Well, I think everything I've ever read contributes to the background from which I write.

Right now I'm so old that if I had a big gush of money, I don't know what I'd do with it. I don't travel anymore. I don't need anything, don't want anything. I'd give it to my son, I guess, and let him enjoy it.

These are just the tip of the iceberg, because I read and read and read. I read everything.

I was a carpenter for a time and everybody watches what you do.

Sometimes some of these little side excursions are useful and I manage to fit them in the book somewhere.

I'd never been published when I was young.

But I'm so slow on it because I find it terribly hard writing blind on computers. The computer speaks to me, but it's just so slow, I'm so terribly slow using it.

A reader is not supposed to be aware that someone's written the story. He's supposed to be completely immersed, submerged in the environment.

I just wrote what I felt like writing since they seemed to sell.

There was a writer in the '20s called Christopher Morley, who I remember a little bit of, who had some influence on me, but I couldn't tell you what it was.

I do read books. I suppose it's more or less the same thing, but at least I'm alone and I'm an individual. I can stop anytime I want, which I frequently do.

I haven't been to a movie since somebody gave me free tickets to Star Wars, which I went to.

I never worked in an office in my life.

I thought that automobiles were going to have mufflers and go fast and airplanes were going to fly fast.

I haven't sold to the movies. In other words, I haven't gotten any enormous checks yet.

It seems to limit you; when you're working in an office, you're a creature in a small cell under somebody's supervision and surveillance.

But I've sure worked at jobs where I have been under inspection.

I never made lots of money at it, but I sold enough.

This flattery has been rather slow in coming. I think all of sudden late in life now I'm getting some credit for what I've done. Which is gratifying, but it's kind of a little late.

I worked for half a cent a word. I'm not a fast writer to begin with, so for the first few years I had do other things.

I was an omnivore at reading, so that everything I ever read contributed.

But Roy Rockwood, it was science fiction for the sake of science fiction.

I don't read other science fiction. I don't read any at all.

In fact, almost every job you get somebody watching you.

As I mentioned, I was a carpenter for a time.

The story was such that I couldn't make a graceful ending and then make a graceful new beginning. I could have, but I didn't want to. So, it isn't the most graceful way of writing a story. This new story is, I think, is pretty good stuff. I'm pleased with it anyway.

Then there was Clark Ashton Smith, who wrote for Weird Tales and who had a wild imagination. He wasn't a very talented writer, but his imagination was wonderful.

So I'll write it, and then I'll find out that I actually wrote something that is utterly useless. You can't use it in the story and it doesn't fit. So I just throw it away. I've done that countless times.

But, for instance, when I was awfully young, I read all the Oz books. They were an enormous influence on me.

I got done writing Ports of Call and suddenly realized I have far too much material for the book.

Well, I think everything I've ever read contributes to the background from which I write.

Happiness is fugitive dissatisfaction and boredom are real.

Freedom, privileges, options, must constantly be exercised, even at the risk of inconvenience.

If one cannot enjoy reading a book over and over again there is no use in reading it at all.

I think it's my job to make any question interesting by coming up with a jazzy answer, otherwise I hardly deserve the spotlight, right?

I did my first show when I was five and I was the King of the Oompa Loompas in 'Charlie and the Chocolate Factory.' The kids' theater company, I was the youngest one, so there wasn't a part for me, so they made me the king of the Oompa Loompas.

Astrology is like a map. Like a roadmap, astrology is meant to be a useful tool to help guide you to wherever you want to go.

Leisure is the handmaiden of the devil.

But if anyone supposes that there was no commercial fraud in the Middle Ages, let him study the commercial legislation of England for that period, and his mind will be satisfied, if he has a mind to be satisfied and not only a fancy to run away with him.

It is necessary to look forward to a harvest, however distant that may be, when some fruit will be reaped, some good effected.

For someone who's had the level of success I've had, there's been very little critical review of my work, which is pretty fascinating.

Nobody phrases it this way, but I think that artificial intelligence is almost a humanities discipline. It's really an attempt to understand human intelligence and human cognition.

My daughter is my biggest achievement. She is a little star and my life has changed so much for the better since she came along.

We all have these notions of cool that come about at different points in our lives, and it's interesting in how it evolves or doesn't evolve in different people.

But, unfortunately, sometimes that affirmation creates a sense that you deserve special treatment and recognition in areas where you're not so talented.

If Jesus is the Son of God in human flesh, He's one of a kind of the 13 billions of people who have ever lived.

We can't have democracy if we're having to protect you and our users from the government over stuff we've never had a conversation about. We need to know what the parameters are, what kind of surveillance the government is going to do, and how and why.

Made with Pencils is grounded in the creativity of a few, propelled by the financial support of many, and most importantly, it's empowering generations to come. A simple idea, a heartfelt desire, and a world of possibility. A pencil, a promise, and a dream.

Valuation is vague and arbitrary, when there is no assurance that it will be generally acquiesced in by others.