The poets whom I knew then were all men and all seemed dauntingly sure of themselves - although I am sure that really they were as uncertain as I was.

Fiction came quite a while later. I began with short stories and fiction for children.

I didn't choose Russia but Russia chose me. I had been fascinated from an early age by the culture, the language, the literature and the history to the place.

The poets whom I knew then were all men and all seemed dauntingly sure of themselves - although I am sure that really they were as uncertain as I was.

I was always influenced by language.

Children will not pretend to be enjoying books, and they will not read books because they have been told that these books are good. They are looking for delight.

It is a violation which has obsessed the tyrants of the twentieth century. They do not want simply to kill their opponents, but to liquidate them, to deny that they have ever existed.

Those who try to obliterate the past are injuring the present.

A novel, in the end, is a container, a shape which you are trying to pour your story into.

Writing poetry makes you intensely conscious of how words sound, both aloud and inside the head of the reader. You learn the weight of words and how they sound to the ear.

I hope that readers will tear through my books because they can't stop themselves - and then, maybe, read them again and find new things there.

I would like people to come into my Dreamworld and then choose to stay.

Poets go through a very tough apprenticeship in the use of words.

When you are young you don't always realise how full of doubts everybody is.

Writing children's books gives a writer a very strong sense of narrative drive.

I can remember being in my pram: children stayed in their prams much longer then than they do now. A big bouncy pram with black covers and a hood with metal clips that could trap your fingers. I was looking up at my sister who was sitting on the pram seat, with her back to me.

However, I began to submit poems to British magazines, and some were accepted. It was a great moment to see my first poems published. It felt like entering a tradition.

However, the difficulties and pleasures of the writing itself are similar for a novel with a historical setting and a novel with a contemporary setting, as far as I'm concerned.

I have learned so much from working with other poets, travelling and reading with them, spending days discussing poems in progress. There is the sense that we are all, as writers, part of something which is more powerful than any of us.

I concentrate on the lives of individuals whom the reader comes to know and feel with intimately.

If we understand the past, we are more likely to recognise what is happening around us.

To try to expunge an individual's history is a terrible violation.

The language has got to be fully alive - I can't bear dull, flaccid writing myself and I don't see why any reader should put up with it.

I enjoy research; in fact research is so engaging that it would be easy to go on for years, and never write the novel at all.

I could start with Mandelstam, who was a huge influence on my early writing.

Mourning Ruby is not a flat landscape: it is more like a box with pictures painted on every face. And each face is also a door which opens, I hope, to take the reader deep into the book.

As individuals, we are shaped by story from the time of birth; we are formed by what we are told by our parents, our teachers, our intimates.

My first collection of poems was published by Bloodaxe Books, which was then a very new imprint.

For you where never my blood sister so no more shall I call you little sister.

The woman who thinks she is intelligent demands equal rights with men. A woman who is intelligent does not.

If it weren't for women, men would still be wearing last week's socks.

All literary men are Red Sox fans - to be a Yankee fan in a literate society is to endanger your life.

It is chiefly through books that we enjoy intercourse with superior minds. In the best books, great men talk to us, give us their most precious thoughts, and pour their souls into ours.

Men live by intervals of reason under the sovereignty of humor and passion.

To a smart girl men are no problem - they're the answer.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

I love children and I love men, but I can't commit to either for the rest of my life.

Athletes as role models and heroes is a hoax, a sick hoax. The men and women who are fighting in Iraq, they are the true heroes.

Prosperous farmers mean more employment, more prosperity for the workers and the business men of every industrial area in the whole country.

It is the privilege of the gods to want nothing, and of godlike men to want little.

There is always a type of man who says he loves his fellow men, and expects to make a living at it.

What the hell difference does it make, left or right? There were good men lost on both sides.

Art: If the object of poetry is, to make men, then poetry is the heir of prophecy.

Lives of great men oft remind us as we o'er their pages turn, That we too may leave behind us - Letters that we ought to burn.

Few men in our history have ever obtained the Presidency by planning to obtain it.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

When women go wrong, men go right after them.

Clearly no one knows what leadership has gone undiscovered in women of all races, and in black and other minority men.

To enable men to exercise that power is the object of protection.