Jim Brooks is a very powerful director and it was a lot of intense work.

People don't know this, but early in your career, you don't just glide on to The Tonight Show.

Really it was the first time in my life that I recognised that acting is, I'm just going to say it, I am an artist, I have to do this, I have to do this.

I'm not a huge fan of my work.

I have always loathed working out.

At one point, I had 14 pairs of golf shoes.

Sometimes, I feel that Manhattan in particular has gotten really tame and gentrified or something.

I don't think, there's no possible way for me, anyway, to play a character that I haven't found some sort of sublime compassion for and I related to Deborah on a way that almost, initially, almost in a way maybe someone in the audience might.

I dress up for awards, but only if somebody else is going to pay for the clothes. And shop for them, too!

Well, I think again, the worst part of it was just leading up to it, before we got on set, at least for me... dreading this idea that I was just going to suck and I really had strong feelings about that. I just didn't want to be that weak link.

Shopping turns me off.

Yes, I guess I am bi-coastal.

Acting doesn't feel good. It's not comfortable to feel all this stuff, it's not.

But I've never looked at myself as being particularly funny.

The one thing I think you must do is, as painful as it is as a parent, is listen.

I've been in a gym probably nine days of my life.

And I thought, you know, I have to say that maybe the whacked out mother is my new favorite role, but I don't want to just do it and become Nurse Ratchett.

I'm not quite ready for a no makeup movie.

I just mean it's very difficult for me to watch my work, in some ways, because I am critical of what I didn't get across or I thought I was making one point.

Well what I will tell you is for this movie, I got into probably the best shape of my life.

But I can tell you that the New York that I see now is not the New York that we grew up in. It's not 1973.

First of all, returning from motherhood, I was looking for something lighter, and I wasn't as much attracted to Kate as I was to the relationship between the two people.

If I swim in the ocean, I have a shark thought. Not a bad one, but just a little one.

I was desperate to go back to New York and when 9/11 happened, I feared moving to the bulls-eye and that was very hard because I have a lot of family there and I really had to question what I didn't like about this community.

It was just this interesting, my first, the first time you hear your child in any way criticise you. It's the worst review of your life and it's really relieving to find out that they don't know what they're saying.

I live by a hill. I began walking it and then I began jogging it and then I began sprinting it.

Jim Brooks is a very powerful director and it was a lot of intense work.

I don't mean to be presumptuous that men don't feel this, I don't mean this, but I found that when my child was born, my first child, it felt like my heart broke.

Well, I don't find glamour and clothing relevant.

It's kind of fun to be sexy.

I was one of the most brilliant liars as a child.

And I love Mel Brooks. My Dad loved his movies, too, they're awesome, the kind of thing that if you're in for ten minutes, you're in for two hours.

I'm a former hippie, so clothes are important to me - your clothes defined you in that period. I guess clothes still defines people. But, I change a lot. I'm in my Brooks Brothers period now.

And I had a big opportunity with Richard Brooks, The Professionals, which is really a magnificent movie.

Brooks Robinson belongs in a higher league.

One of the perks of being an actor is to get to meet athletes that you respect. Especially who played before my time. Brooks Robinson is one of those athletes; they just don't make them any nicer.

I'm reading a book about Romaine Brooks, a wonderful painter from early in the last century.

I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors.

My friends that are snobs think its cool I did a movie with Albert Brooks.

I love all of Albert Brooks' work from Defending Your Life back to his first film, Real Life, but am sorry that he seems to have lost his edge in his more recent work.

Ill habits gather unseen degrees, as brooks make rivers, rivers run to seas.

I love sketch comedy. My real goal is to do something with Albert Brooks. That would be my fantasy. I stay up night and day thinking up stuff he might find funny.

My wardrobe consists of antique clothes, many of my designs, plus shoes and shirts from Brooks Brothers and Paul Stuart.

We pay homage to the people who came before, doing satires, like Mel Brooks; we're just carrying the torch.

I'm a big fan of Albert Brooks, Nichols and May. I'd like to follow in their footsteps and do comedy films.

And this, our life, exempt from public haunt, finds tongues in trees, books in the running brooks, sermons in stones, and good in everything.

Apparently nobody really read it, it was a cheap movie, it fit their schedule in terms of things so fine, let the guy make that high school comedy. I used to work with Mel Brooks so they figured oh it's going to be one of those really silly movies and that's how it got made.

Jim Brooks is a very powerful director and it was a lot of intense work.

I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.