The opera tells the story with all the built-in contradictions and from many different angles.

The theatre only knows what it's doing next week, not like the opera, where they say: What are we going to do in five years' time? A completely different attitude.

I didn't have a record player.

I wrote music as soon as I knew notation.

It's the irrational things that interest me.

I don't have ideas so much as there are things which constantly evolve... there are various threads or layers, if you like, which change.

Minimalism now is a reaction to what came before. It's absolutely of its time. Music moved into the set theory thing, and moved out of it.

The opera tells the story with all the built-in contradictions and from many different angles.

This sounds horribly pretentious, but I like to think that if music hadn't existed, I could have invented it.

When I was a kid, I wrote music - from the age of 11 until the age of 18.

I don't think there is much American music.

Music is such a problem in the time it takes.

One thing I've tried to do in writing music is take on very basic things, very archetypal things.

I always write the pieces I want to write.

I think music has gone through a period of something very severe, rather radical, rather the way painting did with cubism.

I'm not an architectural composer.

My operas usually come from musical ideas rather than ideas about subject matter.

I'm not a music lover in the sense that I look for something to have on. I've never had that attitude to music.

People say my music is English. I don't know what it is. Maybe it's not me writing English music, but that English music is becoming more like me.

The piece that had a large influence on me was Turangalila.

My attitude to writing is like when you do wallpapering, you remember where all the little bits are that don't meet. And then your friends say: It's terrific!

When I was confronted with official tuition, the academic thing, I could see no relationship whatever between that and the music I'd been writing since I was 11.

When I dealt with set theory, I could never make it be the music that I wanted.

My operas and my theatre works are very formal pieces.

I think there are influences that you open the door to, and influences that come under the door.

The thing about influence is that any composer worth anything will give you the same names.

You either are or you're not.

There are rhythmic ideas which sometimes only work up to a point. In writing there are moments when it just comes off the page, it's not just a collection of notes.

In the end it doesn't matter what you do.

Soap opera wouldn't be my first choice, but at this point in my life, I would consider a soap. It would allow me to act and still do other things with my life.

I love opera, I love writing for the voice, I love telling stories with music.

Of all the noises known to man, opera is the most expensive.

I would just like to say that opera is no longer about fat people in breastplates shattering wine glasses.

I have the absolute utmost respect for soap opera actors now. They work harder than any actor I know in any other medium. And they don't get very much approbation for it.

This is not a rock opera. This is not Tommy. I can write songs that emote, and that's it.

I was the first movie star to plunge into night-time soap opera.

In how many lives does love really play a dominant part? The average taxpayer is no more capable of a 'grand passion' than of a grand opera.

A show like Knots or any other show that can be called a soap opera does terribly in syndication because if you're a viewer and you miss a week you don't know what's going on.

Mozart has written opera, symphony, sacred and chamber music - not to mention his piano and violin concerti.

I was more of a light opera singer, not really much of a lounge singer.

Above all, I am an opera singer. This is how people will remember me.

The theatre only knows what it's doing next week, not like the opera, where they say: What are we going to do in five years' time? A completely different attitude.

We consider Monteverdi the first composer of opera. There was someone before, but everything started with Monteverdi.

I like soap opera acting. If it's done really well, there's nothing better. It's old school. It's like what those melodramas in the '30s and '40s were like.

Let us be clear: I take ten times more money for a concert than for an opera performance.

I was on a soap opera before that for three years, where I was the nicest guy on earth.

Opera? Just what the world needs: more fat women screaming.

I cannot go to the Opera, because I have forsworn all expense which does not end in pleasing me.

If you approach an opera as though it were something that always went a certain way, that's what you get. I approach an opera as though I didn't know it.