So I'll write it, and then I'll find out that I actually wrote something that is utterly useless. You can't use it in the story and it doesn't fit. So I just throw it away. I've done that countless times.

Right now I'm so old that if I had a big gush of money, I don't know what I'd do with it. I don't travel anymore. I don't need anything, don't want anything. I'd give it to my son, I guess, and let him enjoy it.

These are just the tip of the iceberg, because I read and read and read. I read everything.

I was a carpenter for a time and everybody watches what you do.

Sometimes some of these little side excursions are useful and I manage to fit them in the book somewhere.

I'd never been published when I was young.

But I'm so slow on it because I find it terribly hard writing blind on computers. The computer speaks to me, but it's just so slow, I'm so terribly slow using it.

A reader is not supposed to be aware that someone's written the story. He's supposed to be completely immersed, submerged in the environment.

I just wrote what I felt like writing since they seemed to sell.

There was a writer in the '20s called Christopher Morley, who I remember a little bit of, who had some influence on me, but I couldn't tell you what it was.

I do read books. I suppose it's more or less the same thing, but at least I'm alone and I'm an individual. I can stop anytime I want, which I frequently do.

I haven't been to a movie since somebody gave me free tickets to Star Wars, which I went to.

I never worked in an office in my life.

I thought that automobiles were going to have mufflers and go fast and airplanes were going to fly fast.

I haven't sold to the movies. In other words, I haven't gotten any enormous checks yet.

It seems to limit you; when you're working in an office, you're a creature in a small cell under somebody's supervision and surveillance.

But I've sure worked at jobs where I have been under inspection.

I never made lots of money at it, but I sold enough.

This flattery has been rather slow in coming. I think all of sudden late in life now I'm getting some credit for what I've done. Which is gratifying, but it's kind of a little late.

I worked for half a cent a word. I'm not a fast writer to begin with, so for the first few years I had do other things.

I was an omnivore at reading, so that everything I ever read contributed.

But Roy Rockwood, it was science fiction for the sake of science fiction.

I don't read other science fiction. I don't read any at all.

In fact, almost every job you get somebody watching you.

As I mentioned, I was a carpenter for a time.

The story was such that I couldn't make a graceful ending and then make a graceful new beginning. I could have, but I didn't want to. So, it isn't the most graceful way of writing a story. This new story is, I think, is pretty good stuff. I'm pleased with it anyway.

Then there was Clark Ashton Smith, who wrote for Weird Tales and who had a wild imagination. He wasn't a very talented writer, but his imagination was wonderful.

So I'll write it, and then I'll find out that I actually wrote something that is utterly useless. You can't use it in the story and it doesn't fit. So I just throw it away. I've done that countless times.

But, for instance, when I was awfully young, I read all the Oz books. They were an enormous influence on me.

I got done writing Ports of Call and suddenly realized I have far too much material for the book.

Well, I think everything I've ever read contributes to the background from which I write.

Happiness is fugitive dissatisfaction and boredom are real.

Freedom, privileges, options, must constantly be exercised, even at the risk of inconvenience.

He who draws noble delights from sentiments of poetry is a true poet, though he has never written a line in all his life.

I love talking to the public, I love hearing what people have got to say.

We are the music makers, and we are the dreamers of dreams.

I don't like the word 'experiment' in the context of art in general. It implies something immature, unfinished, something entertaining for a moment before it becomes irrelevant.

Anger is one way to respond to fear. I say one way because responses are categorically multiple.

A more stable relationship between Poland and Russia based on reconciliation might revive the reunification of Europe.

As far as I know, the guys at Pixar are opposed to a Monsters, Inc. sequel.

When I sang that song, I felt it was almost as if some force had moved into my body. Things like that have only happened to me singing jazz. It doesn't happen when singing pop. I get so deeply into the music, it feels like I've become someone else.

Who learns most from a good book is the author.

One of the many problems with the American left has been its image as something rather too solemn, mirthless, herbivorous, dull, monochrome, righteous, and boring.

Humans aren't as good as we should be in our capacity to empathize with feelings and thoughts of others, be they humans or other animals on Earth. So maybe part of our formal education should be training in empathy. Imagine how different the world would be if, in fact, that were 'reading, writing, arithmetic, empathy.'

We must continue, however, to send a strong message of resolve to the people of Iraq, to our troops, to our coalition partners, and to the rest of the world that we, the United States of America, will stay the course and get the job done.

Playing with my grandfather, grandmother and my parents, I came to music pretty naturally.

I like mountains and oceans and stuff, which is where I've always felt some sort of power of meaning, but that's not necessarily spiritual.

I still follow Chelsea's fortunes.

I have to take care of myself in order to live life the way I want to. It's important to have rest days. But in the long run, if I don't work out for, like, three days, I feel worse, not better.