Surely the job of fiction is to actually tell the truth. It's a paradox that's at the heart of any kind of storytelling.

I was born in 1961. Now I think the 16 years that elapsed between 1961 and the end of the wars is nothing. To a child growing up it felt like an eternity, an entirely different world.

I always want to do things that are different. I don't want to be doing the same thing, the same performance constantly, and it feels like most people tell you that they are the same. However different you feel might approach them.

I did decide that you have to put your name about a bit, and so, although I would have preferred to have never done publicity or an interview or a fashion shoot for a magazine or a chat show.

I would have loved to have met some former spies, but they don't readily advertise themselves unless they're not living in Moscow, and even then. I'm sure I've met some without realizing it.

I'm just a hired actor who was hired for a particular job, but I think one of the joys of reading the script was the way that the personal and the global are woven together.

It's taken me longer still to realize what a short span there is between those life experiences and the rest of your life. That's a job for the people who lived through it.

I've never had a huge circle of friends. I can't spread myself that thin and go 100 million miles an hour all the time. I choose to give truly of myself, entirely of myself, to the people I choose to do that with, and I can't do that with everyone.

Surely the job of fiction is to actually tell the truth. It's a paradox that's at the heart of any kind of storytelling.

As an actor, you ask yourself what you can do to put yourself in a position where you can play that role.

I don't consider 41 being in prime of life. Even if I conceived a child tomorrow I'd be 52 by the time it was 10. I'm not sure I'd have the energy, and I find that quite scary.

I never want to sort of put all the cards on the table all at once, because that's somehow there's always a journey to go on. There's always something to be revealed, in my mind, about characters.

I've never had a desire to be famous. Lots of actors are actually extremely shy. I have shy areas.

I'd always liked the idea that drama acts at its best as a kind of arena for debate, not just about the thing itself, but also producing aesthetic, stylistic, political and moral discussions.

All the great novels, all the great films, all the great dramas are fictions that actually tell us the truth about us or about human nature or about human situations without being tied into the minutia of documentary events. Otherwise we might as well just make documentaries.

I think one probably absorbs things like a sponge and things emerge without your always being aware of it.

The Jungian view of drama would be that it affects all of our imaginations and somehow taps into our hidden, ancient, primordial memories.

I don't have the energy or the mental security to get involved with all that. I think it's a good idea to be able to disappear into the story, so that the first thing the audience sees isn't you, but the part.

There's so much of, it could have been a very critical examination of what happened, and really the emotional lives of the people involved sort of carry the characters forward.

Our attitudes have changed a lot, really, and so there's a certain toughness about it.

My dad served in the Air Force as ground crew for several years, and doesn't really talk about it. I know that it's there. I think my main thing about direct or indirect experiences as near to home as it were is the idea of self-sacrifice really.

Years and years ago, when everyone knew that Pierce was going to be doing the job, they started selecting new people. I had this bizarre thing when I hadn't done many movies, and of going on for an interview.

He has such a patronizing tone and manner, and such a sarcastic sense of humor. I found him rather brutal, a kind of elegant brutality which appealed. No, I think he came pretty much off the page.

I read about this hotel that was great, down in the south of the island, not in a touristy area. I had no particular desire ever to go to Jamaica, but I thought, what the hell? Sounds nice. Let's go!

People will say that it's some kind of evasion, but I would never want to have a kid for me. I'd want to have the child for the child's sake, if that makes sense.

The space and light up there in Norfolk is wonderfully peaceful. I find myself doing funny things like gardening, and cooking, which I rarely do in London.

I don't really have special rituals, but I don't try to write fiction unless I have a minimum of a few hours. For me, it takes a while to settle into a mode where I'm truly concentrating.

The fact that it's science fiction gives you the license to do anything you want to do.

For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.

Fiction came quite a while later. I began with short stories and fiction for children.

Mr. Henry James writes fiction as if it were a painful duty.

I'd have been a filmmaker or a cartoonist or something else which extended from the visual arts into the making of narratives if I hadn't been able to shift into fiction.

For truth is always strange; stranger than fiction.

We were given clear concrete tools. The course did a great job demystifying the art of fiction writing and fostering confidence. The instructor brought complex concepts down to earth. I will miss coming here every week.

The biographies and autobiographies are on the whole more impressive than the fiction of the last two decades, but the freakish best sellers among them are least likely to withstand the test of time.

I have never been a critic of science fiction as a whole.

Fiction was invented the day Jonas arrived home and told his wife that he was three days late because he had been swallowed by a whale.

I think if I had been writing fiction, where the work is entirely dependent on the writer's creativity and the potential directions the narrative might take are infinite, I might have frozen.

I have always loved science fiction. One of my favorite shows is 'Star Trek.' I like the trips, where it drops my mind off, because they give you a premise and all of a sudden, you say, 'Oh!' and I'm fascinated by it.

I spent several years acquiring the obsessive, day-to-day discipline that's needed if you want to write professionally, then several more, highly valuable years studying fiction writing at the University of Iowa.

For people who have no critical acumen, a state is a mythical entity, for those who think critically it is a rational fiction, created by man in order to facilitate human coexistence.

There is an element of autobiography in all fiction in that pain or distress, or pleasure, is based on the author's own. But in my case that is as far as it goes.

For the last 30 years our cinemas have been ruled by science fiction and horror. We've had some very good Fantasy films in that time period, but for my tastes I still haven't seen fantasy done to absolute perfection. That is the hope I have in this project.

I dig science fiction, though it was never really my thing.

I have a kind of standard explanation why, which goes like this: Science fiction is one way of making sense out of a senseless world.

I'm not a great science fiction fan myself. I probably feel that way about Westerns. Like I used to play Cowboys and Indians, they can act out Will and the Robot.

A masterpiece of fiction is an original world and as such is not likely to fit the world of the reader.

In writing biography, fact and fiction shouldn't be mixed. And if they are, the fictional points should be printed in red ink, the facts printed in black ink.

In fiction, you have a rough idea what's coming up next - sometimes you even make a little outline - but in fact you don't know. Each day is a whole new - and for me, a very invigorating - experience.