I don't believe in sampling some Tibetan music just to make it sound groovy, but you do your homework, you understand what you're doing with it.

I don't believe in sampling some Tibetan music just to make it sound groovy, but you do your homework, you understand what you're doing with it.

I think for a lot of so-called post-colonial peoples, there's a feeling of not being quite legitimate, of not being pure enough.

But I think there's a genuine joy, too, a sense that no matter what, even if my stomach's growling, I'm going to dance. That's what I want to leave people with at the end of the play. After all this, people still know how to live.

Becoming a mother has helped make me a tougher, stronger writer.

I'm an underdog person, so I align myself with those who seem to be not considered valuable in polite society.

Hybridity keeps me from being rigid about most things. It has taught me to appreciate the contradictions in the world and in my life. I scavenge from the best.

I'm preparing for a multimedia theater piece, Airport Music, that's coming up in New York City.

I don't know what issues concerning identity have helped contemporary fiction evolve to what it is now. All I know is that the range of voices that are being heard and published is a lot more diverse than when I was coming up.

Music is very influential to my writing, as are theater and film.

Life is not simple, and people can't be boxed into being either heroes or villains.

There are certain regions in the country where the indigenous people eat dogs.

I also identify as a Latin person, a person who has Latin blood.

We didn't have television until I was about eight years old, so it was either the movies or radio. A lot of radio drama. That was our television, you know. We had to use our imagination. So it was really those two things, and the comics, that I immersed myself in as a child.

Everything matters. Time is precious.

I love writing dialogue, and I think a lot of my writing is visual and very cinematic.

There were also horror shows on the radio. Very terrifying and thrilling to me as a kid. They had all these creepy sound effects. They would come on at ten o'clock at night, and I just would scare myself to death.

Growing up in the Philippines, I loved all kinds of movies. We had a very healthy film industry there when I was a child. It's now gotten very limited. They only make action movies and hard-core exploitation movies. Women get raped; men get shot.

My identity is linked to my grandmother, who's pure Filipino, as pure as you can probably get. And that shaped my imagination. So that's how I identify.

Growing up in the Philippines, I loved all kinds of movies. We had a very healthy film industry there when I was a child.

I have been definitely influenced more by Latin American writers than by any other type of writer. They are very close in terms of voice - their humor, their fatalism, their... well, that over-used term 'magical realism.' It's a wonderful term that's just been used so much, we don't know what it means anymore.

I'm part Spanish. My paternal grandfather came from Spain via Singapore to Manila. On my mother's side it's more mixture, with a Filipino mother and a father who was Scotch Irish-French; you know, white American hybrid. And I also have on my father's side a great-great-grandmother who was Chinese. So, I'm a hybrid.

There is real beauty in my eyes when I lose my mind.

Adaptability is the simple secret of survival.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

The value of music is to be able to play one note at the right time in the right way.

Younger players in this music often turn out to be middle aged; it is not a young music.

There's an inherent thing in me where, if things are going too smooth, I'll sabotage the hell out of them, just to make the music more of a sanctuary.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.