But back to your question, it was a wonderful experience with the Art Ensemble, and I keep in contact and sort of follow what's going on, but it was also very important to make this step, you may say this leap of faith.

So okay, I accepted, and I realized while working for that concert that I'd been missing something very important and vital to me, and that something was music.

Well, by the end of the millennium, five, six months from now, we hope to somehow manage to move into a new location where we have the whole building, so we can devote space to all our activities.

The Vision Festival was packed every night, always has been for the four years it's been happening.

In fact, since no one's been interested in my work, I took the responsibility recently to invest in my own work, so I'm producing a concert that was done at the Vision Festival in May.

Only here, because of the illusion of intellectualism, our society separates the validity of human expression.

Lotta people don't realize when you grow up with people, you have an affinity, a relationship you don't get with anyone else. After you're twenty years old, anyone you meet after that, it's different from the people you knew before.

You know, Equal Interest played at the Bell Atlantic Jazz Festival Awards and not one musician from that category was even thought of. Even thought of! The idea, that here's this vital energy, and that element doesn't even know it exists!

Well, dojo is a traditional Japanese word for training hall.

Well, actually, I don't consider myself a jazz legend or anything.

So, immediately after that, I got a commission to write a piece for chamber orchestra, and in working on the material I discovered it was possible to incorporate the Buddhist teachings into the music, so that's what I started to do.

Well, remember that we were all members of the Association for the Advancement of Creative Musicians.

When Christopher and Charles passed away, I was completely depressed, I felt rejected and real down, and so Roscoe invited me because he had this spirit of compassion, and we had gone to school together, were friends and everything.

People doing the kind of sound research that I'm interested in still have a difficult time.

I hadn't been practicing or playing or anything. But that had been a vital part of my life.

I've been informed by both sides, jazz, western music, Asian music, African music, all sides, because I've been interested in the sound of the universe, and that sound is without limit.

I've been fortunate in that I've been forced to move from zone to zone.

But back to your question, it was a wonderful experience with the Art Ensemble, and I keep in contact and sort of follow what's going on, but it was also very important to make this step, you may say this leap of faith.

You know, face painting in non-Western cultures is a sign of collectivism, is a sign of one representing the community, it's not unique at all.

It took me a long time to reach the decision to retire, actually, from the Art Ensemble.

So all of the music had reference, or is inspired by something of the dharma that I've come in contact with.

People call to keep me abreast of what's going on.

We were doing performance art as far back as 1965, just not calling it that.

Art teaches nothing, except the significance of life.

The principal rule of art is to please and to move. All the other rules were created to achieve this first one.

I grew up with art from the innocent age of ten - with art, but with no sense of identity.

One does not devote one's life in art to shock an audience.

The other great development has been in photography, but that too was influenced by Conceptual art.

My art became very public.

Riding a race bike is an art - a thing that you do because you feel something inside.

The idea is, if I can't heal from my art, then how can you heal?

But in the finished art of the song the use of words has no connection with the use of words in poetry.

One does not need buildings, money, power, or status to practice the Art of Peace. Heaven is right where you are standing, and that is the place to train.

I don't believe in art. I believe in artists.

Art cannot be modern. Art is primordially eternal.

Without art, the crudeness of reality would make the world unbearable.

We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.

Where the spirit does not work with the hand, there is no art.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.

Art is an expression of who you are. Parts that I play are my sculptures.

There has always been quite a strong black and white art tradition in Australia, with quite a large contingent of cartoonists, given the size of the population.

There is probably nothing wrong with art for art's sake if we take the phrase seriously, and not take it to mean the kind of poetry written in England forty years ago.

A man who exposes himself when he is intoxicated, has not the art of getting drunk.

What motivates me in art is the ugly and beautiful nature of the truth. It has to be truthful and honest, even if it is ugly and grotesque.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

I was the executive editor on a little magazine called Greek Accent, whose only claim to fame is that its art director went on to be the art director of Discover for many years.

I always feel like the art's there and I just see it, so it's not really a lot of work.

I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.