People sort of know me for that solo piano music I did.

I'm writing a movie about Mozart going to New York in the '60s. I've been reading so many novels.

If I'm interested in what I'm doing, other people will be interested in it.

Time plays a role in almost every decision. And some decisions define your attitude about time.

What I enjoy most about being on stage is that the natural instruments give you a greater freedom with texture. When you use natural instruments they have their own resonance.

Growing up in Wales was a pretty Draconian experience with religion.

The avant-garde makes more sense to me.

I never use the word, it's loaded. What love means to me is need.

I missed out on my teenage years. I led a sheltered life. I was practicing scales instead of playing football.

We gave up on the idea of trying to make the record a good representation of the live performance.

I'm impatient. I get twitchy. When I get that feeling I just go out and make something happen.

All of the sudden the audiences started getting younger and the spread of the attendance was really wide. I think it's as a result of the records selling more that they started following our careers.

In cities like New York and Austin, there's much more of a social context for music than in other places.

We'd hold a chord for three hours if we could.

I'm content with making records, but I don't want to be doing the same thing all the time.

People sort of know me for that solo piano music I did.

I want to get lean and mean, keep it minimalist.

The value of having a computer, to me, is that it'll remember everything you do. It's a databank.

I learn from thinking about the future, what hasn't been done yet. That's kind of my constant obsession.

Even if you're improvising, the fact that beforehand you know certain things will work helps you make those improvisations successful. It really helps to have a certain amount of knowledge about musical structure.

When somebody grabs a movement, you're kind of locked into it. It's all par for the course.

The only reason we wore sunglasses onstage was because we couldn't stand the sight of the audience.

If you're all loaded up on love, you haven't got anywhere else to go.

That's what my life is, writing songs.

I like what the future holds. I don't like thinking about the past.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

The value of music is to be able to play one note at the right time in the right way.

Younger players in this music often turn out to be middle aged; it is not a young music.

There's an inherent thing in me where, if things are going too smooth, I'll sabotage the hell out of them, just to make the music more of a sanctuary.