Carloads of tourists would photograph the family mailbox, and there was weird mail, death threats.

I've got a lot of crazy plans.

I was getting a lot of hassles from the public. Everybody recognized me.

Even if I had a tuxedo I wouldn't wear it to school.

It's harder to laugh than to cry.

It's really important to go back to where you come from.

I think it's great when girls are artistic.

I can't stay in L.A. too long or it starts to grow on me in a bad way.

I have horses, I drive a truck, and I wear cowboy boots. First I'm a Texan.

If I can generate enough income, I'd like to get a castle, a historic castle that I can restore.

Carloads of tourists would photograph the family mailbox, and there was weird mail, death threats.

I don't know if I was so much of an outsider until after I started doing films. That put me on the outside. I grew up in Texas, and I wasn't the child of industry parents, and I didn't have a lot of friends in the industry or anything like that.

I don't know if there aren't any films like 'E.T.' anymore. I just feel that the industry has changed so much. There are so many outlets now.

I grew up in a rural area, I was from kind of a poor family and my parents weren't showbiz people. But going back was strange, and perhaps stranger for the other students.

I probably complicate things unnecessarily now just to give the illusion of professionalism.

I understood why films were made, and if they made a lot of money, they were successful. All of these things I knew. As a ten-year-old boy, I didn't really think a lot about finances or celebrity. I always viewed films as kind of what I imagined a summer camp to be like.

I would inevitably get the girls who were interested in me because I was the guy from E.T. It was kind of tough. I can't deny ever capitalizing upon it but on the whole in my teens I was pretty virtuous.

It was like that for the first six months after 'E.T.' was in cinemas. I'd go out and get mobbed. I was a shy kid, and being approached by adults all the time just freaked me out.

Many times you walk into a room and people have already made up their minds. But it's always good to have something great associated with you.

Of course there have been times I regretted being the kid in 'E.T.' My world went completely crazy. I was that stupid kind of famous, where you can't go anywhere.

The idea of a film staying in theaters for a year is something of a fantasy today.

The one thing I've always done is to try not to overcomplicate anything.

To know that one has never really tried - that is the only death.

Let us eat and drink neither forgetting death unduly nor remembering it. The Lord hath mercy on whom he will have mercy, etc., and the less we think about it the better.

We're all like children. We may think we grow up, but to me, being grown up is death, stopping thinking, trying to find out things, going on learning.

When you break up, your whole identity is shattered. It's like death.

Madame, all stories, if continued far enough, end in death, and he is no true-story teller who would keep that from you.

Death comes not to the living soul, nor age to the loving heart.

Death is a distant rumor to the young.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

I don't sit in the corner waiting for death: death has to pursue me. I'm going strong. I hope to reach 100 and ask for an extension, just like my grandmother did.

On the plus side, death is one of the few things that can be done as easily lying down .

Because the Illinois death penalty system is arbitrary and capricious - and therefore immoral - I no longer shall tinker with the machinery of death.

I'm Irish. I think about death all the time.

I don't fear death because I don't fear anything I don't understand. When I start to think about it, I order a massage and it goes away.

The most dire disaster in love is the death of imagination.

Death doesn't frighten me; now I can think peacefully of ending a long life.

Death comes for us all. Even for kings he comes.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.

It has ever been since time began, and ever will be, till time lose breath, that love is a mood - no more - to man, and love to a woman is life or death.

Some people say my work is often depressing and pessimistic, with the emphasis on death, blood, overcrowding, strange beings and so on, but I don't really think it is.

In Goddess religion death is not feared, but is understood to be a part of life, followed by birth and renewal.

Death and life have their determined appointments; riches and honors depend upon heaven.

Most of the debate over the cultures of death and life is about process. The debate focuses on the technology available to determine how we prolong life and how and when we end it.

I think that the core doctrines of Christianity - the incarnation, the resurrection, life after death-these are as strong as ever. In fact, the belief in life after death has increased in this century.

Creation destroys as it goes, throws down one tree for the rise of another. But ideal mankind would abolish death, multiply itself million upon million, rear up city upon city, save every parasite alive, until the accumulation of mere existence is swollen to a horror.

You haven't lost anything when you know were it is. Death can hide but not divide.

When I see someone who is starved, they don't look alert. They don't have boundless energy. If you're too skinny, it looks like you're near death.

Death is one moment, and life is so many of them.