When you are young you don't always realise how full of doubts everybody is.

Fiction came quite a while later. I began with short stories and fiction for children.

I didn't choose Russia but Russia chose me. I had been fascinated from an early age by the culture, the language, the literature and the history to the place.

The poets whom I knew then were all men and all seemed dauntingly sure of themselves - although I am sure that really they were as uncertain as I was.

I was always influenced by language.

Children will not pretend to be enjoying books, and they will not read books because they have been told that these books are good. They are looking for delight.

It is a violation which has obsessed the tyrants of the twentieth century. They do not want simply to kill their opponents, but to liquidate them, to deny that they have ever existed.

Those who try to obliterate the past are injuring the present.

A novel, in the end, is a container, a shape which you are trying to pour your story into.

Writing poetry makes you intensely conscious of how words sound, both aloud and inside the head of the reader. You learn the weight of words and how they sound to the ear.

I hope that readers will tear through my books because they can't stop themselves - and then, maybe, read them again and find new things there.

I would like people to come into my Dreamworld and then choose to stay.

Poets go through a very tough apprenticeship in the use of words.

When you are young you don't always realise how full of doubts everybody is.

Writing children's books gives a writer a very strong sense of narrative drive.

I can remember being in my pram: children stayed in their prams much longer then than they do now. A big bouncy pram with black covers and a hood with metal clips that could trap your fingers. I was looking up at my sister who was sitting on the pram seat, with her back to me.

However, I began to submit poems to British magazines, and some were accepted. It was a great moment to see my first poems published. It felt like entering a tradition.

However, the difficulties and pleasures of the writing itself are similar for a novel with a historical setting and a novel with a contemporary setting, as far as I'm concerned.

I have learned so much from working with other poets, travelling and reading with them, spending days discussing poems in progress. There is the sense that we are all, as writers, part of something which is more powerful than any of us.

I concentrate on the lives of individuals whom the reader comes to know and feel with intimately.

If we understand the past, we are more likely to recognise what is happening around us.

To try to expunge an individual's history is a terrible violation.

The language has got to be fully alive - I can't bear dull, flaccid writing myself and I don't see why any reader should put up with it.

I enjoy research; in fact research is so engaging that it would be easy to go on for years, and never write the novel at all.

I could start with Mandelstam, who was a huge influence on my early writing.

Mourning Ruby is not a flat landscape: it is more like a box with pictures painted on every face. And each face is also a door which opens, I hope, to take the reader deep into the book.

As individuals, we are shaped by story from the time of birth; we are formed by what we are told by our parents, our teachers, our intimates.

My first collection of poems was published by Bloodaxe Books, which was then a very new imprint.

For you where never my blood sister so no more shall I call you little sister.

The musician - if he be a good one - finds his own perception prompted by the poet's perception, and he translates the expression of that perception from the terms of poetry into the terms of music.

Every song I've written is luck, I think; it's luck - 'How did that just happen?'

Vicodin, I got addicted to that little pill. The reason I don't talk about it too much in the press is because it isn't funny, and I love to be funny in interviews. If you joke about that period in your life, it doesn't seem right.

Members of India's diaspora, living in distant lands of the world, my good wishes to all of you. You may be far away from India, but you are always close to our hearts.

I proudly served in the United States Army during the Korean War as an artillery operations specialist in the all-black 503rd Field Artillery Battalion in the Second Infantry Division.

There's really no substitute for working hard. I think that's my biggest talent. There are always people who are funnier and more talented than I am, but I don't take anything for granted and I commit myself 100% to each of my roles.

Complexity is one of the great problems in environmental design.

I use the language I use to my friends. They wouldn't believe me if I used some high-flown literary language. I want them to believe me.

I love filming in New York. I love New York movies, too. I just like it when people can take New York and make it their own, because there are so many different New Yorks.

I have been called many things in my life, but if there has been but one constant, one barb, one arrow flung my way time after time, it is the accusation that I am, in essence, nothing more than an escapist. Apparently this is bad, suspect, possibly even un-American.

I do believe - I very strongly believe that the Arab nations would be willing to put together an Arab NATO-like structure.

I think women are sick and tired of being portrayed as victims, a lot of the time anyway, the bulk of their time on film.

A belief is not merely an idea the mind possesses; it is an idea that possesses the mind.

As soon as I walk down that sticky six-mile patterned carpet that welcomes you at Heathrow, I buy the Sunday papers and read the fashion supplements cover to cover. Even though hardly a single word in them seems directed at any male who ever lived, I find them compulsive reading.

The film I do doesn't have to be a film that only my kids can watch. My kids will watch films, but I will decide what they watch and not. My aim is to play different characters and not be stuck in a mould. Just because you are a mom and a wife doesn't meant you have to play those roles, even in films.

Jesus Christ, in His infinite love, has become what we are, in order that He may make us entirely what He is.

The invitation to repent is rarely a voice of chastisement but rather a loving appeal to turn around and to "re-turn" toward God.

People need to take a breath and remember that it's only fashion. Relax. No one's going to die.

Occupy Wall Street is meant more as a way of life that spreads through contagion, creates as many questions as it answers, aims to force a reconsideration of the way the nation does business and offers hope to those of us who previously felt alone in our belief that the current economic system is broken.

I grew up close to Melbourne, about two hours outside, on Phillip Island. It's really small; it's kind of a little summer beach town.