So the thing is to put out music for music's sake.

I'm not so much of a joiner.

I asked my friend Greg Andersson to introduce me to people that can distribute my album.

I think people listen to whatever they think is good.

Really the topic of breakfast cereal is generally a very boring one.

I'm just going to put out three or four releases a year and make it so that if you like the Desert Sessions, then you'll definitely like everything else.

The expression of this idea is Queens of the Stone Age, but the idea is that you will never slack on the music and will always humble yourself at the alter of Rock.

I know there are some labels that put out music for art's sake, but I don't know which ones.

I think people get fixated on the example of an idea.

I like to keep my feet on the sidewalk.

Independent minded girls that are naked sounds like a great start to something.

I think everyone is trying to figure out who they are and their own thing.

I like when people take chances.

Well, I think what's most important is the idea of something.

You got to risk something to be able to give something, you know?

Sometimes you actually get caught in the web of things where people are talking about... what kind of breakfast cereal you like.

Vinyl has gotten to the point where it's exclusively for the collector, I guess.

I felt really free, like I could do anything, because no one would know what to expect.

Not everyone deserves to be a musician, you get lucky enough to be one.

I'm always looking for cool stuff to do because that's what we're supposed to do, ya know?

So the thing is to put out music for music's sake.

Sometimes Queens' music is dark, but somehow it's ok to deliver it with a smile on your face because thing's are still going to kick in.

I think part of what happens is that small labels want to get bigger. And bigger is not better.

I think if you play music and you join a scene you're already too late.

I think more people need to make out.

Ultimately, words are only words, and its only the music that stands by itself.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

The value of music is to be able to play one note at the right time in the right way.

Younger players in this music often turn out to be middle aged; it is not a young music.