United Artists wanted to do records with me. I had no idea, what a rare thing that was... to make an album. And they put a guy with me working on songs, and I got busy with films. I just kind of let it slide. Isn't that amazing?

I figure I basically am a ghost. I think we all are.

Sometimes it was tough doing take after take upside down! I did a lot of that sort of thing.

At a certain point he was very popular, from THE RAVEN. He was never fully appreciated, never made the money, and you know he was looked upon with admiration by some people, but also as an oddball. But that was his point.

One of the great things about being recognized is that you receive this feedback from people. It is easy to see how sincere people are. It's nothing fake or jive. They're giving sincere appreciation. And it's not that easy to express.

Poe was a student of many things, and among those things he read and referred to in his work was the Bible.

The feedback that I get from my association with Gomez is heartwarming. It is very difficult for me to take anything but a positive view of the Gomez phenomenon.

I get into certain yoga positions at times, when I'm working out and for exercises. I use a little of it in some of my meditation, but I chant now and that sort of replaced it.

I think people really want to be happy.

The themes Poe used were universal and timeless. As long as the English language exists at all, we will be able to appreciate what he did. It will not age! It will not become dated!

It is important to me that what Poe has to say gets across to people. I want to give people the feeling that I get from all this. I think that we are succeeding. The feedback is very warm.

We are running ourselves into a damaged earth. But I am optimistic. I believe that we can change; we must change. As a human race, we are very young and quite primitive. The sooner we learn the greatness of humanity the better off we will all be.

People are transported to that space that Poe wanted to make available to us.

My background is basically scientific math. My Dad was a physicist, so I have it in my blood somewhere. Scientific method is very important to me. I think anything that contradicts it is probably not true.

I got things like the lotus position long before anybody else did, or at least in the mainstream. But I had fun. I guess my legs are pretty flexible, so I used to get a kick out of doing things like that. I would get into a full lotus with my legs and then roll around.

I guess one of the reasons I'm doing the Poe piece is that I think Poe demonstrates that no matter how difficult things are, if you continue to move forward in life, you can eventually become victorious, even if it's later in life.

United Artists wanted to do records with me. I had no idea, what a rare thing that was... to make an album. And they put a guy with me working on songs, and I got busy with films. I just kind of let it slide. Isn't that amazing?

One life is worth the universe. Poe was able to go right into the very depth of life and to demonstrate this.

There was one where Gomez was on a Trapeze hanging by the legs upside down. I remember how much the backs of my knees would hurt until I got used to it. It was hard.

There are things so deep and complex that only intuition can reach it in our stage of development as human beings. And to Poe... well, a great logician could be an enemy to him, what he called conventional world reason.

I think Poe had a mission to tell us what it's all about. To answer some of the great questions of life.

My work is to reach people with ideas, hopes, dreams, encouragement, insight, and revelation. That's what an actor wants to do.

Sometimes when I see a performance that really takes me, I struggle. How can I express this to this person, I want this person to know how I felt. I want to get this across, and it's not very easy.

I love to play for audiences that are simply made of people rather than so-called special people.

People are smarter than you might think.

There are things so deep and complex that only intuition can reach it in our stage of development as human beings.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.

I got to sit down with people who I admired, and have conversations with some of the greatest thinkers and artists and performers. It's a huge privilege for me to be a journalist.

I don't believe in art. I believe in artists.

David Cronenberg knows what we actors do as artists.

The truth is, we haven't really figured out yet how artists are going to thrive in modern mass societies. We're all experiments.

Many of the artists who have represented Negro life have seen only the comic, ludicrous side of it, and have lacked sympathy with and appreciation for the warm big heart that dwells within such a rough exterior.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

The number of contemporary artists who appeal to me is infinitesimal.

I have to plead basic ignorance of most new jazz artists here.

Music is art, art is life, and we are who we are, and all of these aforementioned women, unless they should choose not to, will be performing well into the next many decades because they are great artists.

Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think.

Artists are like everybody else.

When artists make art, they shouldn't question whether it is permissible to do one thing or another.

My proudest achievement has been the success of the shows and artists I have been involved with, because they were made in Britain.

The refusal to rest content, the willingness to risk excess on behalf of one's obsessions, is what distinguishes artists from entertainers, and what makes some artists adventurers on behalf of us all.

I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.

Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.

Lesser artists borrow, great artists steal.

I've never understood why artists, who so often condescend to the cliches of their own culture, are so eager to embrace the cliches of cultures they know nothing about.

I want to run for the Senate from Tennessee. Not now, but when I'm 50, when music dies down a little bit. I know lots of artists and actors have those delusions of grandeur, but ever since I was a kid, it's been of interest to me.

Let's look at people as artists and try to support them; just because Picasso painted a couple of bad paintings, that's no reason to say he's a lousy painter.

Idol has pretty much taken me out of my recording and out of my choreography. I have managed to slip in some choreography jobs. And I've been writing songs for other artists.