The story was such that I couldn't make a graceful ending and then make a graceful new beginning. I could have, but I didn't want to. So, it isn't the most graceful way of writing a story. This new story is, I think, is pretty good stuff. I'm pleased with it anyway.

Right now I'm so old that if I had a big gush of money, I don't know what I'd do with it. I don't travel anymore. I don't need anything, don't want anything. I'd give it to my son, I guess, and let him enjoy it.

These are just the tip of the iceberg, because I read and read and read. I read everything.

I was a carpenter for a time and everybody watches what you do.

Sometimes some of these little side excursions are useful and I manage to fit them in the book somewhere.

I'd never been published when I was young.

But I'm so slow on it because I find it terribly hard writing blind on computers. The computer speaks to me, but it's just so slow, I'm so terribly slow using it.

A reader is not supposed to be aware that someone's written the story. He's supposed to be completely immersed, submerged in the environment.

I just wrote what I felt like writing since they seemed to sell.

There was a writer in the '20s called Christopher Morley, who I remember a little bit of, who had some influence on me, but I couldn't tell you what it was.

I do read books. I suppose it's more or less the same thing, but at least I'm alone and I'm an individual. I can stop anytime I want, which I frequently do.

I haven't been to a movie since somebody gave me free tickets to Star Wars, which I went to.

I never worked in an office in my life.

I thought that automobiles were going to have mufflers and go fast and airplanes were going to fly fast.

I haven't sold to the movies. In other words, I haven't gotten any enormous checks yet.

It seems to limit you; when you're working in an office, you're a creature in a small cell under somebody's supervision and surveillance.

But I've sure worked at jobs where I have been under inspection.

I never made lots of money at it, but I sold enough.

This flattery has been rather slow in coming. I think all of sudden late in life now I'm getting some credit for what I've done. Which is gratifying, but it's kind of a little late.

I worked for half a cent a word. I'm not a fast writer to begin with, so for the first few years I had do other things.

I was an omnivore at reading, so that everything I ever read contributed.

But Roy Rockwood, it was science fiction for the sake of science fiction.

I don't read other science fiction. I don't read any at all.

In fact, almost every job you get somebody watching you.

As I mentioned, I was a carpenter for a time.

The story was such that I couldn't make a graceful ending and then make a graceful new beginning. I could have, but I didn't want to. So, it isn't the most graceful way of writing a story. This new story is, I think, is pretty good stuff. I'm pleased with it anyway.

Then there was Clark Ashton Smith, who wrote for Weird Tales and who had a wild imagination. He wasn't a very talented writer, but his imagination was wonderful.

So I'll write it, and then I'll find out that I actually wrote something that is utterly useless. You can't use it in the story and it doesn't fit. So I just throw it away. I've done that countless times.

But, for instance, when I was awfully young, I read all the Oz books. They were an enormous influence on me.

I got done writing Ports of Call and suddenly realized I have far too much material for the book.

Well, I think everything I've ever read contributes to the background from which I write.

Happiness is fugitive dissatisfaction and boredom are real.

Freedom, privileges, options, must constantly be exercised, even at the risk of inconvenience.

From the beginning, the series has been story driven - I began with a story idea - but research feeds it.

I don't write drafts. I write from the beginning to the end, and when it's finished, it's done.

Since the beginning, I always loved the game. When you grow up in Montreal, one day you want to be a professional hockey player. When I was six or seven, I knew that was what I wanted.

Before beginning, plan carefully.

Every new beginning comes from some other beginning's end.

The people who voted for President Obama are just beginning to wake up to exactly what they brought in. The 'change' they envisioned is not the 'change' they have gotten.

Religion has caused more harm than any other idea since the beginning of time. There's nothing good I can say about it. People use it as a crutch.

And that's how I start myself. I usually go back a couple of pages, maybe to the beginning of the chapter, and I start reading. And as I'm reading, I'm tweaking - putting in a different word, changing the syntax, putting that clause over there, you know that sort of thing.

In the beginning it was all black and white.

A palindrome is a word or pattern that instead of developing in different directions it folds in on itself so that the beginning and end mirror each other, that they are the same.

Learning is the beginning of wealth. Learning is the beginning of health. Learning is the beginning of spirituality. Searching and learning is where the miracle process all begins.

At the beginning of 1955 only about 60 percent of American homes had TVs.

Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning.

Most musicians count at the beginning, and never count and talk to their musicians after that. They only talk to them at the end of the song. But I would count with them and talk.

What you really remember at the beginning was that you have to throw a budget together. We made some terrible mistakes at the beginning in my own budget that took us at least a year to catch up on.

There is a spirit and a need and a man at the beginning of every great human advance. Every one of these must be right for that particular moment of history, or nothing happens.