Fantastic writing in English is kind of disreputable, but fantastic writing in translation is the summit.

The past is still visible. The buildings haven't changed, the layout of the streets hasn't changed. So memory is very available to me as I walk around.

I've never related to the work geek at all-it sounds much more horrible than nerd. Like a freak biting a chicken's head off in a sideshow.

I'd have been a filmmaker or a cartoonist or something else which extended from the visual arts into the making of narratives if I hadn't been able to shift into fiction.

I got into underground comics fairly early on and kind of wandered away from the superhero stuff, but I was an art student and I was drawing a lot as a kid.

I just noticed recently that in one book after another I seem to find an excuse to find some character who, to put it idiotically simply, is allowed to talk crazy.

In my third novel there is an actual black hole that swallows everything you love.

When the civil rights battle was won, all the Jews and hippies and artists were middle class white people and all the blacks were still poor. Materially, not much changed.

The more film I watch, the more John Ford looks like a giant. His politics aren't so good, and you have to learn to accept John Wayne as an actor, but he's a poet in black and white.

I never take any notes or draw charts or make elaborate diagrams, but I hold an image of the shape of a book in my head and work from that mental hologram.

I try not to become too regular an addict of any one subculture.

It was good while it was good.

Nerds are just deep, and neurotic, fans. Needy fans. We're all nerds, on one subject or another.

I can't bear the silent ringing in my skull.

It was only as I wrote about it that I began to find paths of access to feelings that were intolerable to me then.

I learned to write fiction the way I learned to read fiction - by skipping the parts that bored me.

I keep one simple rule that I only move in one direction - I write the book straight through from beginning to end. By following time's arrow, I keep myself sane.

I work on a laptop specifically so I can work in cafes and pretend I'm part of the human world.

I had always wanted to be a writer who confused genre boundaries and who was read in multiple contexts.

The book is openly a kind of spiritual autobiography, but the trick is that on any other level it's a kind of insane collage of fragments of memory.

I don't paint anymore. I haven't since I abandoned it at 19, in order to begin writing seriously.

Discomfort is very much part of my master plan.

It's now expected of me that I will defy expectation, so I really generally seem to be free to write what I want.

Fantastic writing in English is kind of disreputable, but fantastic writing in translation is the summit.

I plan less and less. It's a great benefit of writing lots, that you get good at holding long narratives in your head like a virtual space.

Comics? Honestly, that's more a matter of nostalgia for me. I think most of that energy has gone to my love of literature and my love of film.

I grew up with an artist father, and my parents' friends were also mainly artists or writers, so he connects what I do with his example.

The arts and a belief in the values of the civil rights movement, in the overwhelming virtue of diversity, these were our religion. My parents worshipped those ideals.

My fiction has been influenced by the visual arts, though not in obvious ways, it seems to me. I don't offer tremendous amounts of visual information in my work.

I'd excluded New York from my writing, and then I came back and I fell in love with it all over again. The energy comes from an absence, that yearning for New York when you are not there.

What's lucky about my career in general is that I stumbled into what every writer most wants. Not repeating myself and doing strange things has become my trademark.

I've had the odd good luck of starting slowly and building gradually, something few writers are allowed anymore. As a result I've seen each of my books called the breakthrough. And each was, in its way.

I cant bear the silent ringing in my skull.

I learned to write fiction the way I learned to read fiction by skipping the parts that bored me.

The invisible are always so resolutely invisible, until you see them.

Artists freeze themselves into these weird postures that are meant to be impressive and involving, then they fling them out into the world like Polaroids, and then they move on. And I'm stuck in this intense relationship to the Polaroid.

Teenage life - possibly adult life too is all about what you want and can't have. And then about what you receive and misuse.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

English football has just had a transfer window imposed for the first time, so it will be interesting to see how managers cope with the squads they have until it re-opens.

Even if you do learn to speak correct English, whom are you going to speak it to?

Sometimes I feel I can't quite master my written and spoken Spanish, because I'm too much a student of English. I would need another lifetime to learn it.

It has since been agreed that speeches given in English will be translated into French and vice versa, and even into German and Italian when necessary. No doubt translations into Esperanto will also soon be in demand.

I'm learning English at the moment. I can say 'Big Ben', 'Hello Rodney', 'Tower Bridge' and 'Loo'.

No people in the world can make you feel so small as the English.

The one great principle of English law is to make business for itself.

Apart from a few simple principles, the sound and rhythm of English prose seem to me matters where both writers and readers should trust not so much to rules as to their ears.

The English people, a lot of them, would not be able to understand a word of spoken Shakespeare. There are people who do and I'm not denying they exist. But it's a far more philistine country than people think.

The English are polite by telling lies. The Americans are polite by telling the truth.

In English we must use adjectives to distinguish the different kinds of love for which the ancients had distinct names.