The two records are very different. I guess, on the second record, that's more where I was at. Its not that I'm more well-adjusted or anything, it's just that what I wanted to sing about maybe was more the way I wanted to feel.

The audience that surprised us the most was definitely Paris, when we played there last. They were just incredibly into us and we weren't expecting it at all.

I think it would be very scary and very confusing if I didn't understand where people are coming from, but I've felt the exact same way for so many other bands, growing up. It's not really a big deal.

So I think it was a good thing It was a little surreal watching Leo scream 'I'm not going to die today!' with our music playing - that was the last thing on my mind when I wrote the song.

I think things can have more than one meaning and still connect with people. There's a lot of meaning to the title 'Music For People' and they're all true and they're all accurate.

You can lose people without them dying, and I have, from moving, from traveling. The emotion is real, it just doesn't actually have to do with death. I'm singing about what I know, and it's a song about longing for somebody who's disappeared in your life.

I feel that I want what allows me to reach the largest number of people as possible, and I don't feel ashamed of that. I think I'm the kind of artist that's meant to be on a major label because my music is different.

I wanted to do that again but, when I went to look for chants, I didn't want to do it in the exact same way.

We used to go and play shows in the south in front of two people and now every show we did was just great. The warm-ups, most of those weren't even advertised and most of them were sold out. I don't know what's going on, it's just so much different than it used to be.

I think stuff on the radio is mostly good, but it's just not what I'm into. I'm not into rap metal.

Just having the pain of being alive without anything else, whether it's good or bad. There's a lot of serious songs on the record, you know. That song is just about feeling like a fish out of water, feeling like you don't belong on the planet sometimes.

I need to think about 'Make sure you drink your water.' That's the kind of person I am.

I want to do a collaboration or some kind of side thing or some soundtrack work. Because I've been doing this for years and years. I'd like to just step out and try something different.

Sometimes you sing songs about the way you want to feel more than the way you actually do feel.

It doesn't really seem any different anywhere. I'd say it seems like we're biggest in Australia. It's just that we've always been this underground band and for some reason in the last month has been starting to go overground.

It definitely seems like we are connecting with people, which is nice, because I've had a lot of music do the same for me. It's not like I don't I understand why we get the reactions we do.

'Free' is more of that 'familiarity breeds contempt' kind of thing. It's about saying 'Wait, I'm longing for something more than I have and I don't know what it is that I want, but I know I want it.' It has nothing to do with what I'm going through, personally.

I didn't want the record to be cold and I don't think it's cold at all. I felt it was very people oriented.

It's a very nice thing to be able to give joy to people.

The two records are very different. I guess, on the second record, that's more where I was at. Its not that I'm more well-adjusted or anything, it's just that what I wanted to sing about maybe was more the way I wanted to feel.

I'm really happy with Elektra, I don't have anything bad to say about them at all. I always knew a major label was the right place for me to be. I never really had an opportunity to go to an independent label anyway.

I think any band we played with would be a weird match. We're on our own, a little out there, but it's a good thing. I think we're complimentary to each other.

At least the rap metal stuff is good, but it's not really my bag. I've been listening to the radio since we've been touring the past month, because we don't get it most of the time.

I don't trust the Bee Gee's because there's no way they could always be happy.

We were number one most added at radio, when the single came out and that's much different. It took like eight months for any radio to happen on the first record, so a lot more support has happened right out of the box.

We're making this huge changeover from underground to more mainstream audiences. I don't know if we could ever repeat this type of feeling. We're really excited.

I've never really had anybody close to me die. I think the song is about a feeling that I have that, it still applies. It's a feeling of longing, once again.

I need to reach a lot of people to sell records.

I guess lyrically they're similar because they're talking about escaping the kind of misery that likes company. 'The Last One Alive,' for me, is very simple. It's just about alienation, really, that causes anger.

Sunshine Cake is just a fun hobby thing. That's about it.

Content financing is a difficult beast no matter what era of Hollywood we're talking about.

I know a lot of celebrity types go for Kabbalah and Scientology. But why pay 10 per cent of your earnings to someone when it's all common sense: treat others as you'd like to be treated yourself.

After September 11, I don't think people really believe things like this are all that important.

Having come to realize in the first stage of meditation that we are not our bodies, in the second stage we make an even more astounding discovery; we are not our minds either.

When I grew up, I never saw anyone looking like me on TV, you know? I'm so glad to see a lot more of us on television, whether it's Mindy Kaling or it's Irrfan Khan or Freida Pinto. You know, I hope, like, little girls across the world can just look at me and say, 'Ah, I want to be that!' Indian or not, it shouldn't matter.

Those monumental anniversary celebrations aren't what ultimately determine the actual direction of our marriage. Rather, it's the here and now. It's those daily decisions we make individually and together that influence how our relationship actually fares in the long run.

I wasn't particularly funny in high school, but I grew up with three older brothers who were quite funny.

You aren't going to be successful as a diplomat if you don't understand the strategic context in which you are actually negotiating. It is not deal making. It's not.

To emphasize the afterlife is to deny life. To concentrate on heaven is to create hell.

Imagination needs to be fed.

Why would even I say we can't stop drilling in the Gulf? Because we have no alternatives. Whether or not we drill in the Gulf, or in Alaska, we will continue to wring the last out of anyplace else.

Authenticity is really important, and sometimes thats really hard to get.

Fish to taste right must swim three times in water in butter and in wine.

I used to play - when I first started trying to be professional, I disk jockey from 1949 to 1955 in Memphis, Tennessee, and I was quite popular there as a disk jockey.

Live life as though nobody is watching, and express yourself as though everyone is listening.

Life magazine ran a page featuring me and three other girls that was clearly the precursor of Sports Illustrated swimsuit issues.

Forgiving is not an easy thing to do.

Find someone who is having a hard time, or is ill, or lonely, and do something for him or her.

Guys just don't care. We don't take the time to plan behind each other's back. We just say, If you don't like me, screw you'. If a guy doesn't like you, you know because you have a black eye.