Naturally, the reader has access only to the events I show and the way I show them, but as has been said, there's generally a good deal of ambiguity in that presentation.

I don't think anyone wants a reader to be completely lost - certainly not to the point of giving up - but there's something to be said for a book that isn't instantly disposable, that rewards a second reading.

The people who don't like it tend to dislike it intensely. That's unfortunate, but not surprising when one deliberately goes against audience expectations.

We're not lost. We're locationally challenged.

Sometimes the reader will decide something else than the author's intent; this is certainly true of attempts to empirically decipher reality.

Naturally, the reader has access only to the events I show and the way I show them, but as has been said, there's generally a good deal of ambiguity in that presentation.

There are readers who want every point to be clearly and unambiguously set forth, and there are those who want to pry ideas and meanings out for themselves.

The cynical part of the answer is that I expect to see a good deal more space opera, set far enough in the future as to be disconnected from contemporary issues.

Well, it's an adventure story, and a Bildungsroman, of course, but there was also the intention to describe a culture that had been seen in rather narrow terms.

If I were to write Web now, it would be a much, much darker book.

I'm very happy that the New York Times has spoken well of my stuff; who wouldn't be? But it's not a choice I made.

At one point I intended to write precursor and sequel novels, about the establishment of the Web and its next evolution, but I am very unlikely to now; they would take place in a different universe.

The ideal, it seems to me, is to show things happening and allow the reader to decide what they mean.

The language fictional characters use is chosen for effect, at least if the author is concentrating.

People tell me they laughed hard enough to wake their spouses, that they've given away numerous copies to friends, and that it's the one Trek book they'll give to people they wouldn't expect to like others.

There are people who believe in an absolutely transparent prose; with every respect for clarity of expression, I don't.

Creating the fictional background for a game world isn't significantly different from creating a background for fiction.

I look for ambiguity when I'm writing because life is ambiguous.

There is no greater impediment to the advancement of knowledge than the ambiguity of words.

People ask me if I left the lyrics open to ambiguity. Of course I did. I wanted to make a whole series of complex statements. The lyrics had to do with the state of society at the time.

During the Cold War, we lived in coded times when it wasn't easy and there were shades of grey and ambiguity.

Writing a really general parser is a major but different undertaking, by far the hardest points being sensitivity to context and resolution of ambiguity.

The use of the polygraph has done little more than create confusion, ambiguity and mistakes.

Neurosis is the inability to tolerate ambiguity.

I have always felt that a woman has the right to treat the subject of her age with ambiguity until, perhaps, she passes into the realm of over ninety. Then it is better she be candid with herself and with the world.

My observation is that after one hundred and twenty years of modernisation since the opening of the country, present-day Japan is split between two opposite poles of ambiguity.

Naturally, the reader has access only to the events I show and the way I show them, but as has been said, there's generally a good deal of ambiguity in that presentation.

If I take refuge in ambiguity, I assure you that it's quite conscious.

Take advantage of the ambiguity in the world. Look at something and think what else it might be.

These films however, have ambiguity built into them, because it's too easy in film to make a strident work of propaganda or advertising, which are really the same thing anyway, meaning the message is unmistakable.

You know, people who almost - yeah, there's a slight reluctance there - but there's also an ambiguity. What are their morals? What is their code of living. What are they really doing here. And it is just interesting because it is never black or white.

On the road from the City of Skepticism, I had to pass through the Valley of Ambiguity.

The warning message we sent the Russians was a calculated ambiguity that would be clearly understood.

The goal is to live a full, productive life even with all that ambiguity. No matter what hap- pens, whether the cancer never flares up again or whether you die, the important thing is that the days that you have had you will have lived.

I'm a participant in the doctrine of constructive ambiguity.

Ambiguity in directors is a hard thing to deal with.

The result is - document destruction - we're really not going to be able to prove beyond a truth the negatives and some of the positive conclusions that we're going to come to. There will be always unresolved ambiguity here.

The purpose of narrative is to present us with complexity and ambiguity.

Ambiguity is necessary in some of my stories, not in all. In those, it certainly contributes to the richness of the story. I doubt that thematic closure is never attainable.

The Butcher Boy is a very great novel indeed and a very important Irish novel. The ambiguity of that is, he's writing a book about an appalling situation and he does it in a hilarious way.

Ambiguity depletes as your budget rises.

Ambiguity is very interesting in writing; it's not very interesting in science.

It is in middles that extremes clash, where ambiguity restlessly rules.

Even if you walk exactly the same route each time - as with a sonnet - the events along the route cannot be imagined to be the same from day to day, as the poet's health, sight, his anticipations, moods, fears, thoughts cannot be the same.

The French are the wittiest, the most charming, and up to the present, at all events, the least musical race on Earth.

A lot of people have gotten into comedy because of certain influences in their lives or events that were painful, and I really have wracked my brain to figure it out. I pretty much have had a normal childhood. Maybe it was too normal.

I've done a lot of Super Bowls and appeared in a lot of big, big events and places and the Masters and what have you, but there was nothing as intimidating as speaking with Billy Graham.

Big shows are more like events and small shows are more like traditional gigs.

I like to create imaginary characters and events around a real historical situation. I want readers to feel: OK, this probably didn't happen, but it might have.