I love to play for audiences that are simply made of people rather than so-called special people.

I figure I basically am a ghost. I think we all are.

Sometimes it was tough doing take after take upside down! I did a lot of that sort of thing.

At a certain point he was very popular, from THE RAVEN. He was never fully appreciated, never made the money, and you know he was looked upon with admiration by some people, but also as an oddball. But that was his point.

One of the great things about being recognized is that you receive this feedback from people. It is easy to see how sincere people are. It's nothing fake or jive. They're giving sincere appreciation. And it's not that easy to express.

Poe was a student of many things, and among those things he read and referred to in his work was the Bible.

The feedback that I get from my association with Gomez is heartwarming. It is very difficult for me to take anything but a positive view of the Gomez phenomenon.

I get into certain yoga positions at times, when I'm working out and for exercises. I use a little of it in some of my meditation, but I chant now and that sort of replaced it.

I think people really want to be happy.

The themes Poe used were universal and timeless. As long as the English language exists at all, we will be able to appreciate what he did. It will not age! It will not become dated!

It is important to me that what Poe has to say gets across to people. I want to give people the feeling that I get from all this. I think that we are succeeding. The feedback is very warm.

We are running ourselves into a damaged earth. But I am optimistic. I believe that we can change; we must change. As a human race, we are very young and quite primitive. The sooner we learn the greatness of humanity the better off we will all be.

People are transported to that space that Poe wanted to make available to us.

My background is basically scientific math. My Dad was a physicist, so I have it in my blood somewhere. Scientific method is very important to me. I think anything that contradicts it is probably not true.

I got things like the lotus position long before anybody else did, or at least in the mainstream. But I had fun. I guess my legs are pretty flexible, so I used to get a kick out of doing things like that. I would get into a full lotus with my legs and then roll around.

I guess one of the reasons I'm doing the Poe piece is that I think Poe demonstrates that no matter how difficult things are, if you continue to move forward in life, you can eventually become victorious, even if it's later in life.

United Artists wanted to do records with me. I had no idea, what a rare thing that was... to make an album. And they put a guy with me working on songs, and I got busy with films. I just kind of let it slide. Isn't that amazing?

One life is worth the universe. Poe was able to go right into the very depth of life and to demonstrate this.

There was one where Gomez was on a Trapeze hanging by the legs upside down. I remember how much the backs of my knees would hurt until I got used to it. It was hard.

There are things so deep and complex that only intuition can reach it in our stage of development as human beings. And to Poe... well, a great logician could be an enemy to him, what he called conventional world reason.

I think Poe had a mission to tell us what it's all about. To answer some of the great questions of life.

My work is to reach people with ideas, hopes, dreams, encouragement, insight, and revelation. That's what an actor wants to do.

Sometimes when I see a performance that really takes me, I struggle. How can I express this to this person, I want this person to know how I felt. I want to get this across, and it's not very easy.

I love to play for audiences that are simply made of people rather than so-called special people.

People are smarter than you might think.

There are things so deep and complex that only intuition can reach it in our stage of development as human beings.

We're making a commercial Hindi film catering to all types of audiences.

I wonder if that's hurt me at the box office. Maybe audiences these days want to know exactly what to expect when they go into a movie, and my movies are hard to explain in just one way.

Audiences always sound like they're glad to see me, and I'm damned glad to see them.

What I wanted to do was to get that sense of being in touch with this lost world while holding onto what draws readers and audiences there in the first place.

We make films that we ourselves would want to see and then hope that other people would want to see it. If you try to analyze audiences or think there's some sophisticated recipe for success, then I think you are doomed. You're making it too complicated.

Sylvester has a great popular sense, as good as any writer I've ever worked with. He knows what audiences want to see, and what they don't want to see.

Phish and Dave Matthews really know their audiences and really treat them well.

We were tremendously encouraged by the testing of Analyze That. Audiences loved it. They were telling us that they liked it as much as the original. We recorded the laughs in the theater.

Anyway, I collapsed in France in the middle of a tour. I hadn't been eating properly, I was getting very phobic about audiences, and I collapsed in pure fright.

Though I am still very vulnerable to audiences - and it happens all the time - where for some reason the energy doesn't connect and, since the film is very personal, obviously I am made to feel very vulnerable by that.

I don't pay attention to target audiences and therefore I often hear that I am a ratings killer, somebody who fundamentally doesn't care whether one person is watching or an entire soccer stadium.

I want to do what I want when I want to do it not be dictated to by audiences.

I also want to return to doing stand-up. I've become frightened of live audiences. This is a really telling sign that I need to go back on the comedy circuit again.

For me to go back and to play for audiences some of whom have been following me for thirty years and some who have found me in the last five or six years, that's really an interesting thing. I have an audience that goes from kids to seventy year olds.

When audiences come to see us authors lecture, it is largely in the hope that we'll be funnier to look at than to read.

I like cinema audiences. I respect them, and I talk to them just like I would anybody I know.

The difference between critics and audiences is that one is a group of humans and one is not.

Audiences like their blues singers to be miserable.

The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually.

Those two songs condense the two albums. They also show what the audiences wanted. I was desperate to keep the band together and find something that the public would like.

Lenny Bruce is a very moral man trying to improve the world and trying to make audiences think.

Luckily, West End audiences seem to rather like very old people.

I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it.