I do not think that music keeps evolving. It evolved through Bach; since then, in my humble opinion, all the innovations added nothing.

I was in Paris at an English-language bookstore. I picked up a volume of Dickinson's poetry. I came back to my hotel, read 2,000 of her poems and immediately began composing in my head. I wrote down the melodies even before I got to a piano.

I'm a terrible singer, but it helps when I have to call a taxi.

I don't think events in your life affect your music.

My music is all about an idealistic human personality. I have 19th-century ideals.

If you have more money than you need, you have to give it away. It's a duty. I get to choose whom to sponsor, and I like to give to the areas that I know something about.

I want to make the world better.

Nicolette, Kendalle, and Alexandra are my children. Their mother, Cynthia Beck, and I, love them very much.

I see only adaptations - not revolutions.

My father was so much more than an accomplished businessman.

Both parents were very encouraging - especially my father. My father thought the sun rose and set with me. Neither one had a musical background or any musical talent. They liked classical music, but neither could carry a tune.

I do not think that music keeps evolving. It evolved through Bach; since then, in my humble opinion, all the innovations added nothing.

I've had every advantage in the world, despite the 18 years of silence which were nobody's fault but mine.

I've managed to dodge the curse. Not all my family have. Of course, music helped me - music is all about civilization, about something worthwhile. It's all about ideas.

The Getty family has been fully supportive throughout this situation, and for that, I am very grateful.

It's true that I tend to daydream. I'm the same person in business as I am in music: I can be distracted and absentminded. It's my style.

Either your understanding of the meaning of music is there from the beginning or it is not.

When my opera Plump Jack was performed in 1989, my first piano teacher sent me something that I'd composed when I was four. I remember I played it, and it still sounded like me. I'm the same composer I was then.

I personally do not write highbrow music. If I do, it's by accident.

I feel that I belong to the 19th century. Some composers' music is very topical. It almost says, 'This is about what I read in newspapers yesterday.' Not mine.

There is no change - I'm as deep or as shallow as I ever was. What's new is on-the-job experience. This is what you gain with years.

I just have to take my chances like any other composer.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

The value of music is to be able to play one note at the right time in the right way.

Younger players in this music often turn out to be middle aged; it is not a young music.

There's an inherent thing in me where, if things are going too smooth, I'll sabotage the hell out of them, just to make the music more of a sanctuary.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

We used to listen to all the marvelous operas on records. Music was a very important part of our lives.

Drums just always sounded like the most fun part of that good music for me.