We pay homage to the people who came before, doing satires, like Mel Brooks; we're just carrying the torch.

Women don't like advice. They don't want you to fix their problems, they just want you to listen.

We like writing with each other; it's fun.

Now we have to hit them from a different angle.

You lose your privacy, and sometimes, people don't see you as human.

You have to step up to the plate, and then hit one out of the park.

For Scary Movie 2, we had a due date and had to work fast. And though there's a lot of pressure, as artists, we just block it out. So really, the pressure comes from us. That's how the first movie happened. There was no outside pressure: we wanted to hit the audience hard.

We did a lot of press for the last film and now for this one. We don't rest on our laurels.

If you keep up with pop culture, everybody knows the joke.

We pay homage to the people who came before, doing satires, like Mel Brooks; we're just carrying the torch.

We have always had gross humor. But we try for funny, not gross.

There were challenges with production because of the special effects. There are just some things that, although written, special effects just isn't able to do.

We definitely have our finger on the pulse. You have to keep up. We decide what to watch by what's funny.

I knew when I was 6. I just knew it; I didn't care about nothing else. If I didn't make it in this world, I would probably be homeless. I gave myself that little to fall back on.

We still have that same burn, to get that same kind of laughs. So whether the studio wants us to or not, we're going to do it. The money is just a byproduct of coming out with good stuff. Our whole thing is building that rapport with the audience.

Any time something does that well, you gotta follow up.

They'll say, That's funny, but you can't do that on TV.

We all write, but the script is a blueprint. We can lose whole scenes when we're shooting.

A lot of the jokes had some build-up to some nasty stuff. But most of it was all character situations leading to what the ultimate payoff would be for that character.

We have always had gross humor. But we try for funny not gross.

And I love Mel Brooks. My Dad loved his movies, too, they're awesome, the kind of thing that if you're in for ten minutes, you're in for two hours.

I'm a former hippie, so clothes are important to me - your clothes defined you in that period. I guess clothes still defines people. But, I change a lot. I'm in my Brooks Brothers period now.

And I had a big opportunity with Richard Brooks, The Professionals, which is really a magnificent movie.

Brooks Robinson belongs in a higher league.

One of the perks of being an actor is to get to meet athletes that you respect. Especially who played before my time. Brooks Robinson is one of those athletes; they just don't make them any nicer.

I'm reading a book about Romaine Brooks, a wonderful painter from early in the last century.

I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors.

My friends that are snobs think its cool I did a movie with Albert Brooks.

I love all of Albert Brooks' work from Defending Your Life back to his first film, Real Life, but am sorry that he seems to have lost his edge in his more recent work.

Ill habits gather unseen degrees, as brooks make rivers, rivers run to seas.

I love sketch comedy. My real goal is to do something with Albert Brooks. That would be my fantasy. I stay up night and day thinking up stuff he might find funny.

My wardrobe consists of antique clothes, many of my designs, plus shoes and shirts from Brooks Brothers and Paul Stuart.

We pay homage to the people who came before, doing satires, like Mel Brooks; we're just carrying the torch.

I'm a big fan of Albert Brooks, Nichols and May. I'd like to follow in their footsteps and do comedy films.

And this, our life, exempt from public haunt, finds tongues in trees, books in the running brooks, sermons in stones, and good in everything.

Apparently nobody really read it, it was a cheap movie, it fit their schedule in terms of things so fine, let the guy make that high school comedy. I used to work with Mel Brooks so they figured oh it's going to be one of those really silly movies and that's how it got made.

Jim Brooks is a very powerful director and it was a lot of intense work.

I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.

I thank Heaven every summer's day of my life, that my lot was humbly cast within the hearing of romping brooks, and beneath the shadow of oaks.

They wanted me to play third like Brooks so I did play like Brooks - Mel Brooks.

Mr. Brooks and I have been friends forever. He is in seventh heaven with his new success on Broadway.

Around 14, I was turned on to Shania, Reba, Merle Haggard, Garth Brooks, Trisha Yearwood... and I've followed it ever since.

There is no executive order; there is no law that can require the American people to form a national community. This we must do as individuals and if we do it as individuals, there is no President of the United States who can veto that decision.

Young people discovering their sexuality must know they walk with a strong tradition and that they are not alone. They have a right to information without being pressured.

Many are needed to plant and water what has been planted now that the faith has spread so far and there are so many people... No matter who plants or waters, God gives no harvest unless what is planted is the faith of Peter and unless he agrees to his teachings.

DJs and people in the street know what they like.

People who keep stiff upper lips find that it's damn hard to smile.

Some people are directors and I think they should stay behind the camera.

We dominated Survivor - there is no way we would not dominate that, too. I can see it already, us making deals with people. That's the best part, and with the Race, it would be even more fun because I've got a lot of tricks up my sleeve.