I had the great good fortune to interview Peggy Lee. Her memories of working with Walt Disney and his team were warm and upbeat.

I had the great good fortune to interview Peggy Lee. Her memories of working with Walt Disney and his team were warm and upbeat.

A Christmas Carol is such a fool-proof story you can't louse it up.

I teach at USC. I have a big class of 360 kids, only about a fifth of whom are film majors. I don't just show the Hollywood blockbusters. I show independent films, foreign films, documentaries.

I think the people who are making Christmas-themed movies today feel that people are more cynical about Christmas. There's more of an edge.

Movie theaters still exist in spite of all of the alternatives that are available, video and video-on-demand and DVD and streaming video and all of these things.

I'm a lifelong Disney nut.

I think people in Hollywood are afraid of sentiment because they think audiences will reject it.

Shakespeare wrote great plays that we're still watching all these years later. Charlie Chaplin made great comedies and they are still as funny today as they ever were.

Dumbo... makes me cry. Every single time and in the exact same spot. I just have a special affection for Dumbo.

The last person to stand still and repeat himself was Walt Disney. He refused to repeat himself. So to think that he'd be making the same kind of film in the year 2001 that he made in 1941 is absurd.

Audiences deserve better.

Everyone is looking for the sure thing. They are looking to hedge their bet. They think the way to do that is to go with a proven quantity, a remake of something you have already seen. That is their mindset.

When Tim Allen made The Santa Clause, I thought that was a delightful film. It took a modern sensibility but layered onto it a kind of sentiment.

Polar Express is not an attempt to do animation. It is a technology-based film.

Quality survives.

While it was occasionally done here or there, nobody else had a figurehead like Walt doing it. Jack Warner wasn't on TV. Walt was the boss, but he had a real public profile and he used it to his advantage. And he became a household face.

Hollywood executives believe that money is both the be-all and end-all to the moviemaking process.

NBC anchor Brian Williams is a standup comic in disguise.

Television is what made It's a Wonderful Life the classic it is today.

Beauty and the Beast became the first animated feature ever nominated for best picture.

If I were less than honest as a critic, I think people would spot that right away, and it would destroy my credibility.

Timing in life is everything.

Los Angeles has the greatest concentration of surviving movie palaces in the United States, yet most residents have never been inside one of them.

Television is what made Its a Wonderful Life the classic it is today.

My kids enjoy the Disney program, Lizzy McGuire.

I wanted to be a part of the Disney history.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

One of the best animated films I've seen come out of Disney was the Tarzan movie. I wasn't crazy about the story or the design on Tarzan's face, but the traditional animation was spectacular.

I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I'm really working on him about that.

I'm saddened to see that some have been misled into believing that Mr. Disney was something other than a kind, caring man.

Disney made a fortune out of inventing the businessman's idea of the imaginary as the contradictory of the businessman's idea of the real.

Florida has tons of entertainment opportunities because Walt Disney World and Universal Studios are there.

We've been able to access deals that under our former relationship with Disney - with tax advantages and strategic partners - that we just weren't able to do.

That's always at the heart and soul of Disney's features, the feeling of a family values.

Someone at Disney heard one of the records and called me in to do the sounds of Lucifer the Cat in Cinderella.

I had the great good fortune to interview Peggy Lee. Her memories of working with Walt Disney and his team were warm and upbeat.

This is a Disney animated feature; it's eternal, it's history. What's there to think about'

Disney has the best casting. If he doesn't like an actor he just tears him up.

I know that the work is good and they're excited over at ABC and Disney and it's getting some really good feedback. It's not just a little, insignificant kind of role. It's meaty, which is good.

Look what Disney's done to their animation department. There wasn't an animator in charge of their animation unit!

I mean when I was working shall we say with Disney, you know they sent me the script for the film Hercules and I had to imagine what all the characters looked like. And to develop those characters, so nothing exists visually when I get the script.

The cool part about working for Disney is that they've allowed me to be a change agent.

Pixar is going in the direction of the early Disney. And it's also corporate, where they have four or five projects in the works. I don't want to get into that subject.

Disney is thrilling and informative and important and beautiful and suspect. Butts was a detail I observed later and definitely ties in. I suppose I was programmed, yeah.

I joined Walt Disney, went to work, December 2nd 1935, so obviously, I'm not too young!

Walt Disney was my great hero.

Well let's see; I'm not obsessed with... I like Walt Disney except that you know, except for the horrible fascism. I love the art of it. I like a lot of things I don't agree with and that's one of them.

My daughter is one of the associate producers on two shows for Disney. I am really proud of her.