in the eyes of the beholder. I never thought my dances sexy. I suppose that's because I see myself with my face washed, and to me I look like a rabbit.

I had certain physical limitations that made me change the choreography for myself or made me more interested in choreography only rather than dancing. I have never been a person who wanted to just dance. I have always been interested in developing for other people.

We were at our best when we were playing in the dance halls of Liverpool and Hamburg. The world never saw that.

We want to be the band to dance to when the bomb drops.

Life is like dancing. If we have a big floor, many people will dance. Some will get angry when the rhythm changes. But life is changing all the time.

People come to see beauty, and I dance to give it to them.

The dance world is too small in lots of ways - it's too intense, it rattles around itself, and it needs exposing to other ideas.