I can almost always write music; at any hour of the twenty-four, if I put pencil to paper, music comes.

I think that the quality of all bands is steadily improving and it is a pleasant thought to me that perhaps the efforts of Sousa's Band have quickened that interest and improved that quality.

America can well expect to develop a goodly amount of composers for she has a goodly number of people.

Any composer who is gloriously conscious that he is a composer must believe that he receives his inspiration from a source higher than himself.

From childhood I was passionately fond of music and wanted to be a musician. I have no recollection of any real desire ever to be anything else.

Is it not the business of the conductor to convey to the public in its dramatic form the central idea of a composition; and how can he convey that idea successfully if he does not enter heart and soul into the life of the music and the tale it unfolds?

I still feel the impulse to give young writers a hearing, and I believe I have played more unpublished compositions than any other band leader in the country.

Anybody can write music of a sort. But touching the public heart is quite another thing.

There is one thing that freezes a musician more than the deadliest physical cold, and that is the spiritual chill of an unresponsive audience!

I am happy now, to recall that I was no only his son but his companion, and whenever there was a hunting expedition or any other pleasure, I was always with him.

Remember always that the composer's pen is still mightier than the bow of the violinist; in you lie all the possibilities of the creation of beauty.

Sincere composers believe in God.

My religion lies in my composition.

The average music-lover hears only the production under prevailing conditions.

Grand opera is the most powerful of stage appeals and that almost entirely through the beauty of music.

The movements which I make I cannot possibly repress because, at the time, I am actually the idea I am interpreting, and naturally I picture my players and auditors as in accord with me. I know, of course, that my mannerisms have been widely discussed.

I had found English audiences highly satisfactory. They are the best listeners in the world. Perhaps the music-lovers of some of our larger cities equal the English, but I do not believe they can be surpassed in that respect.

I firmly believe that we have more latent musical talent in America than there is in any other country. But to dig it out there must be good music throughout the land, a lot of it. Everyone must hear it, and such a process takes time.

I have always believed that 98% of a student's progress is due to his own efforts, and 2% to his teacher.

No nation as young as America can be expected to become immediately a power in the arts.

I can almost always write music; at any hour of the twenty-four, if I put pencil to paper, music comes.

My success is not due to any personal superiority over other people.

Jazz will endure just as long people hear it through their feet instead of their brains.

The office of President is a great one; to every true American it seems the greatest on earth. And to me, as I was engaged in weaving a background of music for the pageantry of it, there came a deeper realization of the effect of that office on the man.

There is much modern music that is better adapted to a wind combination than to a string, although for obvious reasons originally scored for an orchestra. If in such cases the interpretation is equal to the composition the balance of a wind combination is more satisfying.

American teachers have one indisputable advantage over foreign ones; they understand the American temperament and can judge its unevenness, its lights and its shadows.

To the average mind popular music would mean compositions vulgarly conceived and commonplace in their treatment. That is absolutely false.

Composers are the only people who can hear good music above bad sounds.

Governmental aid is a drawback rather than an assistance, as, although it may facilitate in the routine of artistic production, it is an impediment to the development of true artistic genius.

I am happy now, to recall that I was not only his son but his companion, and whenever there was a hunting expedition or any other pleasure, I was always with him.

Remember always that the composers pen is still mightier than the bow of the violinist in you lie all the possibilities of the creation of beauty.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.