So I'll write it, and then I'll find out that I actually wrote something that is utterly useless. You can't use it in the story and it doesn't fit. So I just throw it away. I've done that countless times.

Right now I'm so old that if I had a big gush of money, I don't know what I'd do with it. I don't travel anymore. I don't need anything, don't want anything. I'd give it to my son, I guess, and let him enjoy it.

These are just the tip of the iceberg, because I read and read and read. I read everything.

I was a carpenter for a time and everybody watches what you do.

Sometimes some of these little side excursions are useful and I manage to fit them in the book somewhere.

I'd never been published when I was young.

But I'm so slow on it because I find it terribly hard writing blind on computers. The computer speaks to me, but it's just so slow, I'm so terribly slow using it.

A reader is not supposed to be aware that someone's written the story. He's supposed to be completely immersed, submerged in the environment.

I just wrote what I felt like writing since they seemed to sell.

There was a writer in the '20s called Christopher Morley, who I remember a little bit of, who had some influence on me, but I couldn't tell you what it was.

I do read books. I suppose it's more or less the same thing, but at least I'm alone and I'm an individual. I can stop anytime I want, which I frequently do.

I haven't been to a movie since somebody gave me free tickets to Star Wars, which I went to.

I never worked in an office in my life.

I thought that automobiles were going to have mufflers and go fast and airplanes were going to fly fast.

I haven't sold to the movies. In other words, I haven't gotten any enormous checks yet.

It seems to limit you; when you're working in an office, you're a creature in a small cell under somebody's supervision and surveillance.

But I've sure worked at jobs where I have been under inspection.

I never made lots of money at it, but I sold enough.

This flattery has been rather slow in coming. I think all of sudden late in life now I'm getting some credit for what I've done. Which is gratifying, but it's kind of a little late.

I worked for half a cent a word. I'm not a fast writer to begin with, so for the first few years I had do other things.

I was an omnivore at reading, so that everything I ever read contributed.

But Roy Rockwood, it was science fiction for the sake of science fiction.

I don't read other science fiction. I don't read any at all.

In fact, almost every job you get somebody watching you.

As I mentioned, I was a carpenter for a time.

The story was such that I couldn't make a graceful ending and then make a graceful new beginning. I could have, but I didn't want to. So, it isn't the most graceful way of writing a story. This new story is, I think, is pretty good stuff. I'm pleased with it anyway.

Then there was Clark Ashton Smith, who wrote for Weird Tales and who had a wild imagination. He wasn't a very talented writer, but his imagination was wonderful.

So I'll write it, and then I'll find out that I actually wrote something that is utterly useless. You can't use it in the story and it doesn't fit. So I just throw it away. I've done that countless times.

But, for instance, when I was awfully young, I read all the Oz books. They were an enormous influence on me.

I got done writing Ports of Call and suddenly realized I have far too much material for the book.

Well, I think everything I've ever read contributes to the background from which I write.

Happiness is fugitive dissatisfaction and boredom are real.

Freedom, privileges, options, must constantly be exercised, even at the risk of inconvenience.

When I get time off, my brain is just, that's it. I sit. I veg. People will think that I'm upset or not happy, but I'm just exhausted. I'm just zoned out.

Women tend to be preservers of the social structure, of marriage. They don't want to upset their husbands or their significant others. They don't want to hurt people

When working on a period, it is the finer details that evoke imagery that helps in cinematic adaptations.

Anyone who's got a guitar, you like to pick it up. I can play a couple of songs, some '50s rock and roll, a bit of Elvis. That's it, really - I'm not a musician, I'm not a singer.

When we get there, if we don't find any life on Mars, from that point on there will be life on Mars because we'll bring it there, whether it's germs and leftover urine bags, whatever it is.

Journalism keeps you planted in the earth.

Well, there's just some universal truths in a way that I've just observed to be true. You read Voltaire. You read modern literature. Anywhere you go, there's these observations about romantic love and what it does people, and these rotten feelings that rarely are people meaning to do that to each other.

No man ever believes that the Bible means what it says He is always convinced that it says what he means.

I love finding EPs for bands that you just discover.

I think design covers so much more than the aesthetic. Design is fundamentally more. Design is usability. It is Information Architecture. It is Accessibility. This is all design.

Music Box has proven itself in a few short years to be a cutting edge distributor with a sophisticated understanding of both the market and cinema.

It is not honest inquiry that makes anarchy; but it is error, insincerity, half belief and untruth that make it.

Nurses serve their patients in the most important capacities. We know that they serve as our first lines of communication when something goes wrong or when we are concerned about health.

Trade is the best cure for prejudice.

Learning is better than house and land.

In 2003, I almost died of an intestinal blockage when I was on a mountain in Chile, filming a segment for 'Scientific American Frontiers.'