So, it's a matter of that I want to take our music around the globe.

So, We're really L.A. based with a secondary base in Chicago.

Seeing our VH-1 Behind the Music shows just how dysfunctional some of the moments of the band were but this new line-up has put the fun back in dysfunction.

There are a lot of people using technology that are playing to a click with backing vocals already stuck in there on some computerized thing that runs along in time to the show so they have these amazing vocals that are only partly the guys on stage producing them at the time.

So, maybe you don't see blues so much in Styx's music but it is definitely part of Tommy's early music.

And in an era where radio stations that are inclined to play Styx music are your classic rock stations and the stations that play current music look at us as dinosaurs - the only way we could reach people with our new music, generally, is to perform live.

Ten years ago, in 94, we thought maybe nobody would ever care about Styx again.

People tell us they have been inspired by our music to do great things.

The studio that we mix in is still in Chicago.

But, there was a time when we all had a great thing going but one person just became very uncomfortable with it and he had to try to change it around to suit him more and then it suited no one else but him.

It is something we have always excelled at and prided ourselves at - the excellences of our stage performance.

Being in a rock band is about touring. It's about writing songs and it's about making records but it's also about taking a wonderful smile onto that stage and making the people feel good about themselves.

Yes, indeed, in fact I would tell you that we go out of our way to be true to the original feeling and sort of sonic and musical pallet that we painted with back then.

But there are rock and roll fans all over this continent and all over the globe, really, and we're just set at marking the planet with Styx music until the day we die.

We always got a strong response but I think in this day in age there is less of a marijuana fog at concerts and more of people just more naturally exuberant - it seems to me.

I'll play until they have to scrape me off the stage.

In my own mind, we are a much happier and much more functional family and a much more well balanced group of individual s both off and on the stage - in the current incarnation.

People like to let loose at rock concerts and it gives them an excuse to do it in a way that is not destructive to others and not really destructive to the band.

And for REO - they get to play for some Styx fans and then we get to play in front of some REO fans. It helps spread the new music to the following of other bands.

The band we have now on stage is the band I always wanted to be in.

Sometimes that mantle is hard to adjust to wearing but we are at a stage that we are comfortable with it and we recognize how we are perceived and how the real core individual that each one of us has apart from the facade that the public believes that we are.

Whereas with us - what you hear is what's happening right then and there on the stage - so we don't need no stinking technology.

Being in the studio is okay but sitting in a room by yourself composing is a discipline that takes a certain type of mind set and Tommy has a great gift for that as did the previous guy.

I don't quite have the energy for extra curricular activities. I have to pace myself a little bit more.

You know the puritan ethic that started out four centuries ago in this country, needless to say - at least for the moment - a thing of the past - from what I can tell.

I don't know, I think the crowds are even more responsive now because the audiences are skewing younger.

So, it's a matter of that I want to take our music around the globe.

We're gonna release a studio album probably a year from now and we've got these recordings that we did with Coco Taylor and Johnny Johnson, who was Chuck Berry's piano player.

And I said - Styx - as a musical group it is our place to reflect the light that is shining on us back onto this place and say - this is where so much great stuff started.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.