It definitely seems like we are connecting with people, which is nice, because I've had a lot of music do the same for me. It's not like I don't I understand why we get the reactions we do.

The audience that surprised us the most was definitely Paris, when we played there last. They were just incredibly into us and we weren't expecting it at all.

I think it would be very scary and very confusing if I didn't understand where people are coming from, but I've felt the exact same way for so many other bands, growing up. It's not really a big deal.

So I think it was a good thing It was a little surreal watching Leo scream 'I'm not going to die today!' with our music playing - that was the last thing on my mind when I wrote the song.

I think things can have more than one meaning and still connect with people. There's a lot of meaning to the title 'Music For People' and they're all true and they're all accurate.

You can lose people without them dying, and I have, from moving, from traveling. The emotion is real, it just doesn't actually have to do with death. I'm singing about what I know, and it's a song about longing for somebody who's disappeared in your life.

I feel that I want what allows me to reach the largest number of people as possible, and I don't feel ashamed of that. I think I'm the kind of artist that's meant to be on a major label because my music is different.

I wanted to do that again but, when I went to look for chants, I didn't want to do it in the exact same way.

We used to go and play shows in the south in front of two people and now every show we did was just great. The warm-ups, most of those weren't even advertised and most of them were sold out. I don't know what's going on, it's just so much different than it used to be.

I think stuff on the radio is mostly good, but it's just not what I'm into. I'm not into rap metal.

Just having the pain of being alive without anything else, whether it's good or bad. There's a lot of serious songs on the record, you know. That song is just about feeling like a fish out of water, feeling like you don't belong on the planet sometimes.

I need to think about 'Make sure you drink your water.' That's the kind of person I am.

I want to do a collaboration or some kind of side thing or some soundtrack work. Because I've been doing this for years and years. I'd like to just step out and try something different.

Sometimes you sing songs about the way you want to feel more than the way you actually do feel.

It doesn't really seem any different anywhere. I'd say it seems like we're biggest in Australia. It's just that we've always been this underground band and for some reason in the last month has been starting to go overground.

It definitely seems like we are connecting with people, which is nice, because I've had a lot of music do the same for me. It's not like I don't I understand why we get the reactions we do.

'Free' is more of that 'familiarity breeds contempt' kind of thing. It's about saying 'Wait, I'm longing for something more than I have and I don't know what it is that I want, but I know I want it.' It has nothing to do with what I'm going through, personally.

I didn't want the record to be cold and I don't think it's cold at all. I felt it was very people oriented.

It's a very nice thing to be able to give joy to people.

The two records are very different. I guess, on the second record, that's more where I was at. Its not that I'm more well-adjusted or anything, it's just that what I wanted to sing about maybe was more the way I wanted to feel.

I'm really happy with Elektra, I don't have anything bad to say about them at all. I always knew a major label was the right place for me to be. I never really had an opportunity to go to an independent label anyway.

I think any band we played with would be a weird match. We're on our own, a little out there, but it's a good thing. I think we're complimentary to each other.

At least the rap metal stuff is good, but it's not really my bag. I've been listening to the radio since we've been touring the past month, because we don't get it most of the time.

I don't trust the Bee Gee's because there's no way they could always be happy.

We were number one most added at radio, when the single came out and that's much different. It took like eight months for any radio to happen on the first record, so a lot more support has happened right out of the box.

We're making this huge changeover from underground to more mainstream audiences. I don't know if we could ever repeat this type of feeling. We're really excited.

I've never really had anybody close to me die. I think the song is about a feeling that I have that, it still applies. It's a feeling of longing, once again.

I need to reach a lot of people to sell records.

I guess lyrically they're similar because they're talking about escaping the kind of misery that likes company. 'The Last One Alive,' for me, is very simple. It's just about alienation, really, that causes anger.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.