If you like to read, sometimes it's interesting just to go and see what the reality is, of the word, of the seedy or not so seedy fiction writer, the drunk or sober poet... Sometimes you can go looking for illumination.

Being ill like this combines shock - this time I will die - with a pain and agony that are unfamiliar, that wrench me out of myself.

I am sensible of the velocity of the moments, and entering that part of my head alert to the motion of the world I am aware that life was never perfect, never absolute. This bestows contentment, even a fearlessness.

Memory, so complete and clear or so evasive, has to be ended, has to be put aside, as if one were leaving a chapel and bringing the prayer to an end in one's head.

But death's acquisitive instincts will win.

This identity, this mind, this particular cast of speech, is nearly over.

So an autobiography about death should include, in my case, an account of European Jewry and of Russian and Jewish events - pogroms and flights and murders and the revolution that drove my mother to come here.

True stories, autobiographical stories, like some novels, begin long ago, before the acts in the account, before the birth of some of the people in the tale.

In New York one lives in the moment rather more than Socrates advised, so that at a party or alone in your room it will always be difficult to guess at the long term worth of anything.

It is like visiting one's funeral, like visiting loss in its purest and most monumental form, this wild darkness, which is not only unknown but which one cannot enter as oneself.

I can't change the past, and I don't think I would. I don't expect to be understood. I like what I've written, the stories and two novels. If I had to give up what I've written in order to be clear of this disease, I wouldn't do it.

Me, my literary reputation is mostly abroad, but I am anchored here in New York. I can't think of any other place I'd rather die than here.

I was always crazy about New York, dependent on it, scared of it - well, it is dangerous - but beyond that there was the pressure of being young and of not yet having done work you really liked, trademark work, breakthrough work.

I feel sorry for the man who marries you... because everyone thinks you're sweet and you're not.

I look upon another's insistence on the merits of his or her life - duties, intellect, accomplishment - and see that most of it is nonsense.

Death and I are head to head in a total collision, pure and mutual distaste.

I have thousands of opinions still - but that is down from millions - and, as always, I know nothing.

If you like to read, sometimes it's interesting just to go and see what the reality is, of the word, of the seedy or not so seedy fiction writer, the drunk or sober poet... Sometimes you can go looking for illumination.

Almost the first thing I did when I became ill was to buy a truly good television set.

I am in an adolescence in reverse, as mysterious as the first, except that this time I feel it as a decay of the odds that I might live for a while, that I can sleep it off.

Public radio is alive and kicking, it always has been.

It is death that goes down to the center of the earth, the great burial church the earth is, and then to the curved ends of the universe, as light is said to do.

God is an immensity, while this disease, this death, which is in me, this small, tightly defined pedestrian event, is merely and perfectly real, without miracle - or instruction.

I awake with a not entirely sickened knowledge that I am merely young again and in a funny way at peace, an observer who is aware of time's chariot, aware that some metamorphosis has occurred.

It bothers me that I won't live to see the end of the century, because, when I was young, in St. Louis, I remember saying to Marilyn, my sister by adoption, that that was how long I wanted to live: seventy years.

I don't really have special rituals, but I don't try to write fiction unless I have a minimum of a few hours. For me, it takes a while to settle into a mode where I'm truly concentrating.

The fact that it's science fiction gives you the license to do anything you want to do.

For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.

Fiction came quite a while later. I began with short stories and fiction for children.

Mr. Henry James writes fiction as if it were a painful duty.

I'd have been a filmmaker or a cartoonist or something else which extended from the visual arts into the making of narratives if I hadn't been able to shift into fiction.

For truth is always strange; stranger than fiction.

We were given clear concrete tools. The course did a great job demystifying the art of fiction writing and fostering confidence. The instructor brought complex concepts down to earth. I will miss coming here every week.

The biographies and autobiographies are on the whole more impressive than the fiction of the last two decades, but the freakish best sellers among them are least likely to withstand the test of time.

I have never been a critic of science fiction as a whole.

Fiction was invented the day Jonas arrived home and told his wife that he was three days late because he had been swallowed by a whale.

I think if I had been writing fiction, where the work is entirely dependent on the writer's creativity and the potential directions the narrative might take are infinite, I might have frozen.

I have always loved science fiction. One of my favorite shows is 'Star Trek.' I like the trips, where it drops my mind off, because they give you a premise and all of a sudden, you say, 'Oh!' and I'm fascinated by it.

I spent several years acquiring the obsessive, day-to-day discipline that's needed if you want to write professionally, then several more, highly valuable years studying fiction writing at the University of Iowa.

For people who have no critical acumen, a state is a mythical entity, for those who think critically it is a rational fiction, created by man in order to facilitate human coexistence.

There is an element of autobiography in all fiction in that pain or distress, or pleasure, is based on the author's own. But in my case that is as far as it goes.

For the last 30 years our cinemas have been ruled by science fiction and horror. We've had some very good Fantasy films in that time period, but for my tastes I still haven't seen fantasy done to absolute perfection. That is the hope I have in this project.

I dig science fiction, though it was never really my thing.

I have a kind of standard explanation why, which goes like this: Science fiction is one way of making sense out of a senseless world.

I'm not a great science fiction fan myself. I probably feel that way about Westerns. Like I used to play Cowboys and Indians, they can act out Will and the Robot.

A masterpiece of fiction is an original world and as such is not likely to fit the world of the reader.

In writing biography, fact and fiction shouldn't be mixed. And if they are, the fictional points should be printed in red ink, the facts printed in black ink.

In fiction, you have a rough idea what's coming up next - sometimes you even make a little outline - but in fact you don't know. Each day is a whole new - and for me, a very invigorating - experience.

We have escapist fiction, so why not escapist biography?