The theatre only knows what it's doing next week, not like the opera, where they say: What are we going to do in five years' time? A completely different attitude.

The theatre only knows what it's doing next week, not like the opera, where they say: What are we going to do in five years' time? A completely different attitude.

I didn't have a record player.

I wrote music as soon as I knew notation.

It's the irrational things that interest me.

I don't have ideas so much as there are things which constantly evolve... there are various threads or layers, if you like, which change.

Minimalism now is a reaction to what came before. It's absolutely of its time. Music moved into the set theory thing, and moved out of it.

The opera tells the story with all the built-in contradictions and from many different angles.

This sounds horribly pretentious, but I like to think that if music hadn't existed, I could have invented it.

When I was a kid, I wrote music - from the age of 11 until the age of 18.

I don't think there is much American music.

Music is such a problem in the time it takes.

One thing I've tried to do in writing music is take on very basic things, very archetypal things.

I always write the pieces I want to write.

I think music has gone through a period of something very severe, rather radical, rather the way painting did with cubism.

I'm not an architectural composer.

My operas usually come from musical ideas rather than ideas about subject matter.

I'm not a music lover in the sense that I look for something to have on. I've never had that attitude to music.

People say my music is English. I don't know what it is. Maybe it's not me writing English music, but that English music is becoming more like me.

The piece that had a large influence on me was Turangalila.

My attitude to writing is like when you do wallpapering, you remember where all the little bits are that don't meet. And then your friends say: It's terrific!

When I was confronted with official tuition, the academic thing, I could see no relationship whatever between that and the music I'd been writing since I was 11.

When I dealt with set theory, I could never make it be the music that I wanted.

My operas and my theatre works are very formal pieces.

I think there are influences that you open the door to, and influences that come under the door.

The thing about influence is that any composer worth anything will give you the same names.

You either are or you're not.

There are rhythmic ideas which sometimes only work up to a point. In writing there are moments when it just comes off the page, it's not just a collection of notes.

In the end it doesn't matter what you do.

The pool is terrible, but that doesn't have much to do with my record swims. That's all mental attitude.

After the first miscarriage, I tried to take the attitude that it was my body's way of telling me that this pregnancy wasn't meant to be.

Any time I need to get a serious attitude adjustment, I put on one of their records, and there are examples there for all time to keep us honest and keep us reaching; they'll never be eclipsed.

What sculptors do is represent the essence of gesture. What is important in mime is attitude.

The Stones are a different kind of group. I realized that when I joined them. It's not really so much their musical ability, it's just they have a certain kind of style and attitude which is unique.

Modern Orthodoxy has a highly positive attitude toward the State of Israel. Our Ultra-Orthodox brethren recognize only the Holy Land, but not the state.

I need that aggressive attitude to play my music and more men have that attitude than women.

The war changed everybody's attitude. We became international almost overnight.

There does not seem to be that collegiality I referred to, there seems to be much more of a them versus us attitude, rather than we all have a role to play in this process so let's get on with it.

A great attitude does much more than turn on the lights in our worlds; it seems to magically connect us to all sorts of serendipitous opportunities that were somehow absent before the change.

Being black is not a matter of pigmentation - being black is a reflection of a mental attitude.

That's what I love from metal, and that's what I love from hip-hop. That's what I love from any music that's hard, that's got an edge to it-The attitude in it.

I have always detested any departure from reality, an attitude which I relate to my mother's poor mental health.

We have become aware of the responsibility for our attitude towards the dark pages in our history. We have understood that bad service is done to the nation by those who are impelling to renounce that past.

There are a lot of movies I'd like to throw away. That's not to say that I went in with that attitude. Any film I ever started, I went in with all the hope and best intentions in the world, but some films just don't work.

You cannot control what happens to you, but you can control your attitude toward what happens to you, and in that, you will be mastering change rather than allowing it to master you.

Success or failure depends more upon attitude than upon capacity successful men act as though they have accomplished or are enjoying something. Soon it becomes a reality. Act, look, feel successful, conduct yourself accordingly, and you will be amazed at the positive results.

Although as a sailor I despised politics - for I loved my sailor's life and still love it today - conditions forced me to take up a definite attitude towards political problems.

I was impressed by Hendrix. His attitude was brilliant. Even the way he walked was amazing.

Success or failure in business is caused more by the mental attitude even than by mental capacities.